In the early Tang Dynasty, four regular script masters, Yu Shinan, Chu Suiliang and Xue Qi, all embodied the rules in the delicate and elegant calligraphy, paving the way for the peak of regular script. Yan Zhenqing, who lived in the prosperous time at the turn of the middle Tang Dynasty, was the most outstanding representative of regular script in the Tang Dynasty. Yan Zhenqing's regular script is vigorous and honest, vigorous and vigorous, with strict statutes, which has its own flavor as a model for future generations. Su Shi said: As for the beauty of poetry, the beauty of prose, the beauty of Yan in prose and the beauty of Wu Dao in painting, all changes can be made. ? A striking similarity between the two is to incorporate profound connotations into strict formal norms. Later, Liu Gongquan inherited Yan Zhenqing, consciously sought change, and combined with the brushwork of Weibei and Ou Yangxun, abandoned fat and emphasized hard bones, simplified and rigorous, and further improved regular script. However, Yan is consistent in basic style and is the most typical representative of the regular script series in the middle Tang Dynasty.
Ou Yangxun's seal script, official script, regular script and running script are all excellent. What does don think? Do your best? Yu Shinan also said that he? You can get what you want without choosing paper and pen? .
Ou Yangxun's calligraphy was famous in the world as early as the Sui Dynasty, and spread abroad. After entering the Tang Dynasty, he was an old man and a calligrapher, and the art of calligraphy reached a state of perfection. Ou Yangxun's calligraphy achievement has always been the highest in regular script. His brush strokes are dangerous and powerful, and his structure is unique, so he is called "regular script" by later generations. The European body? . His regular script originated in Han Li, and the pen structure has very strict procedures, which is vigorous and powerful; See danger in peace and elegance in rules; The strokes are interspersed and arranged properly, which is most convenient for beginners. From the afterlife? Ouyang knot body 36 method? This is the law of writing which he summarized by wiping books. His most famous books-wiping works, such as Monument to Youquan in Jiucheng Palace, Monument to Huadu Temple and Monument to Yugong, are called "Tiannv". Why don't you wipe it first? . The inscription of Youquan in Jiucheng Palace was written by Wei Zheng. Ou Yangxun wrote about the discovery of spring water by Emperor Taizong during his summer vacation in Jiucheng Palace. This monument was built in the sixth year of Zhenguan in the Tang Dynasty (632), with 24 lines and 49 words each. This monument is square, and you can see the danger in the square with a stroke of the pen. The arrangement of calligraphy and painting is compact and symmetrical, and the bookshelf is open and steady. Han called this book Graphite Rusted Porcelain? Book first? .
Ou Yangxun's regular script is most famous for Zhong Ni Monti Tie and Zhang Han Lu Si Tie. Among them, Zhang Hansi's Lv Tie is basically consistent with his regular script style. Both of them win by risks, with the center of gravity on the left and thousands of strokes on the right, so that the structure of each word forms a rebellious trend, and then it is saved by the efforts on the right. Is it true?/You don't say. Don't seek stability in danger? . Gan Qing Tommy Tam commented: It is more than enough to go with the flow? . Ou Yangxun also made great contributions to the calligraphy theory. What did he create? Ou Yangxun's eight tactics? , has a unique opinion, its eight tips are: (pointing to the stone falling from the peak; (Yoko) facing the new moon in the sky; (horizontal) to the clouds thousands of miles away; (vertical) to the dead vine that has lived for 10 thousand years; (vertical ge) to Jinsong inverted, cliff; (Fold) Wanjun heavy crossbow will be launched; (left) Cut off the teeth of rhinoceros horn with a sword; (si) it takes a wave and three strokes. These eight laws have a far-reaching impact on future generations. Li Wei's Eighty-four Laws in Ming Dynasty and Huang Ziyuan's Ninety-two Laws on Structure in Qing Dynasty were all inspired by him.
Li Chuanbo's Four-foot Vertical Calligraphy Works Gong Fan Zhu Congge
This is a calligraphy work written by Cen Can's "Zhu Congge, Gong Fan", which appreciates the character of bamboo. Bamboo, since ancient times? Is bamboo newspaper safe? Say, there is virtue and promotion. Bamboo is also a spiritual and cultural symbol of elegance, purity, modesty and restraint. There are few gardens and bamboos in ancient and modern gardens. If there is bamboo in the house, the windows will be quiet and the air will be fresh. The bamboo shadow is swaying and the posture is in the painting. The green leaves don't fade in winter, so they are handsome.
This calligraphy is a combination of reality and reality, implicit and meaningful. It is not difficult to see that its charm is very close to that of Qigong master, so it can be seen that teacher Li Chuanbo's skill has reached an extraordinary level.
This calligraphy work is very good whether it is hung in the living room and study room at home or in the office of an enterprise company. It not only plays a decorative role, but also plays a role in improving one's taste and self-cultivation. It is also a good choice to give it to others as a gift. And this work is also quite good for investment collection.
Yan Zhenqing was an outstanding calligrapher in the Tang Dynasty. He is a scholar, and he became famous all over the world when he was a prefect of the plain, so later generations also called him? Yan Pingyuan? He is honest, clean and honest, has a sense of justice, never flatters the powerful, condescends to flatter, and is famous for his significance. His handwriting is like a person, always using the front, so it is a qualitative brushwork called Yan Fa. Yan Zhenqing's regular script, contrary to the calligraphy style of the early Tang Dynasty, changed from thin and hard to vigorous and vigorous, replacing broad and magnificent. This style also reflects the prosperity of the Tang Dynasty empire, which fits his noble personality and is a model of the perfect combination of calligraphy beauty and personality beauty. Yan Zhenqing's existing calligraphy works include Tuo Pagoda, Yan Jiamiao Monument and Yan Liqin Monument. Inscriptions have their own characters, which are upright but not dangerous, but the strokes are thick and the feet are too weak. Yan Zhenqing is one of the most innovative calligraphers, and Yan-style calligraphy has a far-reaching influence on the calligraphy art of later generations. Ouyang Xiu once said:? Uncle Yan is like a loyal martyr, a moral gentleman, strict and respectful. The longer people are afraid, the cuter they are. There are many treasures in the world, but they are countless and can't be tired of seeing them? . Zhu praised the book:? Points are like falling rocks, paintings are like Xia Yun, hooks are like gold, and grids are like crossbows. Since the word has meaning and dedication, there is no such thing as a public figure. .
Teacher Guan Shan's four-foot banner calligraphy work "Zhibo Tian Yun"
Guan Shan, formerly known as Tian Guanchao, whose pen name is Guan Shan and Zi Tian Ye, was born in 1956 in Cangzhou, Hebei. Graduated from Central Academy of Fine Arts and now lives in Beijing. Member of China Calligraphers Association and Beijing Calligraphers Association. Calligraphy and painting works are recognized as? China's national gift works? , and was hired as? The State Council's state guests gave gifts to artists of painting and calligraphy? , enjoy the special allowance of the State Council, and his works are collected by leaders of many countries and regions. Currently, he is an academician and deputy secretary of China Famous Painting and Calligraphy Research Institute, a member of China Painting and Calligraphy Federation, a member of China Calligraphy Art Research Institute, and a painting and calligraphy consultant of China Ministry of Culture. In his early years, he studied Yan Zhenqing's block letters, and later he specialized in Erwangxingshu, Zhang Xu, Zhao Mengfu and Mi Fei fonts. Especially in recent years, he is quite accomplished in running script and cursive font. He won many prizes in the national calligraphy competition.
Liu Gongquan was also an outstanding calligrapher in the Tang Dynasty. At the age of 29, he was admitted to Jinshi and served as a junior official in the local area. Later, Tang Muzong came across his handwriting and thought it was a masterpiece of calligraphy, so he called him to Chang 'an. At that time, Liu Gongquan was over 40 years old, with backbone and meticulousness; Similarly, his calligraphy also reveals his characteristics, and Liu Gongquan can well summarize the changes and development of regular script from Jin to Tang. He started with Wang Xizhi's calligraphy, and later specialized in Europe and Yan. His calligraphy inherited the magnificent characteristics of Yan style, avoiding the use of thick and strict characters in vertical painting, making horizontal and vertical painting generally uniform and thin. It also draws lessons from the strong and angular features of China's calligraphy in the North Monument, making stippling as crisp and deep as a knife. He also inherited the charming style of calligraphy in the early Tang dynasty and created his own unique artistic style? Liu ti? . Liu Gongquan official to Prince Shao Shi, known as the best in the world? What about Liu? . He is straightforward and often satirizes the emperor with calligraphy. It is said that Tang Muzong once asked him how to use the pen best, and he said? Use a pen in your heart, and your heart is always there. . This famous saying was passed down by later generations as? Pen suggestion? Much-told story.
Liu Gongquan's calligraphy can be divided into two styles: one is represented by the engraving of Diamond Sutra and Su Feng Monument, which is rigorous and steady in structure, flexible and vigorous in brushwork, and has the charm and interest of regular script since the Jin and Tang Dynasties. One kind, represented by the tablet of Shence Army and the tablet of mysterious pagoda, has changed the charming style of regular script in Jin and Tang Dynasties, and is open, generous, attractive and self-contained. In a word, his calligraphy is vigorous, clean, vigorous, upright, rigorous and vigorous. Although he studied Yan, he made a new discovery, so he said it? Yan gu? . There are many works handed down from ancient times by Liu Gongquan. The inscriptions handed down from ancient times include The Diamond Sutra Carved Stone, Mysterious Pagoda Monument and Su Feng Monument. Among them, the engraved version of Diamond Sutra, the mysterious pagoda monument and the Shence Army monument can best represent its regular script style. Liu Gongquan's cursive scripts include Shen Fu, Sixteen, Insulting Topics, etc. Their style is still inherited from the royal style, rigorous and natural. In addition, there are ink marks of "Mongolian Zhao Tie" and "Wang Xianzhi delivers pear iron". Among them, the most representative is the mysterious tower monument. Xuanta Monument is a regular script work, which was written in February of the first year of Huichang, Tang Wuzong (84 1). The original monument is now in the forest of steles in Xi, Shaanxi. This tablet is the most famous among the calligraphy traces handed down by Liu Gongquan, and it is one of the most influential models of regular script. Liu Gongquan is a famous calligrapher, who has made important contributions to the development of calligraphy art. Because of his profound calligraphy attainments and high reputation, he is valued by future generations. Books are expensive, thin, hard and spiritual? . Liu Gongquan's calligraphy won by this, which became a lesson for later generations.