The universal formula formula in regular script:
Always remember the horizontal and vertical lines, pay attention to the length and density, the master of the world is the master, align the dots and verticals, align the center of gravity, and highlight the horizontal strokes. Short, the surrounding structure should be full, the vertical painting in the middle should be straight, the tilted characters should not be flat, the left and right sides should be symmetrical, the upper and lower halves should be aligned, the size of the parallel structure should be considered, the upper and lower misalignment should be remembered, the left and right should give way to one, and the echoes should be coherent. At the same time, repeated strokes should be changed, multiple points should be coherent, the left and right thirds should be small in the middle, the upper and lower thirds should be the main strokes, the pitch should be opposite to each other, and the composition should be appropriate.
Horizontal, horizontal and vertical is a relative concept, not absolute. Generally, the short horizontal stroke will have a slight inclination, usually about 5 degrees. The long horizontal stroke as the main pen must be flatter, otherwise the entire word will be tilted. Unstable center of gravity. The same principle applies to vertical paintings. The vertical painting used as the main pen must be vertical so that the words can stand upright.
The structure of calligraphy needs to change. Length and density are important components of calligraphy changes. With length and density, fonts will not become rigid. Length and shortness are a relative concept. In regular script, Density generally refers to average, and the distance between strokes is best even.