Is the calligraphy carved on the stone tablet still the work of the original calligrapher?

In a narrow sense, it is not original. Broadly speaking, if it is based on the original stone and the original ink has not been preserved, it can be considered as the original.

Weibei and most of the folk inscriptions are generally carved by folk craftsmen, and the carving is very rough, which basically loses the original intention of calligraphers. Not to mention the cliff stone carving, it can be said that it is something that craftsmen play at will.

The inscriptions of many people, such as Yu Shinan, Chu Suiliang and Yan Zhenqing, are basically carved by official first-class seal engravers, which can be said to basically preserve the original appearance of calligraphers.

Extended data

Inscription, commonly known as "Hei Hu" in the past, is a work of art with cultural and historical connotation, artistic taste and technological processing. In order to record the important events and grand celebrations of the former dynasty, the predecessors carved literary forms and calligraphers' handwriting on cliffs and stone tablets by famous craftsmen, so the stone tablets had multiple artistic contents and were also inlaid into axes or volumes, thus becoming a stone tablet (bēi tiè).

Monument and post are two concepts about stone inscriptions. The monument is a vertical stone and the column is a horizontal stone (also a woodcut). In terms of content, the monument is to record contemporary people or events to commemorate them. Posts are generally copied from the ink of ancient celebrities (letters, poems, etc.) ) turn into stone.

Inscriptions are carved stones. After the paper and ink came into being, people used the vertebral extension method to expand the inscriptions, which were easy to read, clear, convenient to save and widely spread. The rubbings mentioned here refer to rubbings.

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