During the Five Dynasties and Ten Kingdoms period, the king of the former Shu and Meng of the latter Shu were addicted to kabuki music for 60 years, making the music widely circulated. Huajian Collection is an anthology of songs and lyrics for geisha actors. There are 65,438+08 poets, among whom Chinese and Huangfusong are poets, and they are in the late Tang Dynasty, which shows the origin of Xishu Ci School. Ning He, the prime minister of the Northern Han Dynasty, was famous for making music, which was called "making music" at that time. His ci has a literary style. Zhang Bi is suspected to be a poet in Southern Tang Dynasty. In addition, Wei Zhuang to Li Xun (14) were all scholars in Shu, and they were all ministers of Wang or Meng. The words in Hua Jian Ji are gorgeous, while Wei Ci is indifferent, representing two styles. The works of other poets are as numerous as prose and style. Their content, nothing more than singing in my heart forever, parting hate, mostly confined to the privacy of men and women. However, some works, such as Lu Qian's Linjiang Fairy, express the feelings of "conspiring against the country, subjugating the country and exterminating the species", while Ouyang Jiong's Nanxiangzi eulogizes the local customs of the south, which is of practical significance. When people in Song Dynasty talked about Picking Flowers, they all praised it for its rich and exquisite words, and almost no one praised it for its rich ideological content. Zhang Huiyan, the founder of Changzhou Ci School in Qing Dynasty, interprets Wen and Wei Zhuang's Ci from the perspectives of "comparison" and "irony", and thinks that they show the feeling that "sages and gentlemen are unspeakable" (Preface to Ci Selection), which may be a mere formality. [Edit this paragraph] Huajianji Ancient Edition Huajianji Ancient Edition has been handed down from generation to generation in the Southern Song Dynasty: First, it was revised by Qian Chao in the eighteenth year of Shaoxing (1 148), and the Luyuan Edition in the Ming Dynasty was reprinted according to this edition. In the late Qing Dynasty, Wu Changshou's version of "The Double Photo Building" and Shao Wuxu's version were both based on Ruben. 1955 the publishing house of ancient literature copied the original edition of Chao engraving in Beijing Library. The second is the engraving of Ezhou in the last years of Xichun. This book has no preface and postscript from the publishing house. Because each page was printed on the back of Ezhou official document in the 11th and 12th years of Xichun, it was designated as Ezhou block print in the last years of Xichun, and was collected in Haiyuan Pavilion, Shi Yang, Liaocheng. In the 19th year of Guangxu in Qing Dynasty (1893), Wang's Si Yin Zhai series was reprinted according to the original image of Haiyuan Pavilion. The Sikuquanshu published by Zhonghua Book Company is also based on this book. The third is Kathy's sculpture. In the first year of Kathy's reign, there were two postscript to Lu You. Chen Zeng quoted Lu You's postscript in Solving the Problem of Supporting Houses, which shows that it was written by this book. In the early Ming Dynasty, Wu Ne's Hundred Collected Poems by Famous Writers in Tang and Song Dynasties seems to be based on this, but 10 has been combined into two volumes. At the end of the Ming Dynasty, Qijiage also used this edition of Ci Yuan Hua Ying. As for the engraving of the Song Dynasty, modern bibliophiles have not recorded it, and I don't know its existence. In addition, there are many engravings in Ming and Qing dynasties, such as Tang Xianzu's commentary edition overprinted by Min's engraving edition and Xuan Lanzhai's towel box edition photocopied by Four Series, which are not good. In addition, Li Xinruo's Comments on Huajian Collection, 1936 Ming Kai Bookstore Edition, Hualian Pu's Comments on Huajian Collection, 1938 Commercial Press Fourth Edition, Li Yimang's Huajian Collection School, 198 1 People's Literature Publishing House Reprint. [Edit this paragraph] Huajianji Huajianji is a collection of words edited by Zhao Chongzuo, a post-Shu person. Collected and recorded the works of eight poets from [Late Tang Dynasty] to [Five Dynasties] 18, and 500 * * * poems were divided into 10 volumes. 18 Except Wen Tingyun, Huang Fusong and Ning He, all the other poets 15 were active in the [Five Dynasties and Ten Kingdoms] West Shu. They are Wei Zhuang, Xue, Niu Shu, Zhang Mi, Mao Wenxi, Gu Xun, Niu Xiji, Ouyang Jiong, Sun Guangxian, Wei Chengban, Lu, Yan Xuan, Mao Xizhen and Li Xun. These poets in West Shu deliberately imitated the colourful and fragrant ci style characterized by describing the daily life of women in boudoir, and sang with each other, forming the Huajian Ci School. The custom of writing lyrics was very common in [Late Tang Dynasty] and [Five Dynasties]. In the Tang Dynasty, in order to avoid chaos, literati entered Sichuan, and the custom of writing lyrics was also brought from the Central Plains to western Sichuan. At the end of the Tang Dynasty [Five Dynasties], the place with the most prosperity and highest achievements in ci poetry was called Xishu first, and then Nantang.
Hua Jian Ji was named Hua Jian Ji because it focused on the daily life and decorative appearance of ladies and beauties in the upper class, and women always wrote a charming collection of women's words than flowers. These words were written by literati in order to enjoy life in the dance hall. Qi Yan's son, embroidered mother and beautiful women make eyes at each other. When they sing on holidays, their words are extremely soft, charming and fragrant. [Edit this paragraph] Huajian Collection Evaluation Huajian Collection is China's first ci collection. Huajian School is the first school of Ci in China. Although the content of Hua Jian Ji has some shortcomings, it is a milestone in the history of Ci, which marks the formal entry of Ci into the literary world and will be distributed in poetic countries.
Flowers reflect the theme orientation, aesthetic taste, material features and artistic achievements of literati's ci creation in China's early ci history, and truly reflect the whole picture of the transformation and development process of early ci from folk state to literati's creation. Huajian Ci standardized the literary genre and aesthetic characteristics of Ci, and finally established its literary status, which had a far-reaching impact on the creation of Ci writers in Song, Yuan, Ming and Qing Dynasties. [Edit this paragraph] Campus novel A new book of youth campus novel listens to the rain and leans on the pillar-
The author recorded the life, study and some experiences of Tong Tong, a girl in Seeds of Love, from three to five years old to eighteen years old ... Although ordinary and simple, it is very real and interesting.