Right bank of Ergon River
Chi Zijian (attached)
Right bank of Ergon River
brief Introduction of the content
This is the first novel describing the living conditions and changes of the Ewenki people in Northeast China.
Like a wall full of aura of heaven and earth, amazing but rare magical rock paintings; It is also like a national epic that is sometimes peaceful and sometimes violent, telling the world the love of life and the sorrow of the soul.
Chi Zijian, a famous female writer, told us the story of a 90-year-old woman who was the last chief of this small and weak nation.
On the right bank of the Ergon River on the Sino-Russian border, there lived an Ewenki nationality who migrated from Lake Baikal hundreds of years ago and lived alone with reindeer. They believe in shamans and move and hunt reindeer because they like food. While enjoying the gifts from nature, they also lead a hard life with a small population. Under the attack of severe cold, wild animals and plague, under the iron hoof of the Japanese aggressors and under the cloud of the Cultural Revolution, they sought to reproduce.
Even survived under the squeeze of various modern civilizations. They have great love, great pain, desperate struggle in the face of fate, and helplessness in watching the whole nation decline.
However, generation after generation of love and hate, generation after generation of unique folk customs, generation after generation of life and death legends, showing the tenacious vitality and indomitable national spirit of small and weak ethnic groups.
The language of the novel is exquisite, and a group of little-known Ewenki people are written with simple beauty.
The novel sees the big from the small, and writes a kind of sadness in the process of human history with an elegy of a weak nation. Its literary theme is epic and of world significance.
02
Dams in the Pacific Ocean
Marguerite duras (attached)
This age of anger
Content introduction:
Mother, 20-year-old Joseph and 16-year-old Susan struggled in the dilapidated shack in the center of the concession, and were constantly threatened by the cadastral administration to recover the concession.
Joseph's anger and love, Susan's resignation, some Mr. Ruo's plot to seduce young girls ... What should I do? Mother never lost her perseverance and hope. She planned carefully with caution, cunning and calm enthusiasm. How afraid she is of eventually being separated from her children-even though she knows it is irresistible.
This book is edited by Institute of Foreign Literature of China Academy of Social Sciences and translated by Ms. Tan Lide, Secretary General of French Literature Research Association. It is based on French version of Galema Press 1950.
03
mulberry leaf harvest
Ye Guangqin? (belt)
Pick mulberry seeds
Content introduction:
Picking Mulberry Seeds is a novel describing the life of Manchu aristocratic descendants since the Republic of China. This is a colorful picture depicting the fate of the characters, full of cultural connotations. Facing the vicissitudes of life and lamenting life is an endless elegy. The Qing dynasty has died, and the government is full of people. 14 brothers, sisters and relatives of the Kim family are running around: the eldest son rebelled against the royal family and became a military commander, and the eldest daughter was obsessed with the ticket show; The second son committed suicide because of Xiao Qiang's disaster, and the second daughter was driven out of the house in pursuit of free marriage. ...
The decline of an aristocratic family and the sufferings of a group of children vividly show the historical situation, the changes of social life and the evolution of traditional culture in China in the past hundred years, which makes people think endlessly.
Picking Mulberry Seeds was originally a epigraph, and the name of this book was borrowed from it. Nalan Xingde, a famous Manchu poet, wrote Picking Mulberries. Who turned over the elegy of Yuefu was once praised by Mr. Liang Qichao as "the sad voice of the times" and called it "broad vision and deep feelings", and so was this book.
It's about falling but not letting go, lamenting that the vicissitudes of life can finally be let go, and indeed everyone has a legacy. Its "Beijing flavor" is more rich and mellow than ordinary "Beijing flavor novels", which is the interest and implication of old Beijing flowing from the depths of life in the upper class and has unique artistic charm.