Through the clouds in Jiangdong, I drew a picture that laughed at Ye Gong.
I hate this situation. I cut it into a small screen.
Gu Longping is a poem dedicated to things. The author wrote to himself on this topic: "Xuanhe old things, Gaozong took them across the river. When it was rotten, the palace official took good care of it, cut it into a screen and stood on the temple. " "Xuanhe" is the title of Song Huizong Evonne. Although Evonne was the king of national subjugation, he was accomplished in art and had an appreciation for calligraphy and painting. When he was in office, he attached great importance to the collection, collation and appreciation of ancient paintings and calligraphy, and ordered the compilation of Xuanhe Pu Shu and Xuanhe Huapu. Who is the author of this ancient dragon painting and what is its texture is unknown, except that it once entered the Palace of the Northern Song Dynasty. After the death of the Northern Song Dynasty, this painting went south with Emperor Gaozong. Later, because it was rotten, it was cut and framed and stood on the palace.
"Clouds and Smoke Traveling in the East of the Yangtze River" describes that the Southern Song Dynasty regime moved south, and ancient paintings also moved south. "Walking in the clouds and fog" has two meanings. One refers to Gu Long's escape posture when he takes off; One refers to the scene of Song Gaozong and Zhao Gou crossing the river through the boundless river fog under the pursuit of nomads from the army. "Jiangdong" has been called Jiangdong from Han Dynasty to Sui and Tang Dynasties. On the south bank of the lower reaches of the Yangtze River below Wuhu, Anhui, it is still called Jiangdong. It is the same as "Jiangdong" in Li Qingzhao's "Summer Jueju".
"Painting is a smiling Ye Gong", which inherits the previous sentence and extends the brush strokes to Zhao Gou's father, Evonne, the original owner of this painting. Ye Gong Long Hao is a story in Liu Xiang's new preface Miscellaneous Works. There is a reason to compare Evonne with Ye Gong. Zhao is good at drawing things and dragons. Wherever he goes, he paints the image of a dragon. Even the ancient paintings he admired are dragon paintings, which can be said to be the ultimate love of dragons. The emperor is the incarnation of the dragon. As an emperor, of course, we must maintain the status of the dragon. However, like Ye Gong, he is just a fake dragon. When the enemy appeared, Enemy at the Gates, at a loss, was out of her wits and didn't look like a real dragon at all. Although this poem is simple, it carries a lot of weight.
Evonne died of fatuity, so what about his "dragon son" Zhao Gou? In three or four sentences, turn the pen and write out the current situation: "I hate the current situation, I cut it into a small screen." Ancient paintings are full of momentum; But now there are only a few claws left, which is incomplete. The poet lamented with paintings that more than half of the great rivers and mountains in the Song Dynasty had fallen into the enemy's hands, while the authorities were content with a little residual water and did not want to restore the lost land in the Central Plains. Poetry is thought-provoking by feeling the decline of the country and the decline of the river, and then suggesting the fate of the small court in the Southern Song Dynasty.
This object-chanting poem is not only implicit but also profound. It condenses the poet's profound experience of the world and has rich connotations. The style is euphemistic, implicit and chewy. Puns are used in many places in the poem, which enriches its connotation and expressive force and makes the whole poem have endless artistic effects. Among similar poems in ancient times, this poem about objects is a masterpiece.
Luo Zhigu's "Xie Jingjian Hui Jin Bai Ling Yong Shu" says: "The millet is separated from the seedlings, and the wheat is thin. Ancient palaces hung in the ruins, and the fallen city was caressed by weeds. I feel sorry for the horse's sigh, and I am full of praise for it. I don't know what the heart of Jingjian is, and I can still make such annoying words for thousands of years. " (Momo Daquan)