Appreciation of Ou Kai's Excellent Works
Excellent pictures of Ou Kai's works 1
Pictures of Excellent Ou Kai Works 2
Picture 3 of Excellent Ou Kai Works
Figure 4 Excellent Works of Ou Kai
The value of regular script in sui dynasty
Throughout the history of books before the Sui Dynasty, law? And then what? Rhyme? Contradictions have always run through it. Rhyme? As an abstract and vague concept, it is the expression of calligrapher's self-cultivation and knowledge in his works, but it is often easily misled. ? Two kings? The book style is based on rhyme and is pushed to the extreme. Its foundation is that it has a whole set of expressions. Rhyme? Carrier: Skilled pen skills and extraordinary structural ability. However, many noble calligraphers in the Southern Dynasties paid more attention to it because they were restricted by politics and the times and wrote mostly lyrical? Rhyme? Performance in creation and being ignored? Law? The basic role of calligraphy standards has decreased? Rhyme? Material carrier. Sui dynasty regular script is based on its social and political background. Inherit Zhou's overall artistic conception internally and accept Liang Chen's style externally? , skillfully combine the books of two completely different styles, North and South. With a pen and a knot, admiral? Natural principles? And then what? Human relations principle? As a whole, gradually strengthen some signs on the basis of following the laws of human movement? Law? The symbol ""makes calligraphy constantly expand from the original internal beauty to the external beauty, presenting a certain normative form, which is easy for calligraphers to capture? Law? Shadow, where does calligraphy come from? Rhyme? At the end of the road, under the guidance of inheritance and development thought, he pulled out in time and embarked on a brand-new development road, which provided substantial guarantee for the formation of expressionist calligraphy style in Tang Dynasty. And then what? Law? As a widely binding norm, regular script writers in the Tang Dynasty spared no effort to build it on the basis of the Sui Dynasty. Law? Frame, to Liu Gongquan has developed to the limit, and later because of the clay figurine? Law? The extreme of cognition? Like is vulgar, and learning is death? Situation, Qing Dynasty? Pavilion body? For example, it only saw some appearances of regular script techniques in the Tang Dynasty, but I wonder if its rich connotation has been ignored? Rhyme? And then what? Meaning? Performance and become a book slave, and eventually end up a martyr.
? Law? Rhyme? Meaning? As the three elements of the establishment of excellent calligraphy works (including? Meaning? Aside), its existence is absolute. Regular script in Wei, Jin, Southern and Northern Dynasties and Sui Dynasty? Shang Yun? After the peak, the pursuit of rhyme began to fade, and? Law? The concept of ""has been gradually promoted to a considerable height. Rhyme? And then what? Law? Just reached a kind of? Neutralization? The country has formed an unprecedented package capacity and strong absorption. There are three main reasons why regular script in Sui Dynasty has such artistic effect: First, with the passage of time, the works of the ancients have been accepted more and more, in other words, scholars have adopted a wider range of methods. ? After the start-up of regular script in Wei and Jin Dynasties and the development of regular script in Southern and Northern Dynasties, regular script in Sui Dynasty can absorb a wide range of aspects. The gentleness, elegance and conciseness of Zhong and Er Wang, the elegance and gracefulness of regular script in the Northern Dynasty, and the elegance and boldness in the Southern Dynasty all influenced and nourished the regular script in the Sui Dynasty. Secondly, the Sui Dynasty lasted for a short time, so it was impossible to form a set of mature and fixed regular script pattern in such a short time. This is not only the misfortune of the Sui Dynasty, but also the luck of the Sui Dynasty, which created unique conditions for the Sui Dynasty to form a unique style of the times. Thirdly, as a specific historical period, as a superstructure, classical philosophy and calligraphy art are also changing. The thoughts of Laozi, Zhuangzi and Metaphysics in Wei, Jin, Southern and Northern Dynasties were not fully born, and Confucianism was pushed back to the historical stage because of the need of political power. Therefore, the philosophical thought of Sui Dynasty is a stage of the integration of Confucianism, Taoism and Buddhism, and at this time, we can find that the tablet of Longzang Temple in Sui Dynasty is the philosophy of this period. Natural and simple? Thought and Confucianism? Jun Jun, minister, father, son? On the whole, combined with the author's own knowledge, what does the work show? Light? Is it a kind of skill and knowledge that blends into personality temperament? Light? And then what? Law? Based on? Park? On the premise, it gradually develops from the original simplicity, internalization and externalization. Law? This unity of heaven and man has produced biochemical effects. Because of the uncertainty of many elements (calligraphers have different understandings of various styles and ideas), the result cannot be unique. This is the reason why "Longzang Temple" has such great artistic connotation and charm. Many calligraphers in the Tang Dynasty used this equation and matched it with the fixed content they needed, thus obtaining unique and different reaction results (forming their own unique artistic style). Like Zhu Suiliang? Beautiful and charming? , Ou Yangxun? Delicate brushstrokes? Yu Shinan? Zheng Ping rushed him? It's all about it. Because of its large packaging capacity and high artistic taste, Longzang Temple is still regarded as a highly learnable calligraphy post. There are many such works in the Sui stele, so I won't give any examples here.
Calligraphy has experienced the change of book style again and again, and the cycle of book style presents a state of confusion and confusion. There are more and more factors that can be absorbed. The ancient traditional culture is shrouded, and the trend of western new art is impacted. How to correctly grasp yourself in such an urgent period of change? Is it to completely abandon the classical tradition and create a new artistic outlook, or to stick to the rules? This is not desirable. Sui dynasty regular script brought people the most direct artistic appeal. Why can't we just learn from it like the Tang people? Yan, Liu, Zhu and Ou begged for food, and the orientation of regular script in Sui Dynasty was a way of thinking and exploring. The artistic environment we have to face is much more complicated than that of the ancients: the more physical models are accumulated, the more active our thoughts are and the more interference we have. Can the aesthetic orientation of regular script in Sui Dynasty make people clear-headed and stop blindly implementing it? Nazism? Instead of copying history, we should dig out those things with strong substance, wide range and high taste from the chaotic and complicated traditions, firmly grasp the spirit of the times and aesthetic characteristics, accept new things with an open mind and strive to achieve one? Easy? Field.