Abstract: Li Qingzhao is the most accomplished female writer in the history of China ancient literature. His literary achievement of "looking down on middle age, looking down on middle age" established his unshakable position in the field of ci. This paper demonstrates the important position of Yi 'an Ci in the history of Ci from three aspects: Li Qingzhao's emotional world, graceful artistic style and superb artistic skills.
[Keywords:] Li Qingzhao graceful female emotional world
Abstract: Qingzhao is a female writer with the highest achievement in the history of China literature. His literary achievement of "no placement plan for Elaine, straight eyebrows overwhelming desire" laid an unshakable position in his ci poetry. This paper demonstrates Yi 'an's important position in the history of poetry from three aspects: clear emotional world, graceful appearance, exquisite artistic style and superb artistic skills.
[Keywords:] Qingzhao graceful female emotional world
introduce
Li Qingzhao is a famous poetess at the turn of the North-South Song Dynasty in China. Since Song Dynasty, countless people have praised her. Since the history of literature, Li Qingzhao's position in the history of literature has gradually improved: Xie Wuliang's History of China Literature: "The daughter of Li Qingzhao ... is also famous for relying on sound." Hu Shi's History of Mandarin Literature says: "Li Yian was a female writer in the Song Dynasty." Zheng Zhenduo's History of China Literature said: "Li Qingzhao is the greatest poetess in the Song Dynasty and the greatest poetess in the history of China literature." Sister Liu thinks that Li Qingzhao "is a talented woman writer with a lofty position in the history of China classical literature" (The History of China Literature Development). Not all these words are related to beauty, but they all have good reasons. The author has no intention to argue whether Li Qingzhao should be called a "master" or a "master", but it is not too much to call her a first-class poetess. So how did Li Qingzhao once occupy a place in the history of ci poetry and have such a lofty position?
The most fundamental and important thing for a writer to establish his or her position in the history of literature is to look at his or her works. Literature is not a speculative science, but a "human study" of image thinking, which fundamentally reflects people's feelings, psychological processes and changes, as well as moral ethics and family education beliefs closely related to people. Therefore, to evaluate whether literary works are the essence of human spiritual products depends on the following three aspects: first, the depth of reflection of works on social spirit or human emotions; Secondly, the personality shown in the works; The third is the creation or perfection of artistic skills.
Li Qingzhao's position in the history of Ci mainly depends on her works (mainly Ci). Her lyrics can be said to be a trinity of genius and emotional ideal. In her poems, an important part of human spiritual field-female emotional world is displayed. She developed perfect artistic skills, fully demonstrated her personality, and revealed the beautiful and affectionate side of female sexual life. In addition, her works in different periods constitute a masterpiece of women's emotional process. This paper intends to discuss it from three aspects.
First, fully display the emotional world of women.
Different from the previous generation of poets who responded to songs with words, Li Qingzhao only expressed her unique temperament and true feelings, which is the most remarkable feature of Yi 'an Ci. In the past, pronoun writers were mostly "female men" who described women's feelings and lives. Therefore, Tian Tongzhi in Qing Dynasty said in xipu Ci that there was a strange phenomenon in Tang and Song Ci, that is, "men wrote". Although they are good at writing about the parting between men and women and have written many famous works, it is inevitable that some of them will scratch each other's boots and even "pretend to be false." Moreover, many "Women Men" write coquettish and ostentatious patterns of coquettish women, with the purpose of singing and laughing. Their feelings are often frivolous and weak, and even imply a wretched psychology. That is to say, Liu Yong's words "too big to claim to be in the world" (1) are sometimes "said under the dust"; (2) weaknesses. However, Li Qingzhao's poems are mostly sincere, "affectionate" and carry forward the perceptual part of life, so they are full of natural meaning, and there is no "female man" to imitate women's shyness, which is extremely vital.
Li Qingzhao was born in a family with rich literary literacy. His father Li was a famous essayist in the Northern Song Dynasty, and his mother was also "good at writing". Good education, superior environment, plus Li Qingzhao's talent and intelligence, are rich in literary endowments; He also loves reading, reading extensively and memorizing, which forms the poet's profound literary accomplishment. Her parents are very open to their children's education, so she has developed a cheerful personality and her talent has been brought into play since she was a child. Wang Zhuo said that she "has had a poetic name since she was a teenager, so she is brittle and close to her predecessors." (3) Among the visible Yi 'an Ci, only one poem, Dianjiang Lip, was written in her childhood:
Stop shaking, stand up and straighten your hands. Beside her, the thin Germany hung with crystal dew, and the sweat on her chest permeated with the thin silk robe. When the guests came in, the gold hairpin slipped on the sock row. Then walk away in shame, look back, but lick my childhood.
Although the meaning of this word is very shallow, it can be seen that Li Qingzhao is a teenager, which is one side of her carefree teenage life before marriage. The author drew a portrait of himself with a special style pen. From the line, it may be a little immature, but it is not delicate; From the composition point of view, although it is light and light-colored, it is slightly dyed with a vivid pen, shaping a pure, lively, intelligent and affectionate girl image. In feudal society, girls were required to "meet each other and bow their heads to take care of them". (4) Although the author "walks away with shame", he "leans against the door and looks back", pretending to "sniff green plums", not to mention "paddling the golden hairpin with socks", which is a "magic face". No wonder later generations commented that "Qingzhao is a famous family, with few poems, and no shoes or socks; Smile shyly and answer by leaning against the door, quite like a woman in the street, not a clean and white person. " 5] and according to this, the word is classified as a doubt. In fact, this poem depicts a graceful, lively and free-spirited girl image through the description of the characters' actions, and reveals her inner feelings and spiritual charm of loving life. This only reproduces the rich and colorful life of the author's girlhood, which is not limited by feudal ethics, while some celebrities only know the life of "learning to chisel with needles and learn to cut with knives"; At the same time, she reproduced a poem that she dared to convey her memories of a girl's life? "Like a dream, I always remember the sunset in Xiting": In this little sentence, the author uses simple and natural language to create an intriguing aesthetic mood and draw a picture of the sunset in Lotus Lake. At the same time, we can see a lively and cheerful girl floating in the air. Comparing the images of girls in these two words, it is not difficult to see a lot of sex. Is there any doubt about this? She is Li Qingzhao in her girlhood, full of youthful vitality and enthusiasm for life, and carefree.
The girlhood full of restlessness and willfulness has passed, and Li Qingzhao 18 years old settled in Zhao Mingcheng. Zhao Mingcheng was also born in an official family, and his father Tingzhi Zhao was once the prime minister of Huizong. However, he loved epigraphy calligraphy since childhood, and he was also a gifted scholar with excellent poetry and prose. The couple are quite consistent in artistic interests and literary accomplishment. They often sing poems together, sort out ancient books together, collect and study bounty stone treasures together, indulge in the art world together, and live a very happy life. It is really a "golden stone and a good marriage". Zhao Jie in the Ming Dynasty called him a "beauty and talent, a swan song" (History of Ancient and Modern Women). This is that life is sweet, who is husband and wife, who is a poetry friend, who is a schoolmate and who is a confidant, which further improves their literary accomplishment and their feelings, and also makes every separation between husband and wife bring a strong impact on Li Qingzhao's feelings. She integrated this emotional experience into poetry and wrote one excellent work after another. In the sentence "Minus the word magnolia, sell shoulder flowers", the author uses lively, clear and simple words to show the charming face of a young woman. The podium and her leisurely and happy life in the early days of marriage. However, during Zhao Mingcheng's official tour, the poet was full of longing for his lover. The most obvious expression of this emotion is "Plum with a Plum": "Who sends a cotton book on the cloud, when the geese return, the moon is full of the West Building".
In a word, Li Qingzhao's outstanding personality and achievements, as well as her consummate skills, have established her important position as a first-class poet in the history of ci, and achieved the achievement of "not looking at the middle, eager to overwhelm the eyebrows". Therefore, her wounds are widely known and have permanent artistic vitality, which has been lingering for thousands of years and influenced countless writers and readers throughout the ages.
;