Who wrote the poem "Liang Xi Man Zhi", which dynasty was it, and what is the whole poem?

Liang's Xi Man Zhi is not a poem, but a history book with ten volumes. Written by Fei Zhou in the Southern Song Dynasty. The book was written in the third year of Song Dynasty (1 192) and first published in the first year of Song Jiatai (120 1). Flying boat, fill in the word. Wuxi people. Imperial academy was exempted from Jinshi. He was educated by his family since childhood. He is knowledgeable and can write articles. In addition to Liang Manzhi, there are three volumes of Continued Records, ten volumes of Decent Articles, and several volumes of similarities and differences in Selected Works of Five Ministers of Shan Li, which are all lost today. Due to the scarcity of historical materials about Fei Zhou, little is known about his life story. He thought his life was not good at that time, so he had to write and want to teach him from the world. So his book has the purpose of expressing practical application. This book contains many discussions about the politics of the Song Dynasty. According to the preface of the former author of this book, the process of his writing works is to use his spare time to write what he wants to say on paper, and after years of accumulation, he finally collects it into a compilation. Therefore, it is called "full ambition". "Liangxi" is named after Liang Boluan who lives in the west of Wuxi County.

Liang's Xi Man Zhi is a genre of notes. The book/kloc-has more than 0/60 articles and is divided into ten volumes. Each article has a title table of contents. Their arrangement order is roughly similar. The first two volumes of the book and the first article of the third volume, Entering the Pavilion, describe the allusions of emperors. From the article "Yuan You party member" to the following, more chores are described. The last articles in the third and fourth volumes are all about Su Dongpo. In the fifth volume, there are many textual researches on historical biographies and poems. The last volume of Miscellanies of the Temple of Ghosts and Ghosts. Throughout the book, the content can be divided into four parts. First, it describes in detail the laws and regulations of the imperial court, such as Yuan Feng's system of changing officials into cabinet, which can correct the shortcomings of history. The second is to narrate anecdotes of predecessors. Such as Su Zimei (Shun Qin) and Ouyang Gong Shu, are helpful for future generations to understand the party struggle in Li Qing. Fei admires Su Dongpo. There are many stories about Su Dongpo in the book, which can reveal his political ambitions and literary attainments. The third is to investigate historical events. Such as Returning to the Field, Talking about Summer Vacation, Shen Jia's Miscellaneous Notes, Si Liu's Talk about E, Wen Jian Hou Lu, etc. His refutation of predecessors' mistakes is well documented. For example, in the Map of Geographical Fingers, according to the Map of Abandoned Counties in Song Dynasty, "there are those who were abandoned by Jian Yan and Shaoxing after worshipping Ning", which denies what Yun Dongpo said in the preface of this book; Another example is Xue Nengshi, which is based on official history. It is convincing to think that Xue Neng and Qin Zongquan's poems are wrong. The fourth is to evaluate poetry and painting articles. Fei praised Su Dongpo's paper for its vivid conception, which can be called the method of poetry and painting. What is said and said can be used as a reference for modern people to evaluate poetry, calligraphy and painting articles.

The content described in this book has high historical value. At that time, it was also highly respected by people at that time. This book was first published in the third year of Shao Xi (1 192) and the first year of Jiatai (120 1). Six years after its publication, it was collected by the National Museum of Historical Records in the first two years. Used to compile the official history of Gao, Xiao and Guang Dynasties. Although Sikuquanshu was listed as a miscellaneous scholar in the Qing Dynasty, it was greatly appreciated in the summary of the general content, saying that "the theory has roots and the legacy of the old code remains forever". In a word, Liang Manzhi is a historical material with high value in the notes of the Song Dynasty, and it is an important document for studying the laws and regulations, people's heritage, historical textual research, historical criticism and literature of the Song Dynasty.

Comment: on the system of imperial laws and regulations, the ambition of telling stories.

Textual research, detailing historical events, and commenting on Su Shizan's poems and paintings.