The four great calligraphers of Zhao Mengfu's Ode to Luoshen in Yuan Dynasty-Yan Zhenqing, Liu Gongquan and Ou Yangxun; Zhao Mengfu's four famous calligraphers in the early Tang Dynasty-Yu Shinan, Ou Yangxun, Chu Suiliang and Xue Ji's Zhong Wang-Wei Zhongyu in the Three Kingdoms and Wang Xizhi in the Eastern Jin Dynasty-refer to Zhang Zhi in the Eastern Han Dynasty and Zhang Xu in the Tang Dynasty-refer to Zhao Mengfu in the Yuan Dynasty. Among them, Dong Qichang and Xing Dong have the theory of "Xing in the East, South and North". "Zhong Hao's four gifted scholars" refer to the calligraphers Tang Bohu (Tang Yin), Zhu Yunming in southern Jiangsu in the Ming Dynasty. : refers to the two brothers, Shen charm, who were also called "Bachelor of Size" in their early years. The former is sure to win, and the latter is sure to win. Xian Zhao refers to Zhao Mengfu and Xian Yushu, calligraphers of the Yuan Dynasty. Also known as Yuan's "Second Brother". Zhao's representative works include Qiu E's Epitaph, Sanmen Collection, Biography of Ji An, Postscript of Erlu, Dear John, Thirteen Prefaces to Lanting Collection, etc. The representative works of Xian Yushu include Han Yu's Understanding Learning, Poem of Fisherman, Song of Ancient Transparent Mirror, Song of Stone Drum by Han Yu, Poem of Begonia by Su Shi, and Tao Te Ching by Lao Zi. Refers to Mi Fei and Xue in the Northern Song Dynasty, whose representative works include Miscellaneous Books. Su Huang Camouflage: It refers to Su Shi, Huang Tingjian, Mi Fei and Cai Xiang, the "four great masters" in Song Dynasty. Su's representative works include Dark Clouds in the Sky, Poems of Dongting Spring, Poems of Zhongshan Song Dynasty, Poems of Cold Food, Notes of Drunk Pavilion, etc. Huang's representative works include Song Fengge, Su Shi's cold food poems, flowery poems and chair poems. Mie's representative works include Poems of the Classrooms, Poems of Tiaoxi, Poems of Shu Su, etc. Chua's masterpieces, such as Wan 'an Bridge and Confessions of Yan Zhenqing. Caiyi in the "Four Schools" is called Cai Jing. Yan Liu: It refers to the calligraphers Yan Zhenqing and Liu Gongquan in the Tang Dynasty, and is also called "Yan Liu Jin Gu" in the history of books. The representative works of the former include: Multi-Tower Induction Monument, Guojia Temple Monument, Yuanji Tombstone, Yan Monument, Yan Jia Temple Monument, Ji Ming's Manuscript for Sacrificing Nephew, and Competing for Seats. The latter's representative works include Li Sheng Monument, Diamond Sutra and Shence Army Monument. Zhang Dian drunk Su: Zhang Dian is Zhang Xu, and his masterpiece is Abdominal Pain Sticker; Zuisu refers to Huai Su, whose representative works are orderly posts, thousand-character essays and bitter bamboo shoots posts. They were also sages of the Tang Dynasty. Yu Ou refers to the four great calligraphers in the early Tang Dynasty: Yu Shinan, Ou Yangxun, Chu Suiliang and Xue Qi. Yu's representative works include Confucius Temple Monument, Ouyang Xiu's representative works such as Liquan Ming in Jiucheng Palace, Buddhist Pagoda of Yong Zen Master in Huadu Temple, Mianhe Monument by Yu Gonggong, Huangfu Birthday Monument, and Chu's masterpieces such as Preface to the Wild Goose Pagoda and Master Meng Monument. Xue's representative works include. Bai Yang: Yang Xin and Bo Shaozhi, calligraphers of Guide Dynasty and Song Dynasty. The former is good at official script, while the latter is good at cursive script. Wang Xizhi and Wang Xianzhi in the Eastern Jin Dynasty. The former is a book sage, and his masterpiece is Preface to Lanting, while the latter is like Duck Head Pill and December Post. Three thanks: Xie Shang (younger brother), Xie Yi (older brother) and Xie An (younger brother) in the Eastern Jin Dynasty. They are not only famous in politics, but also accomplished in calligraphy, hence the name. Cui Du: refers to Du Cao in Cui Yuanhe during the Eastern Han Dynasty (now Du Du). Both of them were good at teaching and learning. Refers to Zhang Zhi in the Eastern Han Dynasty and Yao in the Three Kingdoms period. Zhang Chuang created this kind of grass, which is called "the sage of grass". Zhong's representative works are "Declaration Form" and "Joint Statement".
The calligrapher of the Emperor was the calligraphy font created by Song Huizong (Evonne, 1082- 1 135), the founder of hand-painted calligraphy in the Song Dynasty. Also known as manual calligraphy or manual calligraphy, also known as "crane calligraphy", it is a kind of regular script. No. "Thin golden body" is characterized by thin and straight, horizontal pen with hook, vertical pen with point, throwing like a dagger, holding like a knife, and vertical hook with slender; Some couplets are like hairspring, close to calligraphy. The closing gesture was written in Huang Tingjian's big script, which was very imposing. "Imitation of Song Style" in modern art fonts is created by imitating the charm of Shoujin style. Thin gold book is a unique font, which is fast and erratic with fine handwriting, so as to be thin without losing meat. At the corner, you can clearly see the traces of Tibetan front and exposed front. There are many handwritten calligraphy works handed down from Song Huizong, among which the well-known ones are "Qian Zi Wen" and "Fang Qiu Poems". The regular script "Thousand Characters" was written by Evonne to treacherous court official Tong Guan at the age of 23. At this time, Shoujin calligraphy has begun to take shape.
In addition, among the sons of Kangxi in Qing Dynasty, Yin Zhen's calligraphy is the best, and Yongzheng received strict education since childhood. Emperor Kangxi insisted on the research of his sons. He saw some aristocratic families who pampered their children and grandchildren too much and grew up. They are either "ignorant" or "willful and crazy", but they are hurt. He feels that being a "master" must strictly discipline his children and grandchildren from an early age. Because his godson is strict and Yongzheng has been a prince for a long time, he has quite a lot of time to study and write. Therefore, he not only mastered Manchu and Chinese skillfully, but also developed a good hand. According to Yang Jizhai's Legacy, during the Yongzheng period, Emperor Kangxi appreciated his calligraphy and asked him to write a fan every year. After Yongzheng's calligraphy, there were more than 0/00 model pieces/kloc.
Gan Longxi's calligraphy is good, the handwriting is round and beautiful, and the foundation is good. Wherever you go, you must pay attention to it. He wrote the Ten Scenes of the West Lake by himself. These hobbies are of great benefit to strengthening the brain, strengthening the body and nourishing nature.
Gan Long loves calligraphy and has made great achievements. He has been obsessed with calligraphy for a long time and enjoys it. From the imperial palace to the imperial garden, from Saibei to Jiangnan, there are scenic spots, famous mountains and historical sites in the garden, and there are countless ink inscriptions everywhere, which is unparalleled.