It is also a review of the collection.

Mr. Qian Zhongshu is silent, and his pen name is Shu Jun.

Mr. Qian is knowledgeable, versatile and proficient in foreign languages. He studied both Chinese and western cultures and made outstanding achievements in literary creation and academic research. Before liberation, he published a collection of essays, Writing on the Edge of Life, 16, 17,/kloc-China in English Literature in the 8th century, a collection of short stories, novels, besieged city and literary theory and poetry criticism. Among them, Fortress Besieged has a unique achievement, which has been translated into many languages and published abroad. Mr. Lu concentrated on the study of the West, and his views were incisive and original. After liberation, Mr. Qian published Notes on Selected Poems of Song Dynasty, Five Volumes of Guan Cone Compilation, Seven Episodes, Poems of Huaiju Village, etc. Mr. Qian also participated in the foreign language translation of Selected Works of Mao Zedong. He presided over the compilation of the Tang and Song Dynasties in the History of China Literature. His Notes on Selected Poems of Song Dynasty is quite insightful in selecting and annotating poems, and also accurately expounds some regular problems in Chinese and foreign poetics. Guanzuibian discusses Yijing Justice, Shi Mao Justice, Zuo Zhuan Justice, Notes on Historical Records, Notes on Lao Bi, Biographies of Liezi, Jiao Shi, Hong Xing Ancestors of Chu Ci, Taiping Guangji, and all the three ancient dynasties, Qin and Han Dynasties.

The characteristics of Mr. Qian's academic research are the integration of Chinese and western learning, the mutual understanding of ancient and modern times, the integration of various disciplines, the exploration of the subtle and the connection with the abstract, which makes him unique in contemporary academic circles. Because of its achievements in many aspects, it is known as the cultural Kunlun. Over the past 60 years, Mr. Qian Zhongshu has devoted himself to the research of humanities and social sciences. He is indifferent to fame and fortune, willing to be lonely and diligent in research, and enjoys a good reputation at home and abroad. He has made outstanding contributions to the country and the nation, trained several generations of scholars, and is a valuable asset of China.

Mr. Qian's outstanding achievements in literary research and literary creation are of great significance for us to build a new culture in China, especially to develop and discard China's traditional culture scientifically and learn from foreign cultures selectively. Mr. Qian's influence on China culture is mainly manifested in the following aspects: First, observing China and the world with the spirit of cultural criticism. On the basis of knowing China culture and surveying the world culture, Mr. Qian observed Chinese and western cultural things, and always kept a clear head and profound insight. He does not reject any theory, nor does he blindly follow any authority. He devoted all his life to determining the proper position of China literature and art in the world literature and art hall, thus pushing China literature and art to the world and joining the overall pattern of world literature and art. Therefore, he not only profoundly expounded the profound connotation and unique value of China's cultural spirit, but also pointed out its historical and regional limitations. He not only criticized China people's conceit of local culture due to some fantasies, but also ruthlessly swept away the ignorance and prejudice of westerners centered on European and American cultures. Mr. Qian has played a very good role in promoting cultural exchanges between China and foreign countries, letting China people know about western learning, and letting westerners know about China culture. The second is to develop and deepen the study of China with new academic norms. China is a country of poetry, propriety and righteousness, while China has a long academic history, and China has long been a famous scholar in the world. In this field, on the one hand, it is diligent and honest, and fruitful, on the other hand, it is difficult to innovate because of Chen Xiangyin. Rigid adherence to thinking methods and rigid demarcation of academic methods have greatly hindered progress. In this urgent situation, Mr. Qian's research methods came into being. He has practiced the methods of "linking up", "cross-reference" and "comparison" for decades, and made efforts to make China Studies consciously become a scientific and open system, thus achieving deeper, broader and newer development. Third, lead literary creation with modern consciousness. Mr. Qian Zhongshu lives in an agricultural country, but he does not have the narrow and conservative concept inherent in small-scale production; He mainly studies China ancient literature, but he is not pedantic like Sancun. Mr. Qian's creation is permeated with a strong sense of modernity, which is rare in China's modern literature. It is different from the general works of his time and quite in tune with the trend of world literature. What deserves special attention is that his literary creation is not eaten alive, but works with real Chinese style, which are loved by China people and foreigners. Fourth, set a personality example for China intellectuals with a noble image. In 1930s and 1940s, Mr. Qian Zhongshu did not bow to the evil forces, but made a bitter mockery of the dark society with his literary works. After 1949, Mr. Qian Zhongshu was humiliated and tortured during the Cultural Revolution, but the wise man was invincible. Mr. Qian Zhongshu has never forgotten his historical mission of contributing to the motherland and world culture as a scholar. He does not take the unpopular road, does not invest in the engine, does not care about profit and outspoken, and is not easy to behave. He opposed the establishment of several cases, but devoted himself to research and produced results. In today's world, this character is even more valuable.

The Collection of Pipe Tape is the most important research achievement of Mr. Qian. This book is written in elegant classical Chinese, quoting a large number of English, French, German, Italian and Western original texts. It is a rare multi-volume academic work. The four volumes of Sanlian Bookstore (5 volumes by Zhonghua Book Company) are nearly1.3000 words, which are the author's Book of Changes Justice, Shi Mao Justice, Zuo Zhuan Justice, Historical Records Annotation, Lao Bi Annotation, Liezi Annotation, Jiao Shi Annotation and Chu Ci Hong Xingzu Annotation. This book examines the chapters and principles of ci, and breaks through the barriers of time, space, language, culture and discipline. During this period, there were many new ideas, all of which were built by predecessors, which could quite open the thinking of the times and overthrow the heroes of the moment. The book quotes tens of thousands of documentary evidence from tens of thousands of works by 4,000 writers, covering almost all social sciences and humanities except literature. In the unpublished part of the book, there are ten kinds of notes, such as The Book of Rites, Zhuangzi, Quantang Wen, Poems of Du Shaoling, Notes on Poems Born in Yuxi, Changli Collection and Jianzhai Collection. Obviously, this high-grade book is the crystallization of Mr. Qian's decades of hard work. After the publication of this book, it caused great repercussions in academic circles at home and abroad. Although Zhonghua Book Company did not declare the "National Book Award" for the book at the beginning, the knowledgeable judges fairly included it in the first prize list.

Qin Yi Lu is China's last work with traditional poetry as a classic, and it is also the first work to comment on China's classical poetics by using western new humanities and social sciences. The book has 450,000 words and often comments on the works of ancient poets, especially some representative poets after the Tang Dynasty. This book quotes or comments on nearly 65,438+030 kinds of poetry talks since the Song Dynasty, and almost all the important works in the history of China's poetry talks are involved. The thoughts and talents of all authors, the evolution of works, the ups and downs of criticism and so on. , are all inclusive. Each section is detailed, creative, comprehensive, coherent, critical or thematic, free in length and eclectic. Take two western concepts, oppose three corners, and cite more than 500 western theories, including Buddhism, psychoanalysis, structuralism, cultural anthropology, new criticism, surrealism, reception aesthetics, deconstruction and other relatively new schools. This book is a must-read for studying China's classical poems.

Strange Tales is a collection of literary theories. This book is basically a co-editor of Four Articles of Old Literature and Yi Ji. This book contains seven research articles dubbed by Mr. Qian as "half-China, half-Western and half-Western". This book should be read together with "Pipe Taper". Each article is a chapter in the "pipe cone assembly". The notes in each section of the "Cone Assembly" are like a brief overview of every article in this book.

Notes on Selected Poems of Song Dynasty is one of the reading series of China's classical literature. The preface to the volume is an important poetic paper that Mr. Qian has devoted himself to studying Song poetry for many years. This paper not only has unique views on the historical position of the Song Dynasty and its success or failure, but also makes many contributions to the basic theory of China's classical poetry, and is quite unique in poetry selection and political affairs. Mr. Qian always likes to pretend to be a novelist, so he often uses the novelist's brushwork to outline the image and polish anecdotes; Although the language is simple, the characters are alive. His comments are alert and clear, simple and specific, and often ingenious.

Fortress Besieged is Mr. Qian's only novel and a well-known classic of modern literature. Some critics think it is one of the greatest novels of modern China. Fortress Besieged is a poem in the novel, which is rich in connotation and wins over emotion with reason. The so-called "besieged city", as the characters in the book say, is born out of two European idioms. The Englishman said, "Marriage is like a golden birdcage. The birds outside the cage want to live in it, and the birds inside the cage want to fly out, so they get married and separate, and there is no game. " The French say that marriage is like "a besieged castle. People outside the city want to rush in and people in the city want to escape." Fang Hung-chien, the hero of this book, didn't know there was Fortress Besieged. However, when he heard people talk about Fortress Besieged and experienced the ups and downs afterwards, he thought that "everything in life has this idea." Fortress Besieged is an image summary of a life situation and a clever grasp of a psychological attitude. Fortress Besieged depicts the eternal cycle of human idealism and disillusionment. Throughout the ages, many people started from thinking that God helped them and ended up realizing that God helped them. The ups and downs in Fortress Besieged are all about rising ideals and repeated disillusionment. Often things are ruined when they are finished, and waves will only throw away their hard work. Many people have been in the situation of "besieged city" all their lives without paying attention to it. Therefore, Fortress Besieged can be regarded as a symbol of human predicament and repeated setbacks. Mr. Qian Zhongshu looks at floating life and thinks about diving; Point out the world, express deep feelings, and show metaphysics through physics, so that readers can suddenly understand life. The style of this book is humorous and wonderful, and you can appreciate the richness and beauty of Chinese characters when you read it.

Man, beast and ghost is a collection of Mr. Qian's short stories, which consists of four works. Among them, the dream of god describes the loneliness of people and the alienation of interpersonal relationships; Cat satirizes a group of boring intellectuals and can be regarded as the prototype of Fortress Besieged. Inspiration shows self-caused pain and alienation of spiritual products; "Commemoration" is about the gap between family members and husband and wife that cannot be bridged and communicated.

Writing on the Edge of Life is a collection of essays by Mr. Qian. Income "the devil visited Mr. Qian Zhongshu at night" and other ten articles. The author expresses his views on the people of the world with the attitude of "a casual amateur" and a bystander. He is knowledgeable, knowledgeable and humorous, which is a unique variety in the history of modern prose in China.

Poems in Huaiju is an old-style poetry anthology selected by Mr. Qian Zhongshu himself and copied and preserved by Mr. Jiang Yang. Mr. Qian has written at least thousands of poems since he was a primary school student for decades. However, Mr. Qian is quite satisfied with his own consciousness, but there are less than 300 songs in this episode, which shows his high level. There are all kinds of works in the book, which are expressive, lyrical, sentimental and poetic, and they are extremely resistant to reciting. Among them, Ancient Untitled Chapter was most inspired by Li Yishan. In the preface, the author tells the story of how teenagers learn poetry, as well as the principles and process of writing this book. These are the first disclosures and will definitely arouse readers' great interest.

The word "Shi Ye" in Ye Shi Ji often comes from the mouth and is used as the title of the book, which is elegant and interesting. Such wonderful use can be compared with Lu Xun's "Gang Ji". "Yes" and "just" don't need to be right, they complement each other. And "There is an inn" in Stephen Chow's the duke of mount deer Butyl 2. Feel free to come and relax; Interesting. interesting. "The Collected Works of Shi Ye" consists of three1early 1980s papers and a supplementary edition of Lu's papers. The title of the book comes from Qian Ceng's famous book "Shi Ye Garden", which means "Shi Ye Collection". A year later (84 years later), when Qian Zhongshu was studying, he found that someone had written a book called Yiji in the early Qing Dynasty, but it had been lost.