Two precious ancient paintings of the boatman were thrown into the laundry list and almost burned on 15.
In fact, this cultural relic was inconspicuous at first, but it was appraised by experts as 1 100 million. Dating back to 1983, a worker named Shao Zebo came to Daqing Oilfield Hydropower Plant to take charge of the local hydropower management. From then on, he gradually became familiar with the people in the factory and learned that one of the employees in the factory was very silent and unwilling to communicate with others, and others did not know what the other person was like. However, everyone has vaguely heard of this man. His life is very bumpy and he has experienced some twists and turns.
So Shao Zebo wanted to know more about him and called him to the office. I didn't expect the other party to come to the office and say, when can I return the things? When I heard this, Shao Hongbo was very confused. He doesn't even know the name of the person in front of him, and he doesn't understand what the other person is referring to. After some communication, Shao Zebo learned that the other party's name was Feng Xinyi, who had worked in the factory for 10 years. The items mentioned by this worker are two family heirlooms left at home.
After learning what happened, Shao Zebo found a wooden box in a box in the utility room. When they opened the wooden box, they found two yellow scrolls inside, and then Feng Xinyi said that they were two ancient heirloom paintings. At that time, they opened the ancient painting and found it beautiful, but they didn't know whose original it was. So Feng Xinyi said that his great-uncle was a famous TCM doctor in Changchun. 1932, Feng Xinyi's great-uncle came to the palace.
Not long after, Puyi fled because of the collapse of Manchukuo, and various people in the palace began to compete for the treasures inside. Everyone hopes to escape back to their homes with some precious treasures. At that time, Feng Xinyi's uncle saw that many people were hungry and cold, so he burned these cultural relics to keep warm. Later, his uncle couldn't bear this kind of thing to continue, so he bought two for five dollars. At 1959, my uncle suddenly fell ill, so he gave these two paintings to Feng Xinyi's father and told him that these two portraits are as precious as family heirlooms.
But in 1966, due to some special circumstances, Feng Xinyi's father could only build these two ancient paintings into the wall. But then I told everyone about it. In this way, these two ancient paintings were found in 15 and locked in the cabinet of the hydropower plant. During this period, these two ancient paintings were almost burned, but fortunately, they survived because they were packed in a broken basket. So it was not until 15 that the two paintings returned to the Feng family.
When Shao Zebo looked for Feng Xinyi at that time, Feng Xinyi thought that the other party already knew the truth, so he said that strange sentence. According to expert appraisal, these two paintings are really valuable. After identification, these two paintings are respectively "Silkworm Weaving Map" and "Yao Chi Drunk Back to the Map", both of which are ancient original works. Feng Xinyi himself did not expect that as an ordinary person, he actually had two very precious famous paintings.
Two ancient paintings have witnessed the art of painting, and the story behind them is more intriguing.
When Zhao Huiwen was king, he got Chu and Cui. Qin Wenzhi made people leave letters, and originally invited the fifteen cities of Ebinur. -Sima Qian's Biography of Historical Records, Lian Po and Lin Xiangru
It is these two cultural relics that are priceless. These two precious and famous paintings are not only exquisite, but also very important for contemporary people to study ancient art paintings. Subsequently, these two family heirlooms eventually became our national treasures. Now these two paintings have been valued at 654.38 billion RMB, and are on display in Heilongjiang Museum.
These two exquisite scrolls are worth remembering. As a cultural relic, it can naturally inherit history. However, after so long, their significance has become more profound. These two paintings revealed the painting level of China at that time, which better represented a family's protection and persistence in the two paintings.