[Edit this paragraph] The meaning of ancient poetry
The original meaning of "ancient poetry" is the poetry written by ancient people. Around the end of the Wei Dynasty and the beginning of the Jin Dynasty, a number of five-character poems written by literati before the Wei and Jin Dynasties were circulated. They had neither titles nor authors. Most of them were lyric poems with unique expression techniques and artistic styles, and were collectively called "ancient poems". Shen Deqian of the Qing Dynasty said: "Nineteen ancient poems are not necessarily written by one person, but were written at one time. They chased ministers and abandoned their wives, had many friends, wandered in a foreign land, and felt a new connection between life and death. Some are allegories, some are explicit, some are repeated. . At first, there were no strange ideas or breathtaking sentences, but the ancient poems of Xijing were all inferior to them." ("Shuo Shi □ Yu") In the Jin and Song Dynasties, these "ancient poems" were regarded as a model of five-character poetry. Lu Ji of the Western Jin Dynasty imitated 12 of them line by line. Tao Yuanming of the Eastern Jin Dynasty, Bao Zhao of the Song Dynasty, etc. all had "Ancient Poetry" to study the techniques and styles of "ancient poetry". By the Liang Dynasty, Liu Xie's "Wen Xin Diao Long" and Zhong Rong's "Shi Pin" theoretically summarized and commented on the artistic characteristics and value of "ancient poetry", explored their authors, eras and origins, and generally determined that they were from the Han Dynasty work. At the same time, Xiao Tong's "Selected Works" and Xu Ling's "New Odes of Yutai" of the Chen Dynasty determined the scope of "ancient poetry" from the classification of poetry: any work without a clear title is called "miscellaneous poetry" if it has an author, and "miscellaneous poetry" if it is unknown. "Ancient Poetry". Therefore, after Liang and Chen, "ancient poetry" has formed a special category name with a specific meaning. It is also known as the Yuefu Song Ci of the Han Dynasty. It specifically refers to the five-character poems written by unknown people in the Han Dynasty, and has developed into a poetic style that has the artistic characteristics of "ancient poetry" in general. "Nineteen Ancient Poems" occupies the status of a representative work of "ancient poetry" in the history of literature, and this title has become a special title.
[Edit this paragraph] Ancient poetry style, also known as ancient style.
As the saying goes: Tang poetry, Song lyrics, and Yuan music show how important Tang poetry is!
The ancient poetry style before the Tang Dynasty was a style of poetry that did not pay attention to meter and had no limit on the number of words and sentences. After the Tang Dynasty, due to the emergence of modern poetry, poets deliberately imitated the writing methods of ancient poetry in the Han, Wei and Six Dynasties in order to distinguish ancient poetry from the emerging metrical poetry, and restricted it in certain aspects, thus forming a fixed pattern of ancient poetry in the Tang Dynasty. The result is that the completely free poetic style before the Tang Dynasty was transformed into a semi-free verse between metrical poetry and free verse.
The number of words and lines of ancient poetry:
There are no fixed lines or fixed styles in ancient poetry. All ancient poems are classified according to the number of words in the verses. Those with four characters and one sentence are called four-character ancient poems, referred to as Sigu; those with five characters and one sentence are called five-character ancient poems, referred to as Wugu; those with seven characters and one sentence are called seven-character ancient poems, referred to as Qigu. Four-character poetry has been used by people as far back as the era of The Book of Songs. But it gradually declined in the Tang Dynasty, and few people wrote about it. Therefore, ancient poetry is still represented by five-character and seven-character poems.
Five-character ancient poetry is the orthodox form of ancient poetry and has been written by many people.
Seven-character ancient poetry is not the mainstream of ancient poetry. This is because it originated relatively late. Therefore, the seven-character style is greatly influenced by the seven-character modern poetry.
Five-character ancient poems and seven-character ancient poems are both ancient-style poems with a neat number of words. There is also a type of ancient poetry with miscellaneous words, in which the number of words in the lines is mixed and uneven.
[Edit this paragraph] The content of ancient poetry:
From a time perspective, it refers to Chinese poetry before the Opium War in 1840; from a metrical perspective, ancient poetry can be divided into ancient poetry and Modern poetry. Ci was invented by people in the Song Dynasty, and is also called long and short sentences. Ancient style poetry is also called ancient poetry or ancient style poetry; modern style poetry is also called modern style poetry.
Ancient poetry
Ancient poetry is written according to the ancient poetry style. In the eyes of the Tang people, everything from the Book of Songs to Yu Xin in the Northern and Southern Dynasties is considered ancient. Therefore, there is no certain standard for the so-called ancient poetry style. However, the ancient poems written by poets have one thing in common, that is, they are not bound by the rhythm of modern poems. A type of metrical poetry that began to form in the early Tang Dynasty and had strict regulations on the number of words, rhymes, and antitheses is what we call modern poetry. Modern poetry is relative to ancient poetry. Poets in the Tang Dynasty and later still wrote ancient poetry. We can say. Any poetry that is not bound by modern rhythm is ancient style poetry. Ancient poetry is divided into four-character ancient poetry, five-character ancient poetry, and seven-character ancient poetry. Modern poetry is divided into quatrains and rhymed poetry.
Modern poetry
Modern poetry is divided into verses and quatrains. The difference between rhymed poetry and quatrains mainly lies in the number of sentences. There are four lines in quatrains and eight lines in verses. There are eight lines in the rhythmic poem. The first and second lines are the first couplet, the third and fourth lines are the jaw couplet, the fifth and sixth lines are the neck couplet, and the seventh and eighth lines are the last couplet. Quatrains are also called "cut sentences". The quatrains may or may not contrast, but the mandibular couplets and neck couplets of the rhymed poems must confront each other. Both the rhymed poems and the quatrains have requirements for balance. Rhymed poems with more than eight lines are called arranged verses.
[Edit this paragraph] Appreciation of classic poems
"Moonlight Night on the Spring River"
Zhang Ruoxu
The tide of the Spring River reaches the level of the sea, and the moon shines brightly on the sea* **Tide life.
Yanyan (yàn) follows the waves for thousands of miles, but there is no moon on the spring river!
The river flows around Fangdian (diàn), and the moonlight shines on the flowers and forests, all of which look like sleet (xiàn).
The frost is flying in the sky unknowingly, and the white sand on the pavilion cannot be seen.
The river and sky are completely dust-free, and there is only a solitary moon in the bright sky.
Who by the river saw the moon for the first time? When did Jiang Yue shine on people?
Life is endless from generation to generation, but the river and the moon are similar year after year.
I don’t know who Jiang Yue treats, but I see the Yangtze River sending flowing water.
The white clouds are slowly disappearing, and the Qingfeng Pu is full of sorrow.
Whose family is cheating tonight? Where do I miss Mingyue Tower?
The poor moon wanders upstairs, it should be seen away from the makeup mirror.
The jade door curtain cannot be rolled away, and the anvil (zhēn) of pounding the clothes is brushed (one is "finger") and it comes back.
At this time, we are looking at each other but not hearing each other, and I hope that the moonlight will shine on you.
The swans fly so long that the light never reaches them, and the fishes and dragons dive and leap into the water.
Last night I dreamed of falling flowers in the pond, and it was a pity that I didn’t return home in the middle of spring.
The spring flow of the river is gone, and the moon sets over the river pool and turns to the west (for the sake of rhyme, so read xiá).
The slanting (here is the beginning of the sentence, do not rhyme, so read xié) the sinking moon hides the sea fog, and the Jie (pronounced jié) stone Xiaoxiang has infinite roads.
I don’t know how many people will return home by the moon, but the falling moon (meaning "flower") shakes the trees all over the river with love
"One Cut of Plum Blossoms"
Li Qingzhao
< p> The fragrance of red lotus root lingers in the jade mat in autumn. I undress my clothes lightly and get on the lotus boat alone.Who in the clouds sent a brocade book? When the wild goose came back, the moon was full on the west tower.
The flowers drift by themselves and the water flows by themselves, a kind of lovesickness, and two places of leisurely sorrow.
There is no way to eliminate this feeling, so I just frowned, but it was in my heart.
"The Journey Is Difficult"
Li Bai
A gold bottle of green wine is worth ten thousand dollars, and a jade plate of treasure is worth ten thousand dollars.
Stopping the cup and throwing chopsticks, I can’t eat. I draw my sword and look around at a loss.
If you want to cross the Yellow River, which is blocked by ice, you will have to climb the snow-covered mountains of Taihang.
I was fishing on the Bixi River when I was free, and suddenly I was riding a boat and dreaming about the sun.
The journey is difficult, the journey is difficult, and there are many divergent paths, but now I am at peace.
There will be times when the wind blows and the waves break, and the cloud sails are hung directly to help the sea.
"Will Enter the Wine"
Li Bai
If you don't see it, the water of the Yellow River will come up from the sky and rush to the sea never to return.
Don’t you see, the bright mirror in the high hall has sad white hair, and it looks like blue silk in the morning and turns to snow in the evening.
If you are proud of life, you must have all the fun, and don’t let the golden bottle stand empty against the moon.
I am born with talents that will be useful, and I will come back after all my money has been spent.
If you enjoy cooking sheep and slaughtering cattle, you will have to drink three hundred cups at a time.
Master Cen, born in Dan Qiusheng, will drink wine without stopping.
A song with you, please listen to me.
Bells, drums, food and jade are not expensive, but I hope I will never wake up after being drunk for a long time.
In ancient times, all the sages were lonely, only the drinkers left their names.
In the old days, King Chen had a banquet, drinking and drinking, and had a lot of fun.
What does the master mean when he has less money? It is up to you to sell it.
The five-flowered horse and the golden fur will be exchanged for fine wine, and I will sell the eternal sorrow with you.
"Climbing High"
Du Fu
The wind is strong and the apes high in the sky are screaming in mourning, and the white birds are flying back from the clear sand in Zhu.
The endless falling trees rustle and the endless Yangtze River rolls by.
Wanli is always a guest in the sad autumn, but he has been sick for hundreds of years and only appears on the stage.
Difficulty hates the frost on the temples, and the new wine glass becomes muddy.
"Li Si"
Yuan Zhen
Once upon a time, it was difficult to find water in the sea, except for Wushan, it was not a cloud.
Take the flower bush to look back lazily, half destined to practice Taoism and half destined to be a king.
"Poetry in Seven Steps"
Cao Zhi
Boiling beans burns the bean sprouts, and the beans weep in the cauldron.
They are born from the same roots, so why rush each other?
"Yanmen Prefect's Journey"
Li He
Black clouds are pressing down on the city, threatening to destroy it, and the light of armor opens towards the golden scales of the sun.
The sound of the trumpet fills the autumn sky, and the night is purple when stuffed with swallow fat.
The half-rolled red flag is near the Yishui River, and the sound of heavy frost and cold drums cannot be heard.
Report your favor on the golden platform, and guide the jade dragon to die for you.
"Lovesickness"
Wang Wei
Red beans grow in the south. How many branches will they sprout when spring comes?
I hope you will pick more of them, this is the most loved thing.
"Encouragement to Study"
Yan Zhenqing
The lights are on at three o'clock and the chickens are on at five o'clock.
It is the time for men to study.
Black-haired people don’t know how to study diligently early;
White-haired people regret studying late.
"The Book of Songs"
Guan Ju
Guan Guan Jujiu, in the river island. A graceful lady, a gentleman is fond of quarrels.
The waterlilies are mixed and flowing from left to right. A graceful lady, I long for her.
I can’t get what I want, so I sleep hard and think about it. Leisurely leisurely, tossing and turning.
Pick the waterlilies from left and right. A graceful lady, she is a friend of the piano and the harp.
There are different kinds of water-lilies, with leaves growing on both sides. The fair lady is played with bells and drums.
[Edit this paragraph] Common sense of ancient poetry:
1. Rhyme: rhyme words at the end of rhyme sentences, such as Li Bai's "Quiet Night Thoughts" The bright moonlight in front of the window is suspected to be frost on the ground , Raise your head to look at the bright moon, lower your head to miss your hometown. Guangshuang Township is a rhyme.
2. Rhyme: Rhyming in poetry makes the tone harmonious and beautiful, such as Li Bai's "Silent Night Thoughts" rhymes with "ang".
3. The structure of the verse: ***eight sentences, one or two sentences are the first couplet, three or four sentences are the jaw couplet, five or six sentences are the neck couplet, and seven or eight sentences are the last couplet.
4. The rhythm and rhyme of ancient poetry:
From the perspective of sentence structure, the four characters of ancient poetry are generally two, two; the five characters are two, two, one; the seven characters are two , 2, 2, 1,
In terms of meaning, sometimes there are special situations due to expressive needs, such as: Shiba | Five Mountains | Cover | Akagi, so it becomes
2. Two, one, two formulas.
5. Because the ancient poems originally had no punctuation (punctuation was added by later generations), one line means one line.
[Edit this paragraph] Two explanations of poetic style in middle school textbooks
A brief discussion of ancient poetry styles and a discussion of two explanations of poetic style in middle school textbooks
Ancient my country There are many styles of poetry, and there are also different opinions on the classification and name of ancient poetry. Especially for the three types of poetry, Yuefu, ancient style, and song-style poems, it is easier to confuse them. Because, from a formal point of view, Yuefu style and Gufeng style are both five-character style, while seven-character ancient poetry and songxing style are both seven-character style, so it is difficult to distinguish them. However, since ancient times, people have relatively unanimously recognized their differences in expression content, techniques, and style features, and have conventional names for them.
"Beijing" are both "gexing style" poems, with free form, fluent language and unrestrained style. Please talk about the similarities and differences between these two poems in terms of sentence structure, narrative and lyricism. "
Another ninth grader. (Part 1) The knowledge short article "How to Read" says: "Du Fu's "Shi Hao Li" has a broad rhythm and teaching, which is called ancient style..."
The name here is not in line with the custom. It is customary for people to call Du Fu's "Thatched House" a "seven-character ancient poem", while Cen Shen's "Song of White Snow" is called a "seven-character poem". The editor also clearly saw the "difference" between the two poems, so he published Such a question. Although Du Fu's "Three Officials" and "Three Farewells" are in the same five-character form as "Gufeng", it is customary for people to call "Shihao Officials" "New Yuefu" instead of "Gufeng". In order to clarify this issue, a brief review of ancient Chinese poetry styles is needed.
The earliest poetry style in our country is the four-character "Book of Songs" style, followed by the "Chu Ci style" (also called "Sao style poetry") represented by Qu Yuan's "Li Sao", which uses The conjunction "zhi" and the modal auxiliary "xi" lengthen the sentence pattern, such as "The Miao descendants of Emperor Gaoyang are here" ("Li Sao"), "They are practicing Wu Ge and they are wearing rhinoceros armor" ("Guoshang"), which are the later five , the seven-character poem provides a precedent. Therefore, "The Book of Songs" and "Chu Ci" have become the sources of Chinese poetry.
By the Han Dynasty, there was the "Yuefu", an organization specifically responsible for collecting various poems and folk songs. The most influential thing it collected was folk poetry. This is the "Han Yuefu" we can still see today. folk song". Its biggest feature is that it is highly realistic, popular and lively, and its form is mainly five-character. For example, "Long Song Xing" in the eighth-grade textbook (Part 1) and "Drinking Horses in the Great Wall Grottoes" and "Fifteenth Military Expedition" in high school textbooks are the "authentic" "Han Yuefu". The content and style of Han Yuefu folk songs influenced the poetry creation of literati at that time and later generations. By the end of the Eastern Han Dynasty, "Nineteen Ancient Poems", which represented the maturity of literati's five-character poetry, appeared, which absorbed many characteristics of Yuefu folk songs, which played a role in the development of ancient poetry style. Promoting effect. Especially in the Wei, Jin, Southern and Northern Dynasties and the Tang Dynasty, the development of Han Yuefu evolved into two main forms.
One is the "Ancient Yuefu" (also called "Old Yuefu") created by literati based on simulation. It borrows the title of "Han Yuefu" and writes new content, just like "new wine in old bottles" ", such as Cao Cao's "Stepping out of Xiamen" (Part 7), Yang Jiong's "Going to the Army", Li He's "The Journey to Yanmen Prefect" (Part 9), Li Bai's "The Road to Shu is Difficult" and "Jianjin" "Wine" (High School), etc. The characteristic of these poems is that although they follow the title of Han Yuefu, the content is new, but there is a certain connection with the original title, such as "Joining the Army" is related to the military, "Yanmen Taishou Xing" is related to the frontier fortress. The content of the literati's imitation of Yuefu has changed from the narrative of Han Yuefu to mainly lyrical; in terms of form and technique, it draws on its popular and lively style but also "elegantly" adds a literati color , which improved the artistic taste. There are two forms of "Gu Yuefu": five-character and seven-character. The earliest seven-character Yuefu that can be seen today is Cao Pi's "Yan Ge Xing" in the Three Kingdoms period. Bao Zhaoshi worked hard on it and wrote "It's Difficult to Travel" (18 poems). Yuefu poems can be sung, while the seven-character Yuefu style is mainly recited. In terms of content, it is generally longer. When chanting, it is like flowing clouds and flowing water, flowing down in one breath.
It can freely change rhyme and rhyme to maximize the variety of content, structural transitions, grand momentum, and emotional ups and downs. This poetry style is suitable for carrying larger ideological content and expressing exciting and unrestrained emotions. It has the popular and lively style of ancient Yuefu It is characterized by the expression of emotions and aspirations of literati, with the main form of seven-character sentences, and occasional miscellaneous words. It is full of literary talent and can be read in a cadence, so it is also called "singing style".
The other kind mainly draws on the narrative of "Han Yuefu", which reflects the content characteristics of reality and the simple and popular expression characteristics, and uses it to reflect the social reality at that time and arouse people's understanding of society. of attention. It no longer borrows the original title of "Han Yuefu", but is named according to the different contents that reflect the event. The so-called "Immediate Shi Ming Chapter, no longer relies on it." Du Fu in the Tang Dynasty was concerned about state affairs and used his pen to reflect the social reality before and after the "An-Shi Rebellion". He wrote many such poems, such as "The Troops and Chariots" (high school), which was dedicated to the disasters brought to the people by the Tang Dynasty's militaristic border wars. "Three Officials" ("Tongguan Officials", "Xin'an Officials" and "Shihao Officials") and "Three Farewells" ("Newlywed Farewell", "Elderly Farewell" and "Wujia Farewell") write about the great consequences that the "Anshi Rebellion" brought to the people. Pain etc. These poems mainly inherit the "Han Yuefu" tradition of "feeling sadness and music, and inspired by events" in essence. In form, they are no different from ancient five-character poems. Later poets such as Yuan Jie and Gu Kuang also wrote such poems. By the mid-Tang Dynasty, in order to save the decline of the country at that time, realist poets such as Bai Juyi and Yuan Zhen used poetry to reflect the social reality shortcomings and attract the attention of the rulers. They vigorously promoted the poetry forms of Du Fu and Yuan Jie and dubbed them " The title of "New Yuefu" was launched and the "New Yuefu Movement" was launched. They themselves also wrote a lot of "New Yuefu" in five-character and seven-character forms. For example, Bai Juyi's "Guan Mao Mao" (Nine Parts), "Charcoal Seller", "Xinfeng Broken Arm Man", "Du Lingsou", etc. are all "New Yuefu Style" with strong narrative and easy-to-popularity. "Answers in the Bamboo Forest" says: "The distinction between ancient poetry and Yuefu has existed since the Han and Wei dynasties. The Yuefu syllables were not passed down, and people in the Tang Dynasty borrowed old titles to create new meanings. At least Ling did not copy the old titles, such as "Three Officials" and "Three Officials" Poems such as "Three Farewells" are true Yuefu poems." ("The Continuation of Qing Poetry", page 2225, Shanghai Ancient Books Publishing House, 1983) briefly points out the characteristics of new Yuefu poems.
There is another situation where literati studied "Han Yuefu", which mainly introduced the popular characteristics of Yuefu poetry into lyrical ancient poetry, which reflected the characteristics that were different from the simplicity and archaism of the previous five-character ancient poetry. The representative work is Li Bai's "Ancient Style" (58 poems) poems. "Ancient style" is no different from five-character ancient poetry in terms of form and appearance, but there are differences in lyrical content and method. Zhao Zhixin of the Qing Dynasty answered the difference between Yuefu and ancient-style poetry in his "Tone Score": "The music and emotion are completely different. It takes only half a thought to understand them." ("Qing Shi Hua" p. 132, Shanghai Ancient Books Publishing House, 1963) "The music and emotion are very different. ” refers to the difference in content, emotion and charm. "Oubei Poetry Talk" further points out: "In ancient Yuefu, there are many works that ask for the thoughts of boudoirs and girls, and the green lotus is deeper than Yuefu, so there are also many works about husbands, resentments, wives, farewell, and separation. However, they all contain ancient meanings... and they contain hesitation. "Short words and long meanings, a direct legacy of national style. Shaoling no longer has this flavor." ("Qing Shi Hua Continuation" p. 1142, 1983) It can be seen that although it is also influenced by "Han Yuefu", Du Fu's "new style". There is a difference between "Yuefu" and Li Bai's "ancient style". Among Tang poetry collections, there are very few that are directly titled "ancient style". "Ancient style", "Five-character ancient style" and "New Yuefu" are free in form and do not pay attention to meter, so there is no problem of "wider meter".
When the seven-character song style developed into the Tang Dynasty, two situations also occurred. Because "metrical poetry" appeared in the Tang Dynasty (also called "modern poetry" to distinguish it from "ancient poetry" that did not talk about meter), one method was to intentionally introduce some syntax and techniques of metrical poetry into ancient poetry, and the other method was to intentionally introduce some syntax and techniques of metrical poetry into ancient poetry. Avoid the syntax and techniques of metrical poetry. Traditionally, people call the former type "seven-character poetry" and the latter type "seven-character ancient poetry" (referred to as "Qigu").
Some poets in the early Tang Dynasty, on the basis of inheriting the gorgeous layout of Qi and Liang poems in the Southern Dynasty, tried to introduce the sentence structure and antithesis of seven-character metrical poems into the song style, so Lu Zhaolin's "Chang'an" appeared Famous poems such as "Ancient Meanings", Luo Binwang's "Imperial Capital Chapter", Zhang Ruoxu's "Spring River Flowers and Moonlight Night" are majestic in length and momentum. The prose sentences are mixed with rhythm, antithesis and other sentence structures to reflect the broad social reality. It is praised for its ups and downs, ups and downs when read, and is called the "early Tang Dynasty style", thus giving the seven-character song a completely new look. In the prosperous Tang Dynasty, Gao Shi, Cen Shen and others wrote a large number of frontier fortress poems in this style, such as Gao's "Yan Ge Xing" and Cen's "Bai Xue Ge Sends Magistrate Wu Back to the Capital" (Part 8), "Zou Ma Chuan Xing Feng Feng" "The Doctor Departs for the Western Expedition" (Part 9), etc., these poems give full play to the characteristics of the "Early Tang Dynasty", with rich and magnificent content, unrestrained and passionate emotions, majestic and magnificent images, diverse techniques, and a combination of parallel and prose language, graceful and colorful, It's an uplifting read. In the middle Tang Dynasty, Bai Juyi and others incorporated narrative elements into this style and wrote famous pieces such as "Song of Everlasting Sorrow" and "Pipa Song". The seven-character song style saw new developments.
Until the early Qing Dynasty, Wu Weiye (named Meicun) used this poetry style to write famous poems such as "Yuanyuan Qu", "Yonghe Palace Ci", "Xiao Shi Qingmen Qu", "Listening to the Female Taoist Bian Yujing Playing the Qin", etc. History, in terms of form, pays more attention to skills, rich diction, and precise use of allusions, forming a diverse artistic style, beautiful and moving, and popular among the people. It also raises the seven-character song style to a new height, known as "Meicun Style" . At the end of the Qing Dynasty and the beginning of the Republic of China, Wang Guowei and others also used this style to write poems such as "Ci for the Summer Palace".
Poets such as Du Fu and Han Yu consciously avoided the syntax of rhythmic poetry in the seven-character Yuefu style to reflect the ancient and simple style characteristics. They mostly used prose sentences and "Sanping" and "Sanping". The ending of "three squares" (such as "three-layered grass", "long forest tip", "sinking pond concave", "entering the bamboo", "sighing from oneself", "cold as iron", etc.), often uses strange and simple language to express This is not allowed in rhythmic poetry. In terms of content and style, this type of poetry often focuses on realistic themes and profound and melancholy emotions, which is different from the strong romantic color of the previous type of poetry. However, it pays attention to the grandeur of the content, the unrestrained and passionate momentum and emotion, and the changeable transitions of the structure, which are in line with the overall characteristics of the seven-character song style. For example, Du Fu's "Song of Thatched Cottage Broken by the Autumn Wind" (Part 8), Li Yi's "Climbing to the Temple of Heaven and Seeing the Sea at Night", Han Yu's "Mountain Stone", "Giving to Zhang Gongcao on the Night of August 15th" and "Visiting Hengyue Temple Suiyu Temple Inscription" Gate Tower", Lu Tong's "Lunar Eclipse Poetry", "Zhubi Xie Meng's Admonition and Sending New Tea", etc., all have such characteristics, and are customarily called "seven-character ancient style".
There have been many previous discussions on the difference between the seven-character song style and the seven-character ancient poem. Liu Xizai’s "Poetic Introduction" distinguishes the two types of characteristics like this: "The seven ancient poems can be designated as ancient and modern." Two styles. The modern styles are called Pian, Xieyi, Li, and Mian; the ancient styles are Shan, Yao, Shou, and Jin. , The reason why the prosperous Tang Dynasty is different." ("The Continuation of Qing Shi Hua", page 2436) The "ancient" mentioned here refers to the seven-character ancient style like "The Song of Thatched House Broken by the Autumn Wind", which inherited the style of ancient poetry of the Han and Wei dynasties. It has the characteristics of simplicity and simplicity; "Jin" refers to the seven-character song style developed from the "Early Tang Dynasty", which inherited the characteristics of Qi and Liang's admiration for craftsmanship and beauty. It can be said that these are two fruits with different flavors produced on the big tree of seven-character Yuefu poems in the Han, Wei and Six Dynasties.
The above is probably the basic overview of ancient poetry in my country. It, together with the modern poetry (metrical poetry) with strict rhythms that appeared in the Tang Dynasty, has become the basic form of ancient poetry in my country.
There are many classic poems in the book "Moisturizing Things". This is what ancient poetry is like.
Ancient poetry is one of the Chinese cultural heritages in our country. I hope everyone will not forget it! ! !
Famous quotes from famous poets
Li Bai (701-762), also known as Taibai, also known as Qinglian Jushi
There will be times when the wind and waves break, and the clouds and sails will hang straight to help sea. "Traveling is Difficult"
Cutting off the water with a knife will make it flow more, raising a cup to relieve sorrow will make the sorrow worse. "Farewell to the School Secretary Shu Yun at Xie Tiao Tower in Xuanzhou"
I am born with talents that will be useful, and I will come back after spending all my money. "I will enter the wine"
If you don't see it, the water of the Yellow River comes up from the sky, and rushes to the sea and never returns; if you don't see it, the mirror in the high hall has sad white hair, and it looks like blue silk in the morning and turns into snow at dusk. "I will enter the wine"
If you are proud of life, you must have all the joy, and don’t let the golden bottle stand empty against the moon. "About to Enter the Wine"
The green mountains on both sides of the strait come out facing each other, and the solitary sail is coming from the sun. "Looking at Tianmen Mountain"
The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky. "Yellow Crane Tower Farewell to Meng Haoran at Guangling"
The flying stream falls three thousand feet, which is suspected to be the Milky Way falling from the sky. "Wanglu Mountain Waterfall"
The wandering clouds convey the feelings of a child, and the setting sun expresses the feelings of an old friend. "Farewell to a Friend"
The water in Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's gift to me. "To Wang Lun"
His white hair is three thousand feet long, and his fate is as long as his head. "Qiupu Song"
Raising glasses to the bright moon, facing each other into three people. "Drinking Alone under the Moon"
The apes on both sides of the strait can't stop crying, and the boat has passed the Ten Thousand Mountains. "Early Departure from Baidi City"
There was a bright moonlight in front of the bed, which was suspected to be frost on the ground. "Thoughts on a Quiet Night"
Bai Juyi (772～846), Han nationality, named Letian, nicknamed Xiangshan Jushi, posthumous name "Wen"
Liliyuan grows grass, one year old and one prosperous. Wildfires never burn out, but spring breezes blow them again. The distant fragrance invades the ancient road, and the clear green meets the deserted city. I also sent the king and grandson away, full of love. Farewell to ancient grasses
Jiangnan is good, and the scenery is familiar to me. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. How can we not remember Jiangnan? Recalling Jiangnan
Du Fu (712--770 AD), courtesy name Zimei, was a poet of the Tang Dynasty, Han nationality, and called himself Shaoling Ye Lao
He read tens of thousands of books and wrote like a master. "Twenty-Two Rhymes Presented to Wei Zuo Cheng Zhang"
The wine and meat in the Zhumen stinks, and there are frozen bones on the road. "Five Hundred Words of Ode to Love from Beijing to Fengxian County"
I am moved to tears by the flowers, and the birds are frightened by the hatred. "Spring Hope"
The war rages on for three months, and letters from home are worth ten thousand dollars. "Spring View"
It is the beautiful scenery of Jiangnan, and you will see it again when the flowers are falling. "The Year of Li Gui in the South of the Yangtze River"
Two orioles sang in the green willows, and a row of egrets climbed into the blue sky. "Four Quatrains (Part Three)"
Chiri, the mountains and rivers are beautiful, and the spring breeze is fragrant with flowers and plants.
"Two Quatrains (Part 1)"
The new pine trees are not as tall as a thousand feet, and the evil bamboos must be cut down by ten thousand poles. "On the way to the thatched cottage in Chengdu, I sent five poems to Yan Zhenggong (Part 4)"
The butterflies dance all the time, and the orioles sing at ease. "Seven Quatrains Walking Alone by the River Looking for Flowers (Part 6)"
Fish come out in the drizzle, and swallows slant in the breeze. "Two Poems on the Threshold of Water (Part 1)"
Sneak into the night with the wind, moisturizing things silently. "Joyful Rain on a Spring Night"
From the top of the mountain, you can see all the small mountains. "Looking at the Mountains"
Su Shi (1037-1101), also known as Zizhan and Hezhong, was also known as "Dongpo Jushi". He died at the age of 66.
If you want to compare West Lake to Xizi, it is always appropriate to wear light makeup and heavy makeup.
I don’t know the true face of Mount Lu, just because I am in this mountain.
A few branches of peach blossoms outside the bamboo are a prophet of the warmth of the spring river.
The great river goes eastward, and the waves are gone, and there are all the romantic figures of the ages.
When will the bright moon appear? Ask the sky for wine. I hope that people will live long and travel thousands of miles to meet Chanjuan.
Han Yu (768-824) was named Tuizhi, Han nationality. His posthumous title is "Wen", also known as Han Wen Gong.
There are roads in the mountain of books, hard work is the path, and there is no limit to the sea of ??learning, and hard work is the boat. (Han Yuzhi's famous couplet)
The light rain on the street is as moist as crisp, and the color of grass looks far away but not up close. The most beautiful thing about spring is that it is better than smoke and willows all over the imperial capital. ("Outside the Eighteen Members of the Water Department in the Early Spring")
The work is accomplished by hard work, but wasteful by play; success is achieved by thinking, and destroyed by following. ("Jinxue Jie")
Jia Dao (779～843), a poet in the Tang Dynasty. Han nationality. The name is Langxian (also known as Langxian). No. No Book
After ten years of sharpening a sword, the frost blade has never been tested. I will show you today, who will have any injustice?
The bird stayed in the tree beside the pond, and the monk knocked on the door under the moon.
Wang Bo (649 or 650 ~ 676 or 675). Han nationality, named Zi'an.
The setting clouds and the solitary swans fly together, the autumn water lasts for a long time and the sky is the same color
There are close friends in the sea, and the ends of the world are like neighbors.
Wang Zhihuan (688-742), courtesy name Ji Ling
If you want to see a thousand miles away, go to a higher level.
Far above the Yellow River, among the white clouds, there is an isolated city called Wanren Mountain. Why should the Qiang flute blame the willows? The spring breeze does not pass through Yumen Pass.
Du Fu
Tonight the moon is shining in Luzhou, and I can only watch it alone in my boudoir. I pity my children from afar, but I still remember Chang'an. The fragrant mist and clouds make the servant girl wet, and the clear jade arms are cold. When will I lean against the false veil and see my tears dry? The country is broken by mountains and rivers, and the city has deep spring vegetation. The flowers shed tears when I feel grateful, and the birds are frightened by the hatred. The war rages on for three months, and a letter from home is worth ten thousand gold. The white-headed scratches are shorter, and the hairpin is full of lust. "Moon Night"
Meng Haoran (689～740), Han nationality. The real name is Hao, and the courtesy name is Haoran
The sky is wide and the trees are low, the river is clear and the moon is close to people.
The sound of wind and rain at night makes you know how many flowers have fallen.
Wang Changling (690-756), courtesy name Shaobo, Han nationality
The bright moon of the Qin Dynasty and the Pass of the Han Dynasty, the people who marched thousands of miles have not yet returned. But the flying generals of Dragon City are here, and Hu Ma is not taught to cross the Yin Mountain.
The yellow sand will wear the golden armor in a hundred battles, and the Loulan will never be returned until it is broken.
Relatives and friends in Luoyang are like asking each other, with a heart of ice in a jade pot.
The green mountains are together with the clouds and rain, how could the bright moon ever be two towns.
Wang Wei (701-761), courtesy name Mojie
I advise you to drink another glass of wine and leave Yangguan in the west without any friends.
There are no people in the empty mountain, but you can hear people's voices.
People in the deep forest don’t know that the bright moon comes to shine.
I hope you will pick more of them, this is the most loved thing.
Being a stranger in a foreign land, I miss my family even more during the festive season.
Cén Cān (approximately 715-770) Tang Dynasty poet
The north wind blows and the white grass breaks, and the sky is full of snow in August. Suddenly a spring breeze comes overnight, and thousands of pear trees bloom.
Liu Zongyuan (773-819), courtesy name Zihou
Birds in thousands of mountains have disappeared, and all traces of people have disappeared. A man with a coir raincoat in a lone boat, fishing alone in the snow in the cold river. "Jiang Xue"
Liu Yuxi (772-842) was named Mengde
If the mountain is not high, it will be famous if there are immortals. If the water is not deep, if there is a dragon, it will be spiritual.
Since ancient times, autumn has been sad and lonely. I say that autumn is better than spring. A crane flies above the clouds in a clear sky, bringing poetry to the blue sky.
Looking at the green mountains and rivers of Dongting in the distance, there is a green snail in the silver plate.
The sun rises in the east and rains in the west. There is no sunshine but there is sunshine.
Now we go straight up the Milky Way to the home of the Morning Glory and the Weaver Girl.
Du Mu (AD 803-about 852) was a Han nationality, whose courtesy name was Muzhi and whose name was Fanchuan Jushi
The east wind did not cooperate with Zhou Lang, and the bronze bird spring locked Er Qiao deeply.
The autumn light of silver candles paints the screen coldly, and the small light fan flutters the fireflies.
There are four hundred and eighty temples in the Southern Dynasty, and there are many towers in the mist.
During the Qingming Festival, it rains heavily, and pedestrians on the road feel like dying. When I asked where the restaurant was, the shepherd boy pointed to Xinghua Village.
Stop and sit in the maple forest at night, the leaves are as red as the flowers in February due to frost.
Li Shangyin (about 812 or 813-about 858), Han nationality, named Yishan, also known as Yuxisheng and Fan Nansheng
The sunset is infinitely beautiful, but it is almost dusk.
The spring silkworms will not run out until they die, and the wax torch will not dry until it turns to ashes.
I don’t have the wings of a colorful butterfly, but I have a clear mind.
Ouyang Xiu (1007-1072), also known as Yongshu, also known as Drunkard, in his later years he was known as Liuyi Jushi, and his posthumous name was Wenzhong
Yang Wanli (1127-1206 AD), also known as Drunkard Tingxiu, who calls himself Chengzhai Yike
The little lotus has just revealed its sharp corners, and a dragonfly has already stood on it.
The lotus leaves touching the sky are infinitely green, and the lotus flowers reflecting the sun are uniquely red.
Lu You (November 13, 1125 - January 26, 1210, with the title of Wu Guan and the nickname of Fang Weng
After death, I know that everything is in vain, but I am not as sad as Jiuzhou. Wang On the day when the army was stationed in the Central Plains, family sacrifices were made without forgetting to tell Nai Weng.
Xin Qiji (1140-1207) was a poet in the Southern Song Dynasty at the age of 67.
The original name was Tanfu, changed to You'an, and the name was Jiaxuan
Li Qingzhao (1084 ~ about 1155), also known as Yi'an Jushi, an outstanding female poet in the Southern Song Dynasty