From the end of 20 17 to the present, the wave of cultural relics has refreshed the spirit of cultural relics lovers who have been silent. Excellent TV programs that combine cultural relics with traditional history and culture, such as "National Treasures" and "If National Treasures Can Talk", continue to be popular, and the collection and protection of cultural relics are deeply rooted in the hearts of national audiences, which also makes cultural relics workers always full of motivation and ready to "create more glories".
In recent days, the Capital Museum is "crowded" every day. It is said that the people in line are all on Chang 'an Avenue. It turned out to be a textbook-level national treasure. It is a precious "historical photo" that walked out of the Forbidden City for the first time and changed the life track of Princess Wencheng. It is one of the cultural relics forbidden to go abroad. The first special exhibition "Tianlu Wenhua: Tibetan History and Culture Exhibition" is showing Song Fangyan's Walking Map. Needless to say, the name "Bujitu" has been seen in middle school history textbooks. Then what is "cultural relics don't go abroad for exhibition"? Why are some cultural relics forbidden to go abroad? ?
As the special exhibition "Tianlu Wenhua: Tibetan History and Culture Exhibition" wants to tell, natural geography can't stop cultural exchanges. This is true for Tibet and China as a whole, as well as for China and the whole world. However, the prosperity and development of cultural relics exhibition abroad also increases the possibility of cultural relics being destroyed, posing a potential threat to the safety of cultural relics.
Just like the news that "American boy broke the finger of Terracotta Warriors" during the Spring Festival, it was caused by the inadequate safety management of local museums when the Terracotta Warriors were exhibited abroad. The outbound exhibition of cultural relics requires not only the safety and hardware of the exhibition venue, but also the guarantee of transportation, and many cultural relics are not suitable for outbound exhibitions because of their uniqueness and fragility. Because some cultural relics cannot be influenced by the atmosphere, or because of other climatic and human factors, these cultural relics are confidential, so they are not suitable for going abroad or exhibiting, which is of great significance to the cultural protection of our country.
Therefore, in 2002, National Cultural Heritage Administration promulgated the "Regulations for the Implementation of the Law on the Protection of Cultural Relics in People's Republic of China (PRC)", prohibiting first-class cultural relics from being exhibited abroad. So far, * * * has released three batches of lists, all of which are national treasures. In the second batch of catalogues, the national first-class cultural relics, together with Wu Niu, Han Xizai's Night Banquet, Thousand Miles of Rivers and Mountains, and Riverside Scene at Qingming Festival, are called the "national treasures" of China's top ten famous paintings handed down from ancient times-Bujitu.