The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake described calligraphy with a brush as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Jin Feng, the metaphor font structure is solid and full, and the brushwork is more than enough.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Penetrate the back of the paper to describe the strength of calligraphy, and the nib can simply penetrate the back of the paper.
The ingenious description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and round.
2. The four-character idiom in calligraphy works is total annihilation, with a dragon snake in the pen and a swallow tail in the silkworm head, full of strength, iron-painted silver hook, fairy pearl, quiet and far-reaching, vivid charm, bold and unrestrained, straightforward and simple, unique personality, bright and natural, natural and interesting, centered, close to the heart, beautiful and natural. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style. China's calligraphy is an ancient art, which develops with the development of Chinese civilization.
In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history. Calligraphy, as an artistic creation, is deeply mysterious.
From Oracle Bone Inscriptions, Bronze inscriptions to Dazhuan, Xiaozhuan and Li Shu, to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script, running script and other forms were basically finalized. Calligraphy always exudes the charm of ancient art, and it is often referred to as soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy. The sweeping army described poetry, calligraphy and other magnificent and verve brushstrokes, while the dragon and snake described calligraphy as vivid and magnificent. Silkworm-headed swallowtail describes dignified calligraphy and light steps. Use abundant strength to describe the solid and full font structure and powerful brushwork. It is often used to describe the vigorous brushwork of calligraphy, or to describe the vigorous brushwork and graceful dancing, which penetrates the back of paper. The brush strokes can almost penetrate the back of the paper. The incisive description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound. Tie Hua Yin Gou describes the softness of calligraphy. Fairy dewdrops describe the elegance and roundness of calligraphy. The vigorous description of calligraphy is vigorous and powerful.
3. What are the idioms used to describe calligraphy: horizontal posture of pen and ink, strong brushwork, risky brushwork, full brushwork, spring insects and autumn snakes, meticulous brushwork by Mo Miao, writing with a long snake, writing with a spring breeze, sweeping away a thousand troops with one stroke, showing with an old ink, seeing the heart with one word, penetrating the back of paper, writing with thunder and thunder, and being thunderous. Magnificent, vivid and fluent, beautiful and charming in style, changeable in charm, floating in the phoenix, dancing in the phoenix, flying in the dragonfly, belonging to the phoenix, peaceful and fluent, taught by foreign teachers, skilled in nature, dragon and phoenix dance, dragon and snake dance, dragon and snake fly together, Rowen tiger shock, dragon and snake stretch. Combine rigidity with softness, be vigorous and simple, stretch naturally, be natural and natural, be full of self-interest, flow freely, be like drawing sand on a cone, be vigorous and vigorous, be modest and concise, be skillful and beautiful, be superb in technology, be skillful in rejuvenation, Wang Yang be wanton, Wang Yang be wanton and vigorous, and write Huang Ting at first. You can't learn the sword, draw sand and ink, draw insect graffiti, be ingenious, smart and delicate, smart and unrestrained, smart and carefree, fat and thin, learn books in clinic, doodle with letters, pheasant, pheasant, tense, willow bones and muscles, tense, iron painting silver hook, Tang Linjin post, silkworm. Luan Piao storm, Luan Jing, Luan Xiang Feng Zhen, beautiful women like flowers, falling cigarettes, iron-wrapped cotton, ink-debt mountains, angry rocks, thirsty horses rushing to the spring, angry thirsty horses, flying high, floating like clouds, playing in the sea, spitting jade and silver, Yan Gu, Yan Gu Liu Jin, Yan Gu, Yu Chu, to achieve implication, crane knees and bees waist, hide the head and protect the tail, thick and plump. Compact structure, beautiful structure, steep direction, smooth air, free air, bright and clear air, pleasing to the eye, elegant and charming, fresh and frank, attractive, powerful, meaningful and handsome, delicate and rich, falling from the peak, unrestrained, simple and elegant, simple and peaceful, generous and graceful.