catalogue
Appreciation of the Complete Works of Regular Script Calligraphy
Four members of regular script
On the Artistic Charm of Regular Script
Appreciation of the Complete Works of Regular Script Calligraphy
Pictures of calligraphy works in regular script 1
Regular script calligraphy works Figure 2
Regular script calligraphy works Figure 3
Regular script calligraphy works Figure 4
Regular script calligraphy works Figure 5
Regular script calligraphy works Figure 6
Regular script calligraphy works Figure 7
Regular script calligraphy works Figure 8
Figure 9 of regular script calligraphy works
Pictures of calligraphy works in regular script 10
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The four masters of regular script constitute the four masters of regular script, which is the collective name of four calligraphers famous for regular script in the history of calligraphy, also known as the four masters of regular script. They are Ou Yangxun (European style), Yan Zhenqing (Yan style), Liu Gongquan (Liu Ti) and Zhao Mengfu (f incarnation) (Zhao Ti).
1. Ou Yangxun (557-64 1) was born in Linxiang, Tanzhou (now Changsha, Hunan). His calligraphy achievements are based on regular script, with bold brushwork and unique structure, which is called "European style" by later generations.
Ou Yangxun in Tang Dynasty: His brushwork is rigorous and precipitous, and he is known as "the first regular script in Tang Dynasty". His masterpiece is "The Inscription of Liquan in Jiuchenggong".
2. Yan Zhenqing (709-784), a native of Wanzhao, Jingzhao, was born in Linyi (now Linyi, Shandong) in the Tang Dynasty. In the history of calligraphy, he is the most accomplished and influential calligrapher after the two kings. Zhang Xu, a "sage of grass", was a beginner in his book, in the early Tang Dynasty. After that, it was widely collected, changed to the ancient method, and became an enemy of the calligraphy style in the early Tang Dynasty, from thin and hard to vigorous and vigorous, and became broad-minded and magnificent. This style also embodies the prosperous style of the Tang Dynasty, which is noble with him.
Yan Zhenqing (Yan Ti) in Tang Dynasty: His regular script is dignified and magnificent, which is called "Yan Ti" in the world. Representative works include Yan Liqin Monument, Yanjia Temple Monument, Duobaota Monument and Magu Xiantan Ji.
3. Liu Gongquan (778-865), whose real name was Hang Cheng, was born in Tang Jingzhaohua (now Tongchuan, Shaanxi). He is a prince's teacher and is called Liu Shaoshi by the world. Later generations called it "Yan Liu Jin Gu", which became a model of calligraphy in past dynasties. His calligraphy is vigorous and vigorous, and his words are rigorous and meticulous. As far as the characteristics of Chinese characters are concerned, they are famous for their thinness and strength. The regular script written is beautiful and strong, and the running script and regular script are the most exquisite.
Liu Gongquan (Liu Ti) in Tang Dynasty: His regular script is clean and vigorous, with rigorous structure, delicate brushwork and straight brushwork. He is known as "Liu Ti" in the world, and his masterpieces include Mysterious Tower Monument and Shence Army Monument.
4. Zhao Mengfu (1254- 1322): Zi Ang, whose real name is Song Xue, was born in Song Xue Road, Xing Wu (now Huzhou, Zhejiang). He is good at seal script, official script, authentic works, calligraphy and cursive script, especially at regular script and calligraphy. The Book History of Yuan Dynasty says that "Meng Zhi's seal calligraphy is the highest in ancient and modern times, so the title of the book is the world". Yuan Xianyu wrote the Collection of Xue Kunzhai: "Zi Angyin, Li, Zhen, Xing and Dian Cao are the first in the contemporary era, and Xiao Kai is the first among Zi Ang's books." His elegant style, neat structure and skillful brushwork are praised as "Zhao Ti" by the world.
Zhao Mengfu in Yuan Dynasty: Regular script is round and delicate, correct and rigorous, yet elegant and beautiful. He was praised as "Zhao Ti" by the world, and his masterpiece "Rebuilding the Three Storeys of the Xuandian".
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On the artistic charm of regular script: The calligraphy of literati or writers has gradually formed a wall of China's calligraphy in today's cultural background. Calligraphers among writers, their calligraphy works have distinct literati characteristics, no matter from which angle they are appreciated, they all have a strong literary atmosphere, which is a significant difference from professional calligraphers.
How to treat a writer's calligraphy works has become the focus of hot discussion in the calligraphy field. Experts generally believe that a writer's calligraphy works should be treated separately from his literary works, and his calligraphy art should not be shrouded by the writer's aura, or he should not follow the writer's literary fame to explore his calligraphy information. Apart from other artistic talents, his calligraphy should be the best, recognized by experts, loved by the public and recognized by the society. Calligraphy talent has nothing to do with the writer's birthright or fame. The works there must be genuine calligraphy, not so-called "celebrity copybooks". The word "name" means that people come first and then talk about words, while authentic calligraphy means that there are words first and then people. Of course, "people" and "characters" also influence and set off each other. Good character naturally determines the quality of words. Only when there is virtue and art can the work have a foothold.
Looking back at history, not far away, there are many modern and contemporary writers who are active in the literary world and can write excellent calligraphy works. Their profound foundation, soothing strength and penetrating power can be compared with calligraphers, or they are veritable calligraphers. Lu Xun, Guo Moruo, Mao Dun, Ye Shengtao, Shen Congwen, Lao She, Yao, Sun Li, Zheng Liu, Zhao Changqing and others can create a colorful calligraphy world outside literature.
Writers have no reason to refuse or stay away from calligraphy. Calligraphy is a treasure of China culture, which has been followed in China for more than 5,000 years, and is especially loved by literati in past dynasties. Calligraphy comes from words, and words nourish calligraphy. Writers love calligraphy, and it should be said that such kinship has been established since the day when there were words. Why do writers love calligraphy? Accurately speaking, I personally think that writers who love calligraphy are obsessed with calligraphy for at least the following reasons: First, it is determined by the most basic elements of China traditional culture. Literature and calligraphy belong to the splendid "writing civilization" composed of Chinese characters and characters, and come down in one continuous line. Scholars have the potential genes of calligraphy. Second, it can brighten and moisten the writer's artistic temperament and multi-dimensional image from the inside out, make the extension of the writer's artistic characteristics more beautiful and perfect, and then make the writer more confident and open-minded. At the same time, it can effectively enhance its artistic reputation, extend its artistic field and inject its artistic strength. Thirdly, crossing the art circle is conducive to absorbing more artistic nutrition, and can also make a large number of friends in the calligraphy circle, make friends with literature and books, so that literature and calligraphy can collide with more beautiful artistic sparks. The fourth is to realize "using books to support literature", that is, to supplement the writer's literary creation with his calligraphy works. At present, there are very few writers who can get royalties through writing in China. Most publications not only don't make money, but also pay for themselves. Therefore, it is undoubtedly a good model to supplement literary creation with calligraphy. With the development and perfection of China's calligraphy market, writers, especially famous writers, can get considerable income compared with first-class calligraphy works, thus achieving the effect of the common development of literature and calligraphy. Of course, most writers don't want to make money. They cultivate their sentiments and express their artistic feelings with calligraphy, and many people turn to public welfare undertakings. If someone has a unit to ask them, they will be psychologically satisfied and will not take a penny.
Writer's calligraphy has become an indispensable part of China's calligraphy field. In reality, some people like the writer's calligraphy works. When asked why they like this writer's calligraphy works, they say more about feelings: I feel that this writer's calligraphy has the flavor, depth and agility of a writer.
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