Figure 1
Figure ii
Ten writing skills of regular script:
(1) horizontal and vertical moments
Horizontal and vertical are relative concepts, not absolute. Generally, the short cross will be a little inclined, usually around 5 degrees. As the main pen, the long and horizontal lines must be flat, otherwise the whole word will be unstable. The same is true of vertical painting. As the main pen, the vertical painting must be vertical so that the characters can stand up.
(2) Pay attention to length and density
The structure of calligraphy needs to be changed. Length and density are important components of calligraphy changes. With length and density, fonts will not become dull. Length is a relative concept. The density in regular script generally refers to the average, and the stroke spacing is best uniform.
(3) the overwhelming manifestation of the winner
The canopy refers to the structure with a large top and a small bottom, and the ground load refers to the structure with a small top and a large bottom. If the upper and lower structures are too uniform, the font will not be dynamic. With the change of this size, the font will become vivid and the main strokes of the characters can be reflected.
(4) Point vertical alignment center of gravity system
There are many words in calligraphy related to points and verticals. Generally, if the point is above, it should be aligned with the vertical line below, so that the two can maintain a certain relationship and not deviate from the center of gravity, such as the word forever. If the point is not above the vertical line, the whole character will become ugly.
(5) Skimming, highlighting key points and drawing short.
All words with left and right strokes generally appear as the main stroke. If the left and right strokes are dominant, then other strokes must converge to highlight the main stroke, so the horizontal painting inside is generally short, such as the word "Spring", where the main stroke is left and right, and the top three horizontal strokes are relatively short.
(6) The surrounding structure should be full.
The text around the structure is difficult to write and it is easy to appear abrupt in a work. So don't write the outer frame too big, and the whole will be more harmonious. However, regardless of the size of the outer frame, the contents must be filled, and there should not be too much space, otherwise it will appear very empty.
(7) The middle vertical painting should be straight.
Generally, the vertical painting in the middle of a word will play a key role, just like the load-bearing wall of a house. Without it, the structure will be unstable Therefore, the vertical painting in the middle must be tall and straight, and the whole word will have spirit. The middle vertical drawing is not correct, and the center of gravity of the whole word is unstable.
(8) Inclined variable word board
There is no absolute character, and such a character is not good-looking. The change of inclination will make the whole character vivid and less rigid. Only by organically combining horizontal, vertical and oblique strokes can we write really good characters, which is also the charm of calligraphy.
(9) The left and right sides must be symmetrical.
For words with the same left and right parts, the strokes on the left and right sides are symmetrical, so that the parts on both sides can be related, and the two cannot be separated, so that the left and right sides can be harmonious and unified. If the writing is asymmetrical, Burjai thinks this disorder will make people very uncomfortable.
(10) The upper and lower dichotomy should be aligned.
The upper and lower dichotomy should also be aligned, otherwise the upper and lower parts will be separated. In fact, this is a very simple aesthetic common sense. We can't make too many dislocations in the piled things. There are too many dislocations, and the font structure is unstable and unsightly.