Ancient poems of five strong men in Langya Mountain

The ancient poems of the five strong men of Langya Mountain are as follows:

1, Lv Qi Pingxingguan wins.

Smoke filled the air, the enemy shouted and the war was raging. Raiders attacked Sanjin, and Guo tightened his shirt.

It's raining, it's freezing, and the golden knife is bright. I use my blood to protect the rivers and mountains, and drive out the enemy on this day.

2. Five Laws and Five Strong Men of Langya Mountain

Zhao Yan is a hero, a generous elegy. Give your life to lure thieves and robbers, and strong men shake mountains and rivers.

Stick to Langya Mountain, blood-stained chessboard tuo. The battlefield was buried and the name was left in Lingyange.

3. Seven Laws to Resist US Aggression and Aid Korea

There is wolf smoke by the Yalu River, and the evil wolf of the American emperor looks at it. The central government has set a national policy of protecting the country, and millions of heroes have gone through the customs.

What are you afraid of when bullets rain? The horizontal knife immediately became Dan's darling. Win the peninsula red sun, and the Pingshan River will sail again.

About the author:

Qiao Yannian: a famous poet and painter. At the age of six, he studied poetry and calligraphy with his father, taught himself paper-cutting at the age of thirteen, studied meticulous flower-and-bird painting at the age of fourteen, and studied figure painting with Liu Wenxi, a famous art professor at the Academy of Fine Arts, at the age of fifty-four. 20 12 went to China Academy of Fine Arts to study for one year, and studied landscape painting with Tang Yin since enlightenment.

At present, he is a national first-class artist, a director of Hong Kong Federation of Literary and Art Circles and Artists Association, a contracted artist of China Poetry Spring Festival Evening, a contracted artist of Qufu Poetry Forum, a lifelong consultant of China People's Art Network, and the winner of the most powerful artist in the 5th China on 20 18.

Artistic style:

Ancient modern poetry started in Du Li's study, the big seal script started in Jinding documents of Shang and Zhou Dynasties, the small seal script started in Qin Yishan's stele study, the official script started in Cao Quanbei's study, the regular script started in Liu Gongquan's multi-tower stele study, and the cursive script started in Huai Su's self-narration. Since the Enlightenment, figure painters have studied under Liu Wenxi, flower-and-bird painters have studied under Tian Shiguang, and landscape painters have studied under Tang Yin.

Although any of his works belong to orthodox inheritance, they all jumped out of the mold of sages and created their own unique style. His poetic style is vigorous, ups and downs, romantic and gloomy, involving a wide range of subjects, recalling the past, more vivid than writing wonderful songs, and changeable direct narrative techniques.

Modern metrical poetry combines narration with allusions and lyricism, which is fluent, harmonious and catchy to read. Couplets are poems, and the words need to be chewed carefully.