When we go deep into the artistic realm of "Spring", we will be intoxicated by the beautiful spring scenery, infected by the overflowing poetry, and inspired by the abundant vitality. Spring will transform into a beautiful scene full of poetry and painting in our hearts.
The scenery depicted in "Spring" is full of vitality and aura of life. "Observe things with me, and everything has my color." When a person observes external objects, his emotions will be projected into the external objects, making the external objects seem to have human emotions. Mr. Zhu Guangqian, an esthetician, calls this phenomenon “the humanization of the universe.” He said: “The phenomenon of empathy can be called the ‘humanization of the universe.’ Because there is empathy, only physical things can be used. "With human feelings, things that are originally lifeless can be alive." You see, in Mr. Zhu Ziqing's writings, "everything looks like just waking up" in spring, and the sun's face turns red; "Wild flowers are everywhere: all kinds of things." "Children, with names and without names, are scattered in the grass, like eyes, like stars, blinking and blinking"; the spring breeze "touches you like a mother's hand"; "birds set their nests among the flowers and leaves, When he became happy, he showed off his clear throat to his friends and sang melodious tunes, in harmony with the breeze and flowing water."... The author uses his heart to feel the scenery of spring and pours his own emotions into it. Through metaphors and personification, and other artistic techniques to make the scenery vivid and lifelike. Mr. Zhu Ziqing once said: "'Lifelike' is equal to what the proverb calls 'lifelike' or 'living likeness'. It not only looks like the real thing, but also looks like it is real." It can be said that Mr. Zhu Ziqing's prose has reached such an artistic realm.
The description of "Spring" is delicate and full of emotion. Looking forward to spring is the beginning of the article. The author wrote: "Looking forward to, looking forward to, the east wind is coming, the footsteps of spring are near." Using two words "looking forward to" in succession shows how eagerly we look forward to the coming of spring. The east wind is coming, reporting the news of spring. Listen, the footsteps of spring are approaching. In just a dozen words, the author's earnest and joyful mood is vividly expressed.
The author carefully observed the mountains, water and sun in early spring. "The mountains are bright and moist," it says that the snow has melted, the spring scenery is bright, and the grass is new and green, making it look particularly refreshing and moist. "The sun is blushing" personifies the sun, which not only expresses the warmth of the spring sun, captures the characteristics of the spring sun, but also expresses the inner charm of the spring sun. When writing about the mountains, water and sun in early spring, I start from a broad perspective and outline a general outline, which serves as a detailed description for the following pages. In the following text, the author describes the scene of spring from several aspects such as spring grass, spring flowers, spring breeze, spring rain, and people in spring.
"The grass secretly emerged from the soil, tender and green...the wind was gentle and the grass was soft." The word "diamond" is used so vividly; "tender, green" and "the grass is soft" describe the characteristics of early spring grass in such a concise and rich way.
Flowers in spring are more beautiful. How enthusiastically the flowers bloomed: "Peach trees, apricot trees, and pear trees, if you don't let me, I won't let you, they are all full of flowers."; How beautiful the color of the flowers is: "The red ones are like "Fire, pink like clouds, white like snow"; the smell of the flowers is so pleasant: "the flowers are sweet; when you close your eyes, the trees seem to be full of peaches, apricots and pear flowers." Thousands of bees were buzzing and butterflies, big and small, were flying around." There are also wild flowers, "scattered in the grass, like eyes, like stars, and they are blinking."
"A short canopy is tied in the shade of the ancient tree, and the staff and quinoa help me cross the east of the bridge. My clothes are wet. The rain of apricot blossoms makes the willow wind not cold on the face. "When the spring sunshine shines on the earth, the willows spit out fresh green, and the gentle breeze blows on people's faces. It is so warm and soft that they can no longer feel the slightest chill. The author started the description of the spring breeze with "the willow wind blowing on the face without chilling", and then picked up a life-like metaphor that is very affectionate, "like a mother's hand touching you", which fully describes the charm and expression of the spring breeze. Then, the author writes about the smell of spring breeze with extremely delicate writing: "The wind brings the smell of newly turned earth, mixed with the smell of grass, and the fragrance of various flowers, all brewing in the slightly moist air. "The last thing is to write about the music in the spring breeze - the melodious tunes of birds and the piccolo of the shepherd boy on the back of the cow. "The scene that is difficult to describe is just like it is now." The author uses delicate feelings and vivid pen and ink to describe the spring breeze that is difficult to describe in a thorough and charming way.
When the author writes about the spring rain, he first writes about the characteristics of the spring rain: "like ox hair, like flower needles, like filaments, densely woven diagonally, and a thin layer of smoke is covered on the roof of the house." Then write about the scenery in the rain and paint a peaceful and beautiful ink painting of spring rain.
The spring scenery is like this, what are people like in spring? Spring is here, "every household in the city and countryside, old and young, all come out one by one as if they are rushing to go. Shuhuoshu Rejuvenate your muscles and bones, cheer up your spirits, and do your own thing." It writes about the joy of people who have been "dormant" all winter and welcome the warmer weather. People are full of hope, because "'The plan for a year lies in spring.' At the beginning, there is plenty of time and plenty of hope."
At the end of "Spring", the author uses three metaphors to describe spring. Spring is new and has strong vitality: "Spring is like a baby that just fell to the ground, it is new from head to toe, and it is growing." Spring is beautiful and lively: "Spring is like a little girl, blooming with flowers. , smiling, walking.
"Spring is strong and powerful: "Spring is like a strong young man, with iron-like arms, waist and feet, leading us forward. "From the newly born baby, to the little girl, to the young man, the order of description in the article is also thought-provoking, describing different scenes at different times.
The structure of "Spring" is rigorous and exquisite. The author first writes Spring is then described in detail in several aspects, and finally it is summarized to conclude the whole article and put the finishing touch. The article begins with "the footsteps are approaching" and ends with "lead us forward", starting from personification and ending. In terms of personification, its conceptual layout and rhetorical polish are quite ingenious. As for the elegance, freshness, simplicity and timelessness of the language, it makes people feel the "extremely authentic and mellow" sentiment.
Appreciation 2 Spring. The hymn reads Zhu Ziqing's prose "Spring" (Wu Zhouwen)
During the May 4th New Culture Movement, Zhu Ziqing embarked on the path of literature with his new poems, and later worked hard in prose creation, in order to establish a new Vernacular prose has made great contributions and has become a unique prose writer in the history of modern literature. Yu Dafu said in "The Second Collection of Prose in the New Chinese Literature Series: Introduction": "Although Zhu Ziqing is a poet, his prose can still satisfy his needs. It contains that kind of poetry. Among the prose writers of the Literary Research Association, apart from Ms. Bing Xin, he is the most beautiful in his articles. "
"Spring" is such a famous poem full of poetic meaning.
This prose uses a poetic style to depict a picture of spring where flowers are blooming and full of vitality. It praises and expresses the creativity of spring and brings infinite hope to people, thus inspiring people to work hard and move forward in the great spring. This work can be said to be a lyric poem, a landscape painting, and a song. Hymn of spring.
“Looking forward, looking forward, the east wind is coming, the footsteps of spring are approaching. "This starting point expresses the eager mood of looking forward to spring, and sets a lively and brisk lyrical melody and poetic atmosphere for the whole text. Then, the author seizes the main characteristics of spring and roughly outlines the outline of spring: "Everything is. Xinxinran opened her eyes as if she had just woken up. The mountains are moist, the water is rising, and the sun is blushing. "Seizing the characteristics of spring to add color, this outline painting is painted with a blurred color, creating a moving artistic conception, arousing readers' enthusiastic yearning for spring: How wonderful spring must be!
Then, the author calmly "pushed out" five "close-ups" and described the moving scenes of spring in detail. First, he wrote about grass, "The grass secretly emerges from the soil, tender and green." It highlights the "greenness" of the grass and describes the scene of green grass in spring. The first time it writes about flowers, "Peach trees, apricot trees, and pear trees, if you don't let me, I don't let you, they are all full of flowers." The red ones are like fire, the pink ones are like clouds, and the white ones are like snow", highlighting the "competition" of flowers, and painting a prosperous scene of flowers blooming in spring. The third painting depicts the spring breeze, focusing on portraying the "warmth" of the spring breeze. "Singing", depicting a wonderful scene where the spring breeze brings warmth. The fourth picture describes the spring rain, rendering the spring rain "gentle" and "moist", and painting a beautiful picture of night rain and the countryside. Finally, a picture of welcoming spring is drawn:
There are more and more kites in the sky, and there are more and more children on the ground. Every household in the city and countryside, old and young, come out to relax and refresh themselves. Everyone does their own thing. "The plan for the year lies in spring." At the beginning, there is plenty of time and plenty of hope.
There is not much writing here, but it says "Every household in the city and in the countryside." "Everyone, old and young" is a happy scene to welcome the spring. People come out as if they are rushing to relax their muscles and bones, cheer up their spirits, and in the beautiful spring scenery of spring grass, spring flowers, spring breeze and spring rain, "everyone does his or her own thing" "Everyone can do his part", full of infinite vitality and hope. If the first four paintings focus on the "spring" of nature (there are also interspersed descriptions of human activities), then the fifth painting focuses on the "spring" of nature.
Finally, the author couldn't help but sing about spring:
Spring is like a baby that just fell to the ground, it is new from head to toe, it grows.
Spring is like a little girl, smiling and walking.
Spring is like a strong young man, with iron-like arms and legs, leading us forward. Go.
This ending is strange and quite cute. After perfectly creating a picture of spring, the author praises spring with all his heart, further revealing the unstoppable creativity and infinite hope of spring. 3. A vivid metaphor, gradually paralleled, and powerfully summed up the whole text.
"Spring" has distinctive characteristics in terms of artistic expression.
First, it is poetic and painterly. The author's deep admiration for spring is not expressed directly from the bottom of his heart, but expressed through various landscape paintings of spring with affectionate brushes, giving various scenery. With vivid emotional colors, for example, the description of flowers not only vividly depicts the flowers of various fruit trees, but also describes the blooming wild flowers like this: "Wild flowers are everywhere: various kinds, with names and without names. Scattered in the grass, they look like eyes, like stars, and they are blinking. "The author's joy in admiring flowers is poured into the lines. All the "scenery language" is "love language".
Due to the pouring of emotions, these little wild flowers seem to have turned into lively and emotional animals. The inner poetry and the external scenery harmoniously blend into concrete and perceptible artistic images, and the realm of the picture also changes. Therefore, it is given a layer of rich lyrical tone.
Second, it has a tight structure and a well-organized hierarchy with ups and downs. The work is based on the need to reveal the theme and lyricism, and five pictures are produced in one go. The connections between the pictures are natural and compact, and the first four pictures serve as the foundation and foil for the fifth picture, thus opening up the artistic conception and revealing the theme. After revealing the title, a strange peak finally emerged. The article has clear levels, distinct context, and changes.
Third, the language is simple and meaningful. Zhu Ziqing is good at refining easy-to-understand and vivid spoken language. His prose language is fresh and simple. For example, when writing about grass, "In the garden, in the field, look around, there are large tracts full of them."; For example, when writing about flowers, "If you don't let me, I won't let you, they are all full of flowers." These short sentences are simple and clear. All words come from spoken language. From the point of view of expression, it is easy to understand. From the point of rhetoric, after the author's artistic processing, the rhythm is bright, not dull, and has a strong lyrical flavor. The author is also good at using wonderful metaphors to enhance the flavor of the language. For example, writing about the spring breeze blowing on the face, saying "like a mother's hand touching you", such as comparing spring to a "baby that just landed", "little girl", "robust young man", etc. These metaphors are novel, appropriate and unconventional. It is expressive, profound, meaningful beyond the sentence, simple and fresh, and has a meaningful meaning.
"Spring" does not have the faint sad tone of the author's early poems, but clearly shows the freshness of style and the joy of emotion. It is a prose with traces of style evolution. This article was roughly written between 1928 and 1937. During this period, the author was wandering and depressed and immersed himself in the study of classical literature. Therefore, he could only sing pastoral songs about spring, and it was impossible to express the distinctive spirit of the times in his works. As for the "spring" deep in the hearts of the people under the leadership of the Communist Party of China, the author was unable to reveal and sing it at that time. Zhu Ziqing (1898.11.22-1948.8.12) was originally named Zihua. His name was Qiushi, and he was later renamed Qing Dynasty, with the courtesy name Peixian. He was born in Donghai, Jiangsu Province, and later settled in Yangzhou with his grandfather and father. He studied in a private school in 1912 and was influenced by traditional Chinese culture. After graduating from middle school, he was admitted to the preparatory course of Peking University. "Sleep, Little Man" written in February 1919 was his first new poem. He was a participant in the May 4th patriotic movement and was influenced by the May 4th wave and embarked on a literary path. .
1 After graduating from the Philosophy Department of Peking University in 1920, he taught middle schools in Jiangsu and Zhejiang, and actively participated in the New Literature Movement in 1922 with Yu Pingbo and others, which was the earliest period of the birth of new poetry. Poetry magazine. He was a member of the Early Literature Research Association and published his long poem "Destruction" in 1923. At this time, he also wrote beautiful prose such as "The Qinhuai River in the Shadow of the Sound of Lights"
19258. He went to Tsinghua University to teach and began to study Chinese classical literature; his writings were mainly prose. In 1927, he wrote "The Back" and "Moonlight over the Lotus Pond", both of which were popular. In 1931, he studied in the UK and traveled around Europe. Later he wrote "Miscellaneous Notes on Travels in Europe". In September 1932, he became the director of the Chinese Department of Tsinghua University. When the Anti-Japanese War broke out in 1937, he moved south to Kunming with the school and taught courses such as "Song Poems" and "Literary Studies". During this period, he wrote the essay "Semantic Shadow". In 1946, he returned to Beijing and served as the director of the Chinese Department of Tsinghua University.
He died of stomach disease on the eve of the liberation of Beijing. Bibliography:
"Snow Dynasty" (poem collection) 1922, Business
"Traces" (poetry and prose) 1924, Yadong Library
"Back View" (Collection of essays) 1928, Enlightenment
"Miscellaneous Notes on Travels in Europe" (Collection of Essays) 1934, Enlightenment
"You and Me" (Collection of Essays) 1936, Business
"London Miscellaneous Notes" (Collected Essays) 1943, Kaiming
"Chinese Language Teaching" (Collected Essays) 1945, Kaiming
"Classics" (Collected Essays) 1946, Wenguang
"Shi Yan Zhi Bian" (Poetry Theory) 1947, Kaiming
"New Poetry Miscellanies" (Poetry Theory) 1947, Writer's Bookstore
"Standards and "Standard" (Collected Essays) 1948, Wenguang
"Chinese Shiling" (Collected Essays) 1948, Mingshan Bookstore
"On the Appreciation of Refined and Popular Culture" (Collected Essays) 1948, Observation Society
"Collected Works of Zhu Ziqing" (Volume 1-4), 1953, Kaiming
"Collected Works of Zhu Ziqing's Classical Literature" (Volume 1 and 2), 1981, ancient books
"Collection of Zhu Ziqing's Prefaces and Postscripts" (Collected Essays) 1983, Sanlian
"Selected Prose of Zhu Ziqing" 1986, Baihua
"The Complete Works of Zhu Ziqing" (Volume 1-3) 1988, Jiangsu Education ( Not yet published) ----
In the fourth volume of the "New Chinese Textbook for the Early Years" published by Zhonghua Book Company in 1937, the prose "Spring" was selected. This is probably the earliest source of this article that I have seen so far.
In 1928, Zhu Ziqing stated in his article "Where to Go" that he wanted to take a path of escaping reality. Other works before and after that period indeed reflected this negative ideological tendency. But the tone of the article "Spring" is aggressive. Therefore, it is estimated that this work was written between 1930 and 1937.