It seems that it is Li Zhongwen of Jinwu and Feng Xiao's children who preach Du Taishou's affair. Give it a little more play. As for Du Kao Yagyu, he was also a Kao Yagyu from Suiyang, Rainbow.
Well, honey, what happens in the world is beyond the reach of this world. Since you don't know anyone, you should always be reasonable. There is nothing in the first cloud, and there is evil in the knowledge!
-Selected from the printed edition of Tang Xianzu's Poems and Essays published by Shanghai Ancient Books Publishing House.
Is there any feminine style of Du Like Li Niang? I dreamed that my lover was ill, very ill, and couldn't get well so soon. I painted a portrait myself and died after being handed down from generation to generation. I've been dead for three years, but I can find the man of my dreams and come back to life. Du Like Li Niang, you can be called an affectionate person. Her feelings were unconsciously aroused and deepened. You can die for your feelings when you are alive, and you can live for your feelings when you die. Those who live and don't want to die for love, and those who die and can't be resurrected, can't be regarded as the acme of feelings. Why must the feeling in the dream not be true? Is there still a lack of such a person with a dream in the world? Men and women get married at the same table, and they feel safe after resigning.
The story of Du Taishou's deeds imitates the legend that Li Zhongwen, the Wudu Taishou in Jin Dynasty, and Feng Xiao, the Guangzhou Taishou, fell in love with their children. I made a slight change in writing this play. As for Du Taishou's detention and torture of Liu Mengmei, just like the detention and torture of Emperor Yangdi in the Han Dynasty.
Alas, things in the world are not fully understood by the world. I am not a person who knows everything from ancient times to the present, so I often use "reason" to speculate. Just blindly emphasizing (the combination of Du Liniang's resurrection from the dead and Liu Mengmei) must not exist from a rational point of view. How can we know that it must exist from a perceptual point of view?
"Flowers and plants are loved by people, and life and death follow their wishes, so no one complains." This is Du Liniang's famous lyrics in The Peony Pavilion. The story that life can die and death can live is not just the Peony Pavilion. One of its readers, Yu Ernian, also transcends life and death. "But Acacia pays off, and Peony Pavilion has lived for three generations"-the author, audience and drama meet in the most wonderful way.
From the original edition in Wanli period of Ming Dynasty to the youth edition in 2004, Peony Pavilion has been staged for more than 400 years. The love story described by Tang Xianzu has conquered countless audiences, especially the young people in Seeds of Love. Among them, the most typical one is Yu Ernian. In the current buzzwords, she is a "super fan", and today's groupies are not as good as her.
There is a piece of historical data that is a treasure for Kunqu researchers. It is recorded in Amin Dafu's Notes on Meihua Caotang: "Yu Erniang, a woman from Loujiang, is not at home. I love the legend of Peony Pavilion, flying over the small print and commenting on its side. Struggle for rhyme, but hurt words ... "After reading Peony Pavilion, Yu Ernian made a lot of comments between scripts in small letters, deeply feeling that her unfortunate fate was Du Like Li Niang's, and she was unhappy all day long and finally" heartbroken and died ". It was the first edition of Peony Pavilion, which slipped from Sanshou before dying. "It is full of cinnabar research, and what you see is often unexpected."
After learning the news, Tang Xianzu wrote "Two Crying Loujiangnv": "Draw a candle to shake the golden pavilion, and a real pearl to weep and embroider the window. How to hurt this song is only in Loujiang. Why die for yourself? There must be a god in sorrow. For a time, the writing world was popular. "
0/50 years after the death of Tang Xianzu, Jiang Shiquan, also a native of Jiangxi, wrote Linchuan Dream. According to Japanese scholar Aoki Masako's History of Modern Opera in China, this legend featuring playwright Tang Xianzu is divided into two volumes, with a total of 20 volumes. Yu Erniang, a special character, appeared many times in the legend.
For example, in the fourth "Dream", I wrote that Yu Ernian was reading "Resurrection of the Soul", but Yagyu and Du Liniang appeared in the form of phantoms. The tenth "Dream of Martyrs" is about the heartbroken death of Yu Erniang after reading "The Story of Resurrection" (I'm afraid this is from the records of Buddha Zhang). But by the second volume of the script, the story has changed beyond people's imagination. For example, the fifteenth song "Send Song" is written that more than 20 years after Yu Erniang's death, her wet nurse gave Tang Xianzu the "Return to the Soul" recognized by Yu Erniang. The sixteenth book, Visiting Dreams, describes that the ghost of Yu Erniang intends to visit Tang Xianzu to show her respect. The 19th Dream tells the story of the death of Tang Xianzu's eldest son and his meeting with Chunyuba, Lusheng, Yu Ernian (all Tang Xianzu's dramatists except Yu Ernian) and others in front of the King of Heaven. Everything is a dream. Finally, Tang Xianzu was sleeping in Tang Yuming, and the sleeping god led Yu Ernian's soul into Tang Xianzu's dream and met him. Tang Xianzu feels his bosom friend. Chunyuba, Lu Sheng and others also came to see him. Shen Chuan preached the law of heavenly kings. Welcome to the reformatory. (Aoki Masako's History of Modern China Opera, translated by Wang Gulu, Zhonghua Book Company Edition)
Playwrights often express their thoughts and communicate their feelings with the audience through words and stage. But in this Linchuan dream, Tang Xianzu and Yu Ernian not only surpassed the relationship between the playwright and the audience, but also surpassed the relationship between people in real life. Their souls can actually meet in their dreams and enter heaven. This is in line with the artistic technique of Peony Pavilion. As Tang Xianzu said in The Peony Pavilion: "I don't know what happened, but it continued. The living can die and the dead can live. Those who are born and cannot die, and those who die and cannot be resurrected, are not affectionate. Why is the love in the dream not true? There are very few people in the dream in the world! "
In real life, Tang Xianzu and Yu Ernian may not know each other, but in Linchuan Dream, they have a strange communication with a long time span, even soul mates.