The picture comes from the internet.
Hao Jing not only created many landscape paintings, but also left a famous theory of landscape painting "brushwork" for later generations. He put forward "Six Essentials" in Calligraphy, and Hao Jing's Six Essentials are six standards specially formulated for landscape painting creation. Before, Sheikh had put forward "six laws" based on figure painting, but Hao Jing's "six essentials" can be said to be the inheritance and development of the "six laws". Hao Jing and Liu Yao not only combined the requirements of landscape painting, but also added their own creative spirituality.
What are the six elements of Hao Jing? One day's breath, two days' rhyme. Let's talk about breath and rhyme first. Hao Jing is divided into six verve methods, which mainly means that the painter's thoughts influence the brushwork. Only when he has a heart can he draw well, and calligraphy cannot be separated from the image. Charm mainly refers to the charm in landscape painting. Three days of thinking, four days of scenery, thinking here means that the painter should concentrate on thinking about the object of performance and conceive on the picture that does not appear. Scenery mainly means that natural scenery should have both form and spirit, and natural real scenery should be unified with thought.
Among Hao Jing's six essentials, five-day writing and six-day writing are mainly based on pen and ink, and Hao Jing attaches great importance to and pursues pen and ink. Hao Jing was the first person in ancient China who paid equal attention to pen and ink, which shows his pursuit of specific techniques. Hao Jing's six elements-loyalty, rhyme and thinking-are very important in his creation, and pen and ink serve the above points.
Hao Jing Tong Guan
Hao Jing, Guan Tong, was a famous painter in Hou Liang in the Five Dynasties. Hao Jing is good at landscape painting, and his paintings have the majestic momentum of northern landscape painting. He is the originator of northern landscape painting, and Guan Tong is also a landscape painter. Hao Jing and Guan Tong lived in the same era. Hao Jing was once a master of Guan Tong, but their works still have their own unique style.
The picture comes from the internet.
Hao Jing's works are full of pen and ink, and his writing style is vigorous and steep, showing an ethereal and lofty momentum with magnificent mountains and rivers. In his book Calligraphy, he put forward "six essentials" in the theory of landscape painting, and the real meaning of "six essentials" is Hao Jing's six requirements for painting creation. Many of Hao Jing's works are related to his early experiences, and he advocates that landscape painting should also have both form and spirit, blending scenes. What's the difference between Hao Jing's and Guan Tong's works?
For Guan Tong, a painter of the Back Beam, he studied hard since he was a child. In order to learn painting from Hao Jing, it can be said that he forgot to eat and sleep. Guan Tong's works can show the characteristics of the mountains in Guanshan area, which has both a majestic sense of momentum and a lack of exquisite beauty. The conception of Guan Tong's works even surpasses the mode of his master Hao Jing, and also has its own unique style. His works were once called Guanjia Landscape. Guan Tong's paintings are not only vivid, but also vigorous. Mo Yun has ups and downs, and his personality is very distinct. During the Northern Song Dynasty, they were also called "three outstanding men" with Li Cheng and Fan Kuan, which shows the great influence of Guan Tong.
Hao Jing and Guan Tong's works have the same theme, but their artistic techniques are different, which can be said to be the promotion of landscape painting. Hao Jing and Guan Tong are the models of the painters in the Later Liang Dynasty, which laid the foundation for the later development of landscape painting and made their own contributions. Some painting methods, requirements and ideas put forward by them are worth studying and studying in the future.
Hao Jing's works
Hao Jing was born in the middle of Tang Dynasty to ten years. He was a famous landscape painter in ancient China, and he laid the foundation for the later development of landscape painting. According to the historical records of paintings in past dynasties, there are more than 50 works about Hao Jing, of which landscape paintings account for the vast majority and figure paintings are few. Among them, the landscape painting "Pictures and Stories" mainly depicts the four-season landscape, three peaks, Taoyuan and Tiantai.
The picture comes from the internet.
Most of Hao Jing's works have been lost, but Kuang Lu Tu is still preserved. Many people may say that there are five paintings in Hao Jing's works, but the authenticity of these five paintings is controversial. Hao Jing's works also have his own unique characteristics.
Hao Jing's works have not been circulated so far, but they have a far-reaching impact on the creation of later generations. Hao Jing is not only a famous landscape painter, but also known as the originator of landscape painting school by later generations. Hao Jing's famous landscape painting theory "brushwork" has left a far-reaching influence on later generations. In the book "Calligraphy", he met an old man through hypothesis, and asked questions with him, and put forward the "six essentials" of landscape painting.
Hao Jingli strives to pay equal attention to pen and ink in his works. He believes that landscape painting must also be integrated with scenery, and his works can be said to be a model of Song painting. Hao Jing's Snow Scene is a very influential work, which shows Hao Jing's insight and breakthrough in the real landscape. Snow Scene gives people a feeling of being unearthed from an ancient tomb, and this unique style and expression technique can be said to be unique at that time. Hao Jing's other work "Crazy Road Map" is also excellent, with extraordinary charm and unique style.