Jin Shi Suo, a epigraphy work in Qing Dynasty. The Comprehensive Atlas of Ancient Artifacts is divided into two volumes, edited by Feng (Yan Hai) and photocopied by Jia Guzhai, Bibliographic Literature Publishing House according to Daoguang's three-year edition. The clear edition of this book is rare, and now it is mostly the printed edition in the late Qing Dynasty or the Republic of China, with a total volume of 12.
The Golden Lock (six volumes) contains Zhong Ding, weapons, utensils, coins, seals, bronze mirrors, etc. from Shang and Zhou Dynasties to Han, Song and Yuan Dynasties. "Stone Rope" (six volumes) collects stone carvings of past dynasties and bricks with words. Each object has many shapes, figures and inscriptions, followed by Feng's explanation or textual research. Some of the materials used in the book are the author's collection.
Some are collected from leaves, leaves and osmanthus. The Song Dynasty was a prosperous period for the development of ceramics in China, with diverse products, rich decorations, skillful skills and fine craftsmanship. Ceramic art gathers together, promotes each other, competes for novelty and beauty, and has unique charm. There are many official kilns all over the country, and there are four private kilns. They inherit the tradition and are brave in innovation, and then there is fierce competition, forming eight kiln systems.
North and south of the river, kiln mouths all over the country compete for imitation. Due to the special needs of the imperial palace in the Northern Song Dynasty, five famous kilns of "Ru, Jun, Guan, Ge and Ding" with superb craftsmanship were selected, which were directly monopolized by the imperial court or supervised by officials, and specially burned royal supplies for the imperial dignitaries. Moreover, due to the appreciation and love of the imperial court, the products of these five famous kilns are regarded as official kiln products.