This exhibition * * * shows 402 pieces/group (436 pieces) of ancient cultural relics related to "Hehe" culture. Among them, there are 88 pieces/group of national first-class cultural relics, and the borrowed cultural relics 12 1 piece/group (single piece 177 pieces) cover exhibition halls No.20, No.2 1 22 on the third floor of Liaobo, with an area of * * * 3738./kloc.
Brief introduction of some key cultural relics:
Painted pottery with hook vortex pattern _
Neolithic Hongshan Culture
Diameter 13.2 base diameter 12 height 49.2 cm.
Unearthed from Niuheliang Site in Chaoyang, Liaoning Province
Collection of Liaoning Provincial Institute of Cultural Relics and Archaeology
Muddy red pottery, red pottery decorated with black on the ground. The mouth is closed, the lips are round, the shoulders are wide, the abdomen is bulging, the bottom is small and flat, the abdomen is decorated with vertical bridge-shaped ears, a disc-shaped cover, and the top is equipped with a semicircular catcher. The lid is decorated with a circle, and the urn is decorated with a vortex belt around it.
As early as the Neolithic Age, Hongshan Culture, located in the West Liaohe River Basin, had a history of 65,438+0,500 years with its nature of harmonious coexistence with nature and open mind of extensive exchanges with neighboring countries. Hongshan Culture sacrificial pottery is mainly argillaceous red pottery, and there are many painted pottery. Painted pottery in Hongshan Culture is strongly influenced by Yangshao culture in the Central Plains, and has been continuously integrated with its own cultural factors in the development process, forming a unique painted pottery in Hongshan Culture. The use of painted pottery by surrounding cultural factors in the spiritual field reflects the high tolerance of Hongshan ancestors to foreign cultures.
Tri-colored glaze printing Tai Chi drawing pot
Liao Dynasty/Liaohe/Laoning Province/Liaoyuan/Taishi
The total height is 2 1 diameter is 3.7, and the base diameter is 10.8×8.9 cm.
The former Northeast Cultural Relics Management Office was handed over.
Collection of Liaoning Provincial Museum
The pot body is oblate, round mouth, crank, tubular short flow and full circle. The fetal quality is gray and flashing red with white powder hanging. Apply yellow, green and white glaze to the whole body. On the undulating ground, there is a floating cloud belt. Ribbon pattern is applied outside the handle, and the flow is based on the first bite of the cow. Both sides of the pot body are printed with the same embossed pattern, and a lotus flower in the middle is decorated with Tai Chi pattern, which outlines the aesthetic artistic conception of "starting from nature and inheriting from nature". This pot is a masterpiece of Liao ceramics with ingenious conception, fine production, unique pattern and rich decoration.
Xiajing Mountain Pass Waiting Map
Dong Yuan of the Five Dynasties (year of birth and death unknown -962)
Coloring of silk books
49.8 in longitudinal direction and 329.4 cm in transverse direction
Dong Yuan was born in Shu Da, Zhong Ling (now Nanjing, Jiangsu). He served as the deputy envoy of Beiyuan in the middle of the Southern Tang Dynasty, so he was called "Dong Beiyuan". He is good at painting landscapes, creating a "simple and naive" landscape painting style in Jiangnan. He is a representative painter of Nanzong landscape painting.
This volume depicts the scenery of the south of the Yangtze River, where the rivers meander among the mountains and the vegetation is lush, showing the beautiful scenery of the south of the Yangtze River. Dong Qichang's calligraphy title is the first in Ming Dynasty, followed by Ke He's inscription and postscript in Yuan Dynasty, which is a very exquisite work in Dong Yuan's paintings handed down from generation to generation.
Taibai mountain map
Wang Meng in Yuan Dynasty (1308 ——1385)
Paper coloring
Longitudinal 27.4 transverse 238 cm
Wang Meng, born in Qiao, Huang Heshan, Xing Wu (now Huzhou, Zhejiang), is the grandson of Zhao Meng. The painting style is deeply influenced by grandpa and is innovative and unique. Later generations called it "Yuan Sijia" with Huang, Zhenwu and Ni Zan.
This picture shows the scenery of Taibai Mountain in Yinxian County, Zhejiang Province and its surrounding areas, where the mountains are green and endless, with small bridges running water and high arches and long bridges. The whole article is written in vermilion and cyanine, with superb techniques and unique style.
Preface of Imitation Lanting in Tang Dynasty (Yellow Silk Edition)
Anonymous in Tang dynasty
Horizontal 24.5 vertical 65.6 cm
Collection of Hunan Museum
It will be exhibited in the middle and late stage of the exhibition, so please pay attention.
The original title of this volume is Chu Suiliang's Preface to the Lanting Pavilion, and the text texture is silk and yellow-brown, also known as "yellow silk". There are "Yin Fu" and "Ziyou" under "Sven" at the end of the article. The preface is the inscription "Mo Bao" (remnant) by Dong Qichang, a famous painter and connoisseur in Ming Dynasty. The connoisseurs of calligraphy and painting in the Ming Dynasty collected a large number of seals. There were Wang Shu, He Tianjun, Tang, Gu Qin, Liang, Shi, Li Zuoxian and Han Chong in the late Ming Dynasty.
Although the preface to Lanting, a copy of Tang Dynasty, is not a copy of Chu Suiliang, it is not easy to spread as a calligraphy work in the early Tang Dynasty. It is precisely because of its existence with another Tang Dynasty manuscript, Preface to Lanting, that we can still feel the charm of Wang Xizhi's calligraphy art and understand the calligraphy fashion in the early Tang Dynasty.
Lanting set sequence diagram
Zhu Yunming in Ming Dynasty (1461-1527)
Wen Zhiming (1470 ——1559)
Color design of paper running script
Block: 22.9 in length and 48.8 cm in width.
Painting center: 20.8 in vertical direction and 77.8 cm in horizontal direction.
Zhu Yunming was born in Changzhou (now Suzhou, Jiangsu). Because of his strange appearance, he laughed at his ugliness, and because his right hand had branches that gave birth to fingers, so he was called "Zhu Jingzhao". He is good at poetry and calligraphy, and he is also called "four gifted scholars in Wuzhong" with Tang Yin, Wen Zhiming and Xu Zhenqing. In his early years, he used regular script carefully, studied under Zhao Meng and Chu Suiliang, and followed the "two kings" in Europe and America. Li Yong, Huang Tingjian and Mi Fei, cursive writers, had profound skills, especially in their later years.
Wen Zhiming, formerly known as Bi (or Zuo Bi), has a distinct personality. Since he was forty-two, he has been using hangzi, and hangzi is more important. Changzhou county people. In the second year of Jiajing (1523), Gong Sheng, aged, took the imperial examination and was awarded the post of imperial academy. In the fifth year of Jiajing (1526), Wen Zhiming resigned and returned to his hometown to specialize in creation. Wen Zhiming's poems, essays, books and paintings are all excellent, and they are also called "Four Musts". Together with Shen Zhou, they created the "Five Schools". Together with Shen Zhou, Tang Yin and Chou Ying, they are called "Ming thinkers" in the history of painting. In literature, he, Zhu Yunming, Tang Yin and Xu Zhenqing are also called "four gifted scholars in Wuzhong".
Come back again, Xi word atlas
In the Ming Dynasty, Ma Shili was in the summer solstice (the average year of birth and death is unknown)
Paper and ink painting
Vertical 27.7 horizontal 60 cm
Ma Shi, this word is respected. Jiading (now Shanghai) people. During Xuande's reign, Dai Jin and Xie Huan were good at painting in the capital. The Southern Song Dynasty adopted works, poems, good paintings and landscapes.
Li is from Fujian Putian. During the years, Xuande entered the Painting Academy and waited for it. Good landscape figure, Zong Guoxi.
This painting of Tao Yuanming's Gui Xi Ci has nine paragraphs, including Li Zengbian, Ma Shisan and the Summer Solstice. The original works of the first paragraph and the eighth paragraph have been lost, and these two paragraphs were supplemented by painters of the Qing Dynasty Painting Academy.