Most of the existing buildings were rebuilt by the abbot Li Yunyan after being burned in the 14th year of the Republic of China (1925). Starting from Lelou (the main gate), the buildings in the temple are divided into three main halls and sixteen auxiliary halls. There are three-eyed Erlang gods in the main hall, and wood carving Yang Erlang; Lao Wang Dian presented it to Li Bing and his wife; Laojuntang is named after offering sacrifices to Laozi, and there are two halls around it: Qinglong and Baihu. The three official halls are dedicated to the emperor of heaven and earth; The upper and lower floors of Lingguan Hall are dedicated to Taoist protector Wang Lingguan and Taibai Venus. There are also City God Temple, Land Temple, Jade Emperor Temple, Niangniang Temple, Pray for the Year Palace, Dinggong Temple, Notre Dame, Kuixingge and Dragon Temple. The temple covers an area of10200m2, with a building area of over 6050m2. The scale is grand and the layout is rigorous. The whole building layout is not bound by the central axis, but built along the mountain in vertical and horizontal directions, with terraced fields at different levels, scattered and orderly, deep twists and turns, stairs back to the wall, clear priorities, negative water on the mountain surface and extremely quiet.
The statues of Li Bing and his son Jiro were respectively shaped in the front hall and the back hall of the Erwang Temple. In the front hall, Li Bing, dressed in royal clothes, sat in a dangerous place, holding a half-wrapped silk map in his hand, absorbed in the water control plan; Jiro Houdian looks like a straw sandals in his casual clothes, holding a cymbal in his hand, full of heroic spirit and youthful passion. The plaques, couplets, poems and stone tablets in the Erwang Temple are impressive. Among them, the calligraphy "Immortality" by the Prince of Qing Dynasty, the imperial book "Glory to Shu Road" by the Emperor Guangxu, and "Restoring the reputation of Yu and his son, creating an ancient fairy in Tianfu" all praised the achievements of Li Bing and his son in water control. Behind Li Bingtang, there are ancient trees of Shang Dynasty, iron vases and iron wax tables of Ming Dynasty, as well as painting inscriptions of modern painters Xu Beihong, Zhang Daqian and Guan Shanyue, which are of high archaeological and artistic value.