Romance of the Three Kingdoms, formerly known as the popular Romance of the Three Kingdoms, is also called Romance of the Three Kingdoms. It is the pioneering work of China's ancient novels and the most representative historical romance novel of China. The book is not vulgar, concise and lively, full of momentum and lively.
Luo Guanzhong (1330- 1400), a famous book, was a popular novelist in Ming dynasty. His native place is Taiyuan, Shanxi Province, and Qiantang, Hangzhou, Zhejiang Province, which is uncertain. It is said that he was a screen guest of Zhang Shicheng, a peasant uprising army at the end of Yuan Dynasty. He also wrote popular novels such as The Romance of Sui and Tang Dynasties, and plays such as Zhao Taizu's Dragon and Tiger Meeting.
Romance of the Three Kingdoms describes the history of nearly a hundred years from the end of the Eastern Han Dynasty to the beginning of the Western Jin Dynasty. The book reflects the political and military struggle, the infiltration and transformation of various social contradictions in the Three Kingdoms period, summarizes the historical changes of this era and shapes a group of heroes. In grasping the history of the Three Kingdoms, the author showed an obvious tendency to support Liu and oppose Cao, focusing on the description of Liu Bei Group, praising the main figures of Liu Bei Group and trying to expose and lash Cao Cao. Today, we should dialectically understand the author's tendency to support Liu and oppose Cao. Respecting Liu and opposing Cao is the main tendency of folklore in Luo Guanzhong era, which implies people's hope for the rejuvenation of the Han nationality.
The Romance of the Three Kingdoms describes wars, big and small, with grand ideas and various techniques, which let us clearly see the bloody war scenes. Among them, the description of the battle of Guandu and Battle of Red Cliffs is ups and downs, ups and downs, and it is thrilling to read. The Romance of the Three Kingdoms has created nearly 200 characters, among which Zhuge Liang, Cao Cao, Guan Yu, Liu Bei and others are the most successful. Zhuge Liang is the incarnation of the "saint" in the author's mind. He has the lofty spirit of "devoting all his efforts to death" and the ambition of helping people rebuild a peaceful and prosperous world in modern times. In addition, the author endowed him with the peculiar ability of giving orders and calculating skillfully. Cao Cao is a treacherous man. His life creed is "I would rather teach the world to fail me". He is a political careerist and schemer, so don't confuse him with the real Cao Cao in history. Guan Yu is "brave and resolute" and "righteous as a mountain". But his loyalty is based on personal grudges, not the national justice. Liu Bei was portrayed by the author as a model of benevolence and righteousness, a corporal who valued virtue, and a man who knew people well and did his duty well.
Romance of the Three Kingdoms has brought the upsurge of China's historical novel creation, and its series of characters are well-known in China. Romance of the Three Kingdoms was very popular in ancient China. Song and Yuan dynasties came to the stage, and Jin and Yuan dynasties performed more than 30 kinds of Three Kingdoms operas. From Yuan Dynasty to Zhinian, the Pinghua of the Three Kingdoms published by Yu's family in Xin 'an came out. At the end of Yuan Dynasty and the beginning of Ming Dynasty, Luo Guanzhong synthesized folklore, drama and scripts, combined with historical materials such as the History of the Three Kingdoms by Chen Shou and Pei Songzhi's notes, and based on his personal understanding of social life, he created the well-known Romance of the Three Kingdoms. The earliest existing edition was published in Jiajing period of Ming Dynasty, commonly known as "Jiajing Edition", with a total of 24 volumes. During the Kangxi period of the Qing Dynasty, Mao Zonggang, the father and son of Maureen, collated historical events, added or deleted words, and revised them into "Romance of the Three Kingdoms" 120, which has been passed down to this day.
There are many versions of Romance of the Three Kingdoms, mainly including: Ming Hongzhi version of Romance of the Three Kingdoms, with simple words and simple content; Romance of the Three Kingdoms, a commentary added or deleted by Mao Zonggang in Qing Dynasty, was written in the early years of Kangxi, and it is the most widely circulated book in the society. People's Literature Publishing House reprinted many times.
In the history of China literature, perhaps no work has attracted so many readers for so long as The Romance of the Three Kingdoms. For hundreds of years, she has been handed down from generation to generation by our whole nation. Reading The Romance of The Three Kingdoms has penetrated into every corner of our national life. Famous painters Dai Guobang, Chen Baiyi, Dai Honghai and other 35 painters drew four great classical novels, Romance of the Three Kingdoms, and drew 292 Chinese paintings with colored pencils.
A Dream in Red Mansions
A Dream of Red Mansions is one of China's four classical masterpieces. Based on the love story of Jia Baoyu and Lin Daiyu, the book tells the process of Jia Fu's prosperity and decline. This book is the representative work of China's classical love novels, with delicate characters and vivid and touching stories, which reflects the social outlook at that time from one side. This book has been translated into many languages, widely circulated and deeply loved by readers all over the world. The story is full of twists and turns, funny language, many characters, rich in content and all-encompassing, and it is an encyclopedia for studying the society at that time.
A Dream of Red Mansions is the peak of China's ancient novels. The book 120 chapters, the first 80 chapters were written by Cao Xueqin, and the last 40 chapters were reportedly written by Gao E.
Cao Xueqin 17 15? A 1763？ The real name is Zhan, the word, the number Xueqin, and the number layman. Great novelist in Qing dynasty. My ancestral home is rich in Hebei and Liaoyang, Liaoning. After the Qing people entered the customs, they entered the Zhengbaiqi internal affairs office. From his great-grandfather to his father, his family inherited Jiangning weaving. When I was young, my family was rich and powerful. Later, his father was convicted, his inheritance was confiscated, and his family wealth declined. Cao Shijia moved from the south to the north. After middle age, they lived in the northwest suburb of Beijing. Their family is very poor and lives a "family porridge" life. Cao Xueqin is versatile, good at poetry and painting, talkative and arrogant. A Dream of Red Mansions has been written for 80 times. Due to poverty and illness, and the death of my beloved son, it has become an unfinished work.
A Dream of Red Mansions, also known as "Stone Story" and "Jinyuyuan", takes the love story of Jia Baoyu and Lin Daiyu as the main line and describes a series of love stories of young men and women inside and outside the Grand View Garden. At the same time, by describing the social environment of these love tragedies, it involves politics, law, patriarchal clan system, women, morality, marriage and other issues. In feudal society, expose the world at the end of feudal society, expose the decay and evil of feudal nobles and their rule, praise the rebels who pursue light, and declare that this society is bound to perish through the tragic fate of rebels. It can be said that A Dream of Red Mansions is an encyclopedia of social life in the late feudal society of China.
A Dream of Red Mansions has created vivid characters such as Jia Baoyu, Lin Daiyu and Xue Baochai. Baoyu has always stood outside the feudal spirit and morality. He regards his official career as an official career, the words of the entertainment circle as a tool for seeking fame and reputation, and reading sages as a fear. He has a strong gentleman pants habit and is anti-feudal. He respects women, personality and freedom, and is a typical rebel of an aristocratic family and even the feudal system. Daiyu is an elegant, aloof and sentimental aristocratic lady. She regards love as her life, but her love is ruined because the aristocratic family does not allow it. Baochai is a feudal lady who abides by the rules of women's morality. She was also a victim of feudalism.
A Dream of Red Mansions breaks through the traditional way of drawing materials and conceiving, and concentrates the society on the whole family, while the Jia family is actually the epitome of the whole society.
The skill of writing people in A Dream of Red Mansions has reached perfection. The characters described are vivid, distinctive and have multiple personalities, which breaks the characteristics of typification of novel writers in the past. The author's main methods of portraying characters are: under the broad social background, carefully portraying different characters; Pay attention to the personality of the characters, and the psychological description is concrete and concise; Put the characters in a specific artistic atmosphere to set off their inner feelings.
A Dream of Red Mansions absorbs the nutrition of China's classical literary language, refines popular language and casts it into an accurate, refined, pure, vivid and elegant language.
A Dream of Red Mansions is the most famous, widely circulated, read and published novel in ancient China. Since the publication of this classic, critics have mushroomed and commented on it, naturally forming a remarkable school-A Dream of Red Mansions.
The plot arrangement of A Dream of Red Mansions is distinct and is an organic whole. Its structure is not only interrelated and criss-crossed, but also well-defined and orderly, just like life itself, without showing traces of artificial axes.
A Dream of Red Mansions is an ordinary trivial matter on the surface, but it can see the big from the small and reflect the essence of life, which has rich and profound social significance.
After the publication of A Dream of Red Mansions, with its profound ideological implication and exquisite artistic charm, it shocked the hearts of readers from generation to generation and had a great influence across time and space, forming a huge Dream of Red Mansions in the field of academic research. After more than 200 years of ups and downs, A Dream of Red Mansions has not declined, but has become more prosperous, which shows the artistic value of A Dream of Red Mansions.
The version of Dream of Red Mansions has two systems. One is the fat censorship transcript system, which has only been circulated for 80 times. One is Cheng Weiyuan's Gao E finishing and repairing 120 copy system. A Dream of Red Mansions published by People's Literature Publishing House 1982 has 120 revised annotated editions, which is a relatively perfect new reader.
The Water Margin?
The Water Margin is also known as loyalty to the Water Margin and Jianghu Hawk Biography. According to the story of Sung River Uprising in Song, Jin and Yuan Dynasties, it was written into a script. More than 200 years later, Shi Naian created China's first vernacular novel "Water Margin" based on scripts, folk stories and operas, which is of milestone significance in the history of China vernacular literature development.
The Water Margin is the first novel describing the peasant uprising in the history of China.
The story of Water Margin has been circulated among the people for a long time. In the Southern Song Dynasty, Wang's "A Brief Introduction to the East" and other books have been recorded sporadically. Gong Sheng, a adherent of the Northern Song Dynasty, wrote thirty-six poems praising Song Jiang. The anonymous Legacy of Song Xuanhe describes the deeds of Song Jiang and others. There were 25 kinds of dramas with the theme of Water Margin in Yuan Dynasty, and the story of Water Margin spread to the end of Yuan Dynasty, which roughly formed the scale of this edition of Water Margin.
The author of Water Margin is generally regarded as Shi Naian in the late Yuan Dynasty and early Ming Dynasty. Shi Naian was born in Suzhou from 1296 to 1370. Famous novelist in the early Ming Dynasty. At the age of 35, he entered the Jinshi, then abandoned his official position and returned to his hometown to engage in creation. Legend has it that he had some connection with the peasant uprising movement at the end of Yuan Dynasty.
The Water Margin describes the whole process of the formation, development and even failure of the peasant uprising team represented by Song Jiang in Shandong at the end of the Northern Song Dynasty with artistic brushwork. Starting with Gao Qiu's persecution of Wang, the novel closely follows the theme of "officials forcing the people to revolt" and describes the experiences of 108 heroes such as Lu, Lin Chong, Chao Gai and Song Jiang who were forced to revolt. From Lin Chonghuo and Wang Lun to the hero of Bailong Temple, the Liangshan team was basically formed; Classical Zeng Toucheng died unfortunately. Sung River took over as the leader, continued to recruit talents to resist loyalists, and arranged seats for heroes in Liangshan Park. This is the basic content of seventy volumes. Baihuiben described the Liangshan hero's two victories over Tong Guan and three defeats against Gao Qiu after "ranking", which shocked the ruling and opposition parties. Then he accepted the favor of the imperial court and went north to Liaokou, winning a great victory. However, during the suppression of the Fang La Uprising, most Liangshan heroes were killed. The story of "tian hu and Wang Qing" was inserted in the middle of the book, with the same ending as the book: a vigorous peasant uprising finally failed. Based on the occurrence and development of peasant uprising, this paper describes the whole process from individual awakening to small-scale joint resistance to grand peasant uprising team through the different experiences of each protagonist being caught up with Liangshan, showing the inevitable law of peasant uprising in feudal times, shaping the group image of peasant uprising leaders, and profoundly reflecting the political situation and social contradictions in the late Northern Song Dynasty.
On the side of the oppressed, the author praised the just actions of the leaders of the peasant uprising to rob the rich and help the poor, eliminate violence and quell chaos, and affirmed their revolutionary spirit of daring to resist and struggle. Song Jiangyuan is a brave man who used his quick wits to help the poor. When he was forced to go to Liangshan, he "defended heaven", strengthened the prestige of the rebel army and won a series of victories. However, due to the duality of his personality and the limitations of his thoughts, he chose to compromise and win over when the uprising reached its peak, and finally ruined the uprising. Through the failure of Sung River uprising, the novel objectively summarizes the experience and lessons of the failure of peasant uprising in feudal times.
The story begins with the rise of Gao Qiu, which is intended to show that Gao Qiu is the representative of the feudal ruling group. The author also wrote a large number of corrupt officials and local bullies. It is they who collude with each other and fish in troubled waters, forcing good and upright people to take risks and rise up against them. The novel deeply excavates the deep-seated reasons of peasant uprising in feudal times.
The structure of Water Margin is very unique. First, it takes a single heroic story as the main body. At the end of the last story, another character is led by the transformation of events and scenes, and the next story begins with life events. Like a ring, interlocking, interlocking. There are also some stories with their own jokes, showing many heroes, such as Zhicai birthday class and Sanda Zhujiazhuang. One story after another flows like a trickle to the Yangtze River, and finally merges into a huge torrent and a huge hero party.
The Water Margin has successfully shaped the characters such as Song Jiang, Lin Chong, Lu and so on. The author is good at putting the characters in the real historical environment and closely connecting their identities and experiences to describe their personalities. He is good at describing the characters by putting them in a critical moment of life and death, and he is also good at using contrast and contrast to highlight their characters.
"Water Margin" does not have the slightest femininity and affection, but it has bold and rough masculine beauty and lofty beauty. This aesthetic style had a certain influence on later heroic legendary novels.
The influence of Water Margin on later generations is not limited to the scope of literature. For hundreds of years, The Water Margin has been widely circulated among the people, which directly promoted the people's resistance movement. The Water Margin has a great influence on later novels and plays, and the water margin story is still an important part of the drama repertoire.
The Water Margin can be divided into traditional and simplified versions. This article is complicated and simple, and this article is simple and complicated. At the end of the Wanli period of the Ming Dynasty, Yang polished up the collection and Wang Qing events from the simplified edition and synthesized them with the traditional edition 120 volumes. Jin Shengtan, A Qing Jinshi, took 7 1 back to polish it, and took 1 back as a wedge to make 70 copies. The Water Margin, revised by Shanghai Editor of Zhonghua Book Company, is suitable for ordinary readers. The Water Margin compiled by People's Literature Publishing House is suitable for literary researchers.
Shi Naian's novel Water Margin has extremely vivid life scenes and colorful characters. Water Margin 108 is a wonderful work in China's ancient novels, with different identities and temperament.
[Literary Works] Journey to the West
Wu Cheng'en's mythical novel The Journey to the West, with its grand scale, tortuous plot, vivid language and rich imagination, is a treasure in China's ancient novels.
The Journey to the West is based on anecdotes and operas about Tang Xuanzang's trip to Tianzhu. This book is divided into three parts:
The first part is about the history of the Monkey King (from Part I to Part VII).
The second part is about the origin of Tang Priest's scriptures (8-12).
The third part describes the process of the Tang Priest and others to learn from the scriptures, that is, the eighty-one difficult process (thirteen to ninety-nine).
Some scholars pointed out that The Journey to the West described the Heavenly Palace on the basis of the human world, so that readers could reflect the chaos in the real society through the demonic the Monkey King.
Wu Cheng'en played an active and romantic role in The Journey to the West's creation, with rich imagination, special characters and a combination of painting people and magic. Among them, the Monkey King's image is more prominent. He is brave and witty, likes to quarrel with his brother, and is full of human nature. Coupled with the vivid description of other characters' plots, The Journey to the West not only became a complete fairy tale in the history of China art, but also was deeply loved by foreign readers for its bizarre and changeable plot changes.