The correct way to write the four-character Tian grid is to be centered and follow the principle of wide at the top and narrow at the bottom.
This Chinese character four is written first on the left side of the field grid, starting from the center point of the upper left grid a little lower, and writing all the way to the center point of the lower left grid. Then write the second horizontal fold, starting from the top of the first vertical stroke, writing to the center point of the right square and folding downward, until it reaches the center point of the lower right square and lifts up slightly.
The third and fourth strokes after that are a reduced version of the character "er". After writing the left curvature, write the vertical curvature on the right. The fifth stroke of writing this character, which is the last horizontal stroke, can be connected from left to right to seal it. Note that the character is wider at the top and narrower at the bottom, so that it looks good when written in this way.
Things to note when writing Chinese characters
1. Oblique posture: If a Chinese character is written too straight, the posture will be flat, which will be boring. Appropriate use of tilt and stroke balance. For example, the strong hook part of the word "I" must be inclined.
2. Highlight the main pen: The main pen plays the role of the backbone and the backbone of a Chinese character. Prominence of the main pen creates a contrast between primary and secondary, which is more in line with aesthetic principles. Such as the vertical hook of the word "pure".
3. Space creation: Architecture is the aesthetics of space structure. Calligraphy and architectural aesthetics are connected. If you understand this principle, you need to create space in a work and also in a Chinese character. For example, the base of the word "near" should be slightly larger to cover the character "jin" on the right.
4. Indulgence in strokes: Indulgence in strokes means deliberately indulging in a certain stroke, writing it in a casual manner, and creating a distinct effect with other words. Such as the horizontal and vertical strokes of the word "single".
5. Structural contrast: Structural contrast mainly involves left and right structures, upper and lower structures, etc. Use the strokes between up and down, left and right to construct contrasting relationships such as size, weight, density, etc. If the lower part of the character is smaller, the upper part is larger.