Zhao Mengfu (1254-1322), whose real name is Zi Ang, also known as Dao, Goulpeau and Meng Zhi (now Huzhou, Zhejiang Province), is middle-aged, so his painting history is also called "Zhao Wuxing". Famous painter in Yuan Dynasty, one of the four masters of regular script (Ou Yangxun, Yan Zhenqing, Liu Gongquan and Zhao Mengfu). Zhao Mengfu is well-read, good at poetry and prose, familiar with economy, industrial calligraphy, fine painting, good at epigraphy, fluent in temperament and appreciation. In particular, calligraphy and painting achieved the highest achievements in the Yuan Dynasty, creating a new style of painting, which was called "the crown of Yuan people". There are many books handed down from ancient times in Zhao Mengfu, including Thousand-Character Works, Ode to Luoshen, Danba Monument, Poem of Returning, Thirteen Postscripts of Lanting, Ode to the Red Wall, Tao Te Ching, and Tomb Inscription of Qiu E, etc. He is the author of Notes on Shangshu and Collected Works of Song Xuezhai (12).
Meng Yi's works include Notes on Shangshu Qinyuan Leyuan, which makes it better not to pass on Lv Lv. Poetry and prose are beautiful and wonderful, which makes people want to float out of the dust. Seal cutting, brush, division, official script, truth, line and cursive script are the highest in ancient and modern times, hence the name of the world. Among his paintings, there are still two volumes left: Heavy Han Tu (Taiwan Province Province), Twin Pines and Pingshan Tu (USA), Autumn Que Hua Tu (Taiwan Province Province), Autumn Suburb Drinking Horses Tu (Palace Museum) and Red Luohan Tu (Northeast). The characteristics of his "The Man Riding a Map" are that the characters are harmonious, calm and charming. I like his Autumn in Quehua very much.