1, the mulberry has not fallen, and the leaves are luxuriant. Yu Yu, I'm sorry! Don't eat mulberry. What a woman! There is nothing to worry about. It can be said that scholars are worried. You can't say a woman is worried. -The Book of Songs Feng Wei Meng in the Pre-Qin Dynasty
In the vernacular, it means that mulberry leaves are covered with green branches before they fall. Hush, hush, those turtledoves, don't eat mulberries in your mouth. Young girls, don't part with men. If a man falls in love with you, it's too easy to lose it. If a woman loves a man, it's hard to get rid of it. This sentence is based on moist and shiny mulberry leaves, which is a metaphor for a woman's beautiful face.
2, the autumn of mulberry, it is yellow and embarrassing. Self-pity, poor three years old. Qishui soup, curtain skirt. Women are unhappy, and scholars do their best. Scholars are also extremely useless. -The Book of Songs Feng Wei Mang in the Pre-Qin Dynasty
In the vernacular, it means that the mulberry leaves have fallen, withered and haggard. I have been poor for three years since I married your family. Qishui sent me home, and the water splashed on the car curtain was wet. There is nothing wrong with me being a wife, but your man is too cunning. Be capricious and unruly, change your mind and play tricks. The withered and yellow falling of mulberry leaves symbolizes the haggard and abandonment of women.
3. There is a shore and a discipline. The banquet in General's Corner was talking and laughing, swearing and not thinking about the opposite side. On the contrary, I don't think about it. I'm already embarrassed! -The Book of Songs Feng Wei Mang in the Pre-Qin Dynasty
In the vernacular, it means that the water will eventually reach the shore, although the swamp is wide and has an end. Looking back, when I was young, I had more joy and more tenderness between laughter and laughter. The vows of eternal love are still in my ears, but I don't expect to be an enemy. Don't think about going back to the league, just stop now that it's over! There are two metaphors here: in the vast soup, there is always a bank with water; The vast and continuous swamp is also a marginal zone. With these two metaphors, the poet strongly expressed his resentment and told the endless pain of abandoning his wife.
Extended data
Feng Weimang is an ancient folk song. Through the self-report of an abandoned wife, it vividly describes her love, marriage, abuse and abandonment with Mang, expresses her attitude of regret and rejection, and profoundly reflects the phenomenon that women in ancient society were oppressed and damaged in love and marriage.
The first and second chapters describe the process of a man proposing to the heroine or even getting married, describing that he fell in love, broke through the shackles of the matchmaker's words and married Meng. When the poet narrates here, his emotions are extremely passionate, and his grief and remorse are intertwined, interrupting the narrative. The third and fourth chapters are mainly lyrical, and the poems are all about mulberry trees, from the poet's youth and beauty to the decline of body color, and at the same time reveal the process of men's love for her from rejection
The poem advises a group of beautiful young innocent girls not to indulge in love, and points out the inequality between men and women. The fourth chapter expresses the ungrateful resentment of self-protection. She pointed out that this is not the fault of women, but the capriciousness of self-protection. The fifth chapter, followed by a narrative, describes her labor and abuse after marriage, as well as her brother's ridicule and self-injury.
The sixth chapter, Fu and Bi Xing, is narrated in a lyrical way. They talked and laughed when they were in love. Men swear that they will grow old together. But he had a grudge before he was old, and it was irreparable. With these two metaphors, the poet strongly expressed his resentment and told the endless pain of abandoning his wife.
Describe childhood friendship and today's deviation, rebuke the hypocrisy and deception of self-protection, and resolutely express their emotional freedom. These are the reappearance of the author's experience, inner activities and emotional changes, and the structure is rigorous, forming an eternal and moving poem.