Seeing the autumn wind in Luoyang City, I am eager for the writer to write a book.
I can't talk about the fear in a hurry, and pedestrians are coming and opening.
Appreciation
This poem is written by everyone, but not everyone can tell it. As a guest in another country, I miss my hometown when I see the autumn wind, and I ask someone to send me a message. Afraid of missing something when he left, he quickly opened it and looked at it several times. Things are flat, and once you enter poetry, especially once a master like Zhang Ji enters poetry, it will become a wonderful place. This is not common in poetry.
Of course, there are many excellent works about letters from home in Tang poetry. Like Cen Can's "on meeting a messenger to the capital": "Meet immediately without pen and paper, and report peace by your message." The writer Jun Ma, despite my hectic schedule, is an emissary of Lu Yu, and sends a message to comfort his family. Du Fu's Spring Hope: "after the war-fires of three months, one message from home is worth a ton of gold." The writer is trapped in Chang 'an under the occupation of An Lushan, and I wonder if his family in the war is Anji, and I am eager to come to the book to comfort me. They all expressed their homesickness with unique skills. What makes this poem unique is that it is deep in shallowness and twists and turns in gentleness. At first glance, it is a few words, but it is full of meaning.
Wang Anshi's poem titled Zhang Siye says: "It seems to be the most extraordinary, but it is easy but hard to achieve." It is quite able to tell the artistic style and creative bitterness of this poem. Poetry rises with autumn wind, which is a common technique since the Book of Songs. With the autumn wind, the geese fly in the north and fly in the south, and they travel in other places, which is easy to touch and think about. For example, Liu Yuxi's Autumn Wind once said: "Where the autumn wind comes, the rustling sends the geese. When you come to the court tree, the lone guest hears it first. " Let's look at the poet's history again. It turns out that he was originally from Wuzhong (now Suzhou, Jiangsu), which reminds people of the story of Hans Zhang, a Jin native. According to the Biography of Hans Zhang in the Book of Jin, "Seeing the autumn wind, I miss Wuzhong's leeks, soups and bass, and say,' Life is too expensive to be ambitious, so how can I be detained for thousands of miles to be famous!'" Then I drove home. "Zhang Ji and Hans Zhang generation Tongli, and all official travel to the north. Hans Zhang predicted that Sima Tong, the king of Qi, was about to make an insurrection, so he decided to retire. Zhang Ji may not have any political reasons, but he was very similar in thinking about his hometown when he saw the autumn wind. Although he can't "drive home" immediately like Hans Zhang, he pours his homesickness on the paper. This creative impulse of feeling things and feelings is a characteristic of this poem, although it uses the traditional method of "rising", but it includes such rich connotations.
In the second sentence, "Desire for a writer is full of meaning", in which the word "desire" is closely related to "seeing the autumn wind". It turns out that the poet's mood is calm, like clear water. The autumn wind blows his emotional ripples. The writing is smooth and fluent, but at the end of the sentence, the word "meaning is heavy" suddenly comes back, just like calligraphy. Therefore, the poet's feelings here did not flow downstream, but went deeper. This technique, seemingly ordinary, is extremely high. We play poetry carefully: the poet is homesick for seeing the autumn wind, so he wants to write a book, but there are thousands of words and I don't know where to start. "meaning is heavy", but with virtual reality. Liu Yuxi's "Song of the Knife Ring" says: "Look at each other now, and the pulse is full of center of gravity." "ten thousand centers of gravity" and "ten thousand meanings" are all extremely complicated thoughts and feelings. Every reader with life experience can understand how much intention there is. How to write this book because it is "full of meaning" Did you write it? The author doesn't make it clear for the reader to imagine, which is called endless implication and thought-provoking.
three or four sentences, another turning point. Although "the meaning is too heavy", I can't write, but from the point of view of the meaning, the letter from home is still written. The problem is that I am rushing to write, and my meaning is still unfinished. The word "hurry" is vivid and picturesque, which not only describes one's own side, but also reflects the sender's side. From the following, it can be seen that the messenger met him immediately during his trip: he may be about to get on the horse and board the ship. Even if he is not as urgent as Cen's participation in Beijing to make "meeting immediately", he can't stop in a hurry for a long time. As the messenger is in such a hurry, the writer has to hurry to write. As a result of writing in a hurry, it is difficult to express Wan Zhong's mind clearly at once. In this logical description, the poet's eagerness and haste are vivid as at present. The word "inexhaustible" also closely echoes the above-mentioned "meaning is heavy", because "meaning is heavy", it is "inexhaustible" And "meaning is heavy" is also related to homesickness caused by "seeing the autumn wind" Huang Shucan's Annotations on Tang Poetry said: "The meaning of the first sentence has been generally seen, and there are endless words in the official letters. "pedestrians are coming and Kaifeng is opened", which is even more wonderful. Try to think about how to pick up the second half of this song, and you will know that the first sentence is difficult to write. " Explain that the beginning of the second half of the poem is closely linked with the beginning of the whole poem.
concluding a sentence is even more ingenious, and it can be called a warning strategy. Nearby Yu Biyun commented: "I have written a book, but I can't talk about it for a long time. I am about to open it, and I am very homesick." He added: "This kind of poetry is all about sex." The so-called "ultimate language" means writing the most sincere feelings of human beings, and reaching the extreme. Structurally, the last sentence says "I can't talk about it in a hurry" and the next sentence says "I'm about to open it", which makes the atmosphere of "hurry" full.
Because this poem has made such outstanding achievements in art, its predecessors gave it a high evaluation. Lin Changyi's Poems on Shooting Eagle Tower said: "Wenchang (Zhang Jizi)' See the autumn wind in Luoyang City' is a must, and the desperate situation of seven must be met. It is also rare for people in the prosperous Tang Dynasty to come here, not only because Yuefu is ancient and dull, but also because it competes with the prosperous Tang Dynasty." Generally, critics think that poetry reached the middle Tang Dynasty, which is not enough to compete with the prosperous Tang Dynasty. However, as far as this poem is concerned, it is no exaggeration to intercept a fragment of daily life, dig into the depths of the characters' feelings, write the feelings in simple language, make the hair thicker than simple and ancient, have a simple poetic style and a muddy artistic conception, and call it "the desperate situation of the seven wonders"; Compared with similar works by famous artists in the prosperous Tang Dynasty (such as Cen Can), it is not inferior. Zhang Ji (768-83? ), the word Wenchang, originally from Wujun (now Suzhou, Jiangsu), moved to Wujiang (now wujiang town, Anhui and County). In the fifteenth year of Zhenyuan, he was a scholar. He was known as Zhang Shuibu and Zhang Siye in the world, because he was Taizhu, imperial academy's teaching assistant, secretary lang, doctor Guozi, foreign minister of the Ministry of Water, and guest doctor. Because of his poor family and serious eye diseases, Meng Jiao nicknamed "Poor and Blind Zhang Taizhu". Make friends with Han Yu, Bai Juyi, Meng Jiao and Wang Jian. Poetry mostly reflected the social contradictions and sufferings of people's livelihood at that time, and it was quite easy for Bai Juyi to push the weight, just like Wang Jian, and was called "Zhang Wang". There are roughly three periods in Zhang Ji's poetry creation. Early stage is before 4 years old. 4-5 years old is the middle period, and his excellent Yuefu songs are mostly written in this period. Late stage after 5 years old. At this time, life gradually settled down, and besides writing Yuefu songs, I wrote more modern poems. His Yuefu poems are as famous as Wang Jian's, and they are also called "Zhangwang Yuefu". Poems widely and profoundly reflect various social contradictions, sympathize with people's sufferings, such as "Sai Xia Qu" and "Expropriating Women's Complaints", and another kind depicts rural customs and life pictures, such as "Picking Lotus Songs" and "Jiangnan Qu". Zhang Ji's Yuefu poems have made great artistic achievements, and he is good at summarizing the opposites of things, forming a strong contrast among several articles or articles, and making good use of sketching techniques to depict the images of various characters in detail and truly. Most of its genres are new Yuefu, which is a famous article about events, and sometimes it can create new ideas by using old topics. The language is simple, simple and subtle, and often enters poetry in spoken language. He also deliberately refined the conclusion to achieve the effect of criticism and satire by implication. Zhang Ji's five laws, which are not ornamented but carved, are euphemistic and profound in simplicity and fluency, and have a great influence on the five laws in the late Tang Dynasty. Shanghai Ancient Books Publishing House has Zhang Ji's Poems.