Learn calligraphy, what do you do in your post? On Japanese "Calligraphy"

I don't ask people, "What font did you write?" I ask people, "Where did you learn?" . "Teacher" includes two aspects-personally teaching (teacher) and taking a mage (ancient post), both of which are indispensable! I once taught myself calligraphy. As the saying goes, "I learned a lot from my kung fu". Perhaps it is because I am stupid, but what is certain is that I am absolutely average in intelligence and talent, so I have the right to "speak out" and shout to the public-both are indispensable! What does calligraphy do? When I was studying Left and Right in the elementary class of Children's Palace, I heard the teacher say admiringly, "Many Japanese people have stopped copying ancient posts, so they can make a difference and have their own style." In fact, I feel condescending when I hear this sentence-not that I am precocious and have the ability to think since I was a child, but that I have always been a monk-it is the second day of junior high school, and the "classmates" around me are all children of 7 or 8 years old, so I often feel "stand out from the crowd" in class, which is very embarrassing. First of all, it is certain that art has standards, at least calligraphy, at least calligraphy techniques. The so-called brushwork standard, like fingering on the piano and bowing on the violin, is the material basis of art and is indispensable. Where does this foundation come from? First, teachers and professors; Second, the law post confirmed. The ancients emphasized and even argued about "brushwork", which was certainly not groundless. Writing is a rule, a shortcut and a practice. If it is gone or deviated, it may not be "outrageous", but it will definitely suffer! The subtlety of brushwork can't be learned by reading books, and it must be taught one by one, otherwise it will be difficult! I once listened to a lecture by Mr. Wu Zhao, a famous guqin player. The old man demonstrated, discussed and said the same thing himself-of course, he said the fingering of the guqin. It can be seen that although the art categories are different, the truth can be mutually confirmed and communicated. It can be seen that this statement is the law-the law of art! If you don't follow it, it seems impossible! Where is the mail? What is this post for? First of all, what is the position? Iron is a masterpiece of ancient calligraphers and has stood the test of history. Its characteristics are: it is undoubtedly outstanding in external performance, internal implication or the combination of the two, so that it is imitated by future generations for "Fa Tie"! Plagiarism is (or "should be") plagiarism of law posts. There is no denying that you "personal tutors" are calligraphers, and the independence of art has created their personal understanding and style of calligraphy, but these things are not "trunks" but "branches" and "flowers and leaves" on them, not "rules" but "ways of playing". If learners want to "get on the right track", the above components must be consciously avoided. To know it and avoid it, they must find the coordinates and even the origin-calligraphy is the coordinate and China's philosophy is the origin. Real calligraphers always look back at the origin and observe the coordinates in the process of learning and progress in order to "know people", then "know their friends" without getting lost, and finally reach the peak. This is the importance of copywriting to calligraphy techniques. In fact, the Japanese are not fools. On the contrary, they are cunning. You see, how many original works of the two kings and more information on calligraphy, inscriptions and epigraphy are there in Japanese hands now? They are definitely not for the money value of these cultural relics, but because of "culture"! Japanese people have a long history of learning calligraphy, but the words they learned from "Lin Tie" are inherently and irretrievably missing, that is, the Japanese-style ideological core of their calligraphers is completely out of touch with the spirit of China behind China and Fa Tie! Therefore, the Japanese calligraphers we see today are nothing more than heavy strokes, up and down, to fill the momentum, in fact, there is no bones and muscles; With the "bushido spirit" in it, it is strong to say that it is strong and abnormal, in order to steal the middle road, but there is no conflict! It can be said that "chickens talk to ducks", you are me and I am you. There is no language in everyone's roots. The so-called "communication" is nothing more than our careless handling. We have made enough friends, let them take out more of their collection of "law posts" to have a look, and give us learning and eye-catching convenience. This is a good job, but we can't take it seriously! I even heard a comment that "contemporary calligraphy in Japan" is absurd! Note: Japanese are Japanese even if they wear clothes from China, Qin, Han, Tang and Song Dynasties. The theorist who published the above remark in China today must have become a foreigner (country) wearing a suit, bread and sushi! Smile! A spit!