Bo Qinhuai Original

Bo Qinhuai [author] Du Mu? the Tang Dynasty

Smoke cage cold water moon cage sand, night parking near Qinhuai restaurant.

Businessmen and women don't know enough to hate national subjugation, but they still cross the river singing flowers.

Tags: Ode to history, reminisce about the past, cherish the past, patriotic Tang poems, 300 ancient poems by China, and other emotional landscapes.

The smoke waves are vast and the moon shines on the white sand house. In the evening, I parked my boat by Qinhuai River, near the restaurant.

It seems that the singer of Jinling doesn't know what the revenge of national subjugation is, and she is still singing the song "Flowers of Yushu * * *" on the other side.

Notes on Bo Qinhuai (1) is selected from the fourth volume of Feng's Collected Works of Fan Chuan. (Shanghai Ancient Books Publishing House 1978 Edition). Qinhuai River, that is, Qinhuai River, originates in the mountainous area between damao mountain in Jurong, Jiangsu Province and Lushan in Lishui East, and flows into the Yangtze River via Nanjing. According to legend, it was dug by Qin Shihuang during his southern tour to dredge the Huaihe River, so it was called Qinhuai River.

(2) berthing: berthing.

(3) Businessman: A singer who lives by singing.

(4) *** Flower: the abbreviation of the song "Yushu * * * Flower". Emperor Chen () of the Southern Dynasties indulged in excesses and wrote this song for the sake of having fun with the beautiful women in the harem, which eventually led to national subjugation, so later generations called this song "the voice of national subjugation".

Bo Qinhuai appreciates this word to express his spring worries. The first part of the word is about lovesickness, and the second part is about homesickness after a long separation.

The beginning of the word begins with a sentence, points out the word "worry", comes straight to the point and expresses the worry. The words "dream" and "drunk" show that sad people have only two ways to relieve their anxiety and self-anesthesia. He was afraid of waking up from a dream, but also afraid of waking up from sadness (broken, meaning broken dreams), so he "stayed in a daze all day" in an attempt to escape from the gloom; However, spring has quietly returned from drunkenness. Facing the smoke from kitchen in spring, he asked himself a sour question: "Who is the bleak embrace?" He was so sad that he couldn't speak and couldn't find anyone to talk to. Sad hug, no words, I can see that close people are not around, so I feel particularly lonely and embarrassed. This sentence implies that the reason why depression is difficult to solve lies in being pregnant with someone, so the depression after waking up is naturally understandable. These three sentences set the lyric tone of the whole poem, so the "spring scenery" seen by the poet is infected by this "bleak" tone. Before and after taking a break to write about Tomb-Sweeping Day, it was the spring scenery that was wonderful. When the poet was interested in spring scenery, he was not interested in enjoying it. "Some children are in the Qingming Festival" is a common saying in the Tang and Song Dynasties. It means a little, a little. Here we describe the brevity of time. In the poet's sense, the golden season of spring around Tomb-Sweeping Day is so short and hurried. A little spring doesn't bring any joy to the sad people; On the contrary, for him, the oriole on the branch is not singing for spring, but singing an elegy to urge spring to go quickly. These two sentences turned Yingying's March into a short psychological time, which was stained with a sense of desolation. Spring comes quietly from a drunken dream and leaves in a hurry with the sound of warblers. The external spring scenery is like a bubble of dreams. Spring goes and spring comes, but sorrow remains. Above, the poet spoke freely and expressed the pain of parting incisively and vividly.

The following film contains the feelings in the scene and tells the poet's heart with a set of fascinating images. After a few words, catkins are flying, which means that spring will return. It is natural to think of the word "hurry" at the junction of the last film, and the transition between meaning and pulse has no force. Moss marks on the edge of the railing indicate that no one has leaned against the railing for a long time. Spring seems to be dispensable to sad people. At the end of the two sentences, I wrote a passionate swallow, still thinking of the old master, who came to his master with the rain of flowers! The word "sentimental" blurted out with tears, just like meeting an old friend. The word "wandering alone" vividly describes the hesitation of the swallow when he returns, because he thinks things are different. These two sentences are implicit and profound. The return of swallows from the old days implicitly reflects the yearning for people who met in those days, leaving readers with rich imagination and endless aftertaste.

Two authors: anonymous Du Mu was concerned about politics in the early stage, and he was worried about the riddled Tang Dynasty. He saw the decay of the ruling group, the self-reliance of the buffer region and the frequent troubles in the border, and deeply felt the social crisis. ...

Du Mu (803- 852), the author of Bo Qinhuai, was born in Fanchuan, Mu Zhi, Han nationality, Jingzhao Wannian (now Xi, Shaanxi). Du Mu was an outstanding poet and essayist in Tang Dynasty, the grandson of Du You, the prime minister, and the son of Du You. Tang Wenzong Daiwa was a 26-year-old scholar in the second year and was awarded the post of Hong Wen Pavilion. Later, he went to Jiangxi to inspect the ambassador's tent, and then turned to Huainan to inspect the ambassador's tent. He was the editor of the National History Museum, the food department, Bibi department and Si Xun, and the secretariat of Huangzhou, Chizhou and Zhou Mu. Because he lived in South Fan Chuan Villa in Chang 'an in his later years, he was later called "Du Fanchuan" and wrote "Collected Works of Fan Chuan". Du Mu's poems are famous for their seven-character quatrains, and the main content is to chant history and express emotion. His poems are handsome and natural, and cut into secular things. He achieved great success in the late Tang Dynasty.

Du Mu's Other Works ○ Qingming

Autumn night

○ Jiangnan spring is a thousand miles away, and the shadows are green and red.

○ Shandong Airlines

○ More works by Du Mu