The Suzhou Museum has more than 40,000 cultural relics in its collection, including 865 first-class cultural relics/set, 1,188 second-level cultural relics/set, and 32,295 third-level cultural relics/set. Especially the cultural relics unearthed by archaeologists over the years, Ming and Qing Dynasties He is good at calligraphy, painting and handicrafts. In addition, the Suzhou Museum also collects 3,128 rare ancient books in 725 categories and 91,754 common books in 28,501 categories. It is a national key protection unit for ancient books. Treasures of the Two Pagodas [Song Dynasty] Five-section stone letter: the top side is 22.5 cm, the bottom side is 27 cm, and the height is 44.1 cm. It was discovered on the third floor of the Yunyan Temple Pagoda in Huqiu, Suzhou in 1956. The stone letter is square in plan, wide at the bottom and narrow at the top. It is divided into five stacked sections. It has no carvings and has an original iron letter inside. [Song Dynasty] Bronze Tathagata Buddha Statue: 16 cm high. It was discovered in the Heavenly Palace in the center of the third floor of Ruiguang Temple Pagoda in 1978. The Buddha statues all have snail hair and meat buns, but they are all different in carving processing. He has round shoulders, thin arms, and strong chest muscles. He sits in the lotus position on a lotus platform with a girdle. According to legend, Sakyamuni entered into meditation under the Bodhi tree and practiced the Taoism. He adopted this posture. Therefore, Buddhism usually uses the full lotus posture as the Tathagata sitting, with a bright flame pattern behind him. [Five Dynasties] Copper and gold-coated pagoda: total height 36.8 cm, base 15 cm. The pagoda is square and removable. The entire pagoda can be roughly divided into five parts. From top to bottom they are: pagoda, banana leaf-shaped gusset, pagoda body, copper cover and Xumi base with sixteen Arhat images on four sides. The carvings on the pagoda are in Indian style, with Buddhist stories engraved on each side. Thirty-two stories are engraved on the outside of the banana leaf-shaped gusseted corners, and there are four statues of heavenly kings on the inside. The pagoda brake accounts for about one-third of the total pagoda. The brake seat is a lotus-shaped bowl, and the brake body has five layers of phase wheels. [Song Dynasty] Bronze Buddha Seated Statue: 19.2 cm high, discovered in 1956 on the third floor of the Yunyan Temple Pagoda in Huqiu, Suzhou. He is wearing a snail bun, with ears hanging down from his shoulders. He is wearing a cassock with his right side exposed. He is sitting in lotus position on a round futon seat with a button protruding from his back. There is no backlight. [Song Dynasty] Bronze Eleven-faced Guanyin: Height 23.5 cm. The two eleven-faced Guanyin statues are roughly the same. The statue of Guanyin stands on a lotus platform with a girdle, one foot slightly extended to the side, wearing heavenly clothes, a streamer gently placed on the right hand, and holding a treasure vase in the left hand. The whole body is decorated with various jewelry decorations such as necklaces, earrings, neck ornaments, chest ornaments, arm bracelets, wrist bracelets, etc. A bead chain grows diagonally from the neck to the instep, and the body is slightly "S" shaped. [Song Dynasty] Bronze Ksitigarbha Buddha statue: 21 cm in height. The statue of Ksitigarbha Bodhisattva is found in the Heavenly Palace at the center of the third floor of Ruiguang Temple Pagoda. He looks calm and dignified, with a broad forehead and long ears. He is wearing a cassock with smooth lines. He sits half-legged on a rectangular seat with a lotus platform under his left foot. He holds a jewel in his right hand and puts his left hand on his lap. [Five Dynasties] Secret Color Porcelain Lotus Bowl: The bowl is 8.9 cm high, the diameter is 13.9 cm, the base is 6.6 cm high, the bottom diameter is 9.3 cm, and the overall height is 13.5 cm. It was discovered on the third floor of the Yunyan Temple Pagoda in Huqiu, Suzhou in 1956. This Yue kiln secret-color celadon lotus bowl consists of a bowl and a holder. The bowl has a straight mouth, a deep belly, and a ring foot. The cup holder is shaped like a bean. The mouth of the bowl is everted, the waist is girded, and the ring foot is turned outward. The outer wall of the bowl, the surface of the bowl and the base of the bowl are all decorated with double lotus flowers, which are like bas-relief-like protrusions. It is considered to be the standard secret-color porcelain of the Five Dynasties and Northern Song Dynasty. [Song Dynasty] Relief Buddha Stone Letter: 46 cm long, 26.5 cm wide, 25 cm high. It was discovered on the second floor of the Yunyan Temple Pagoda in Huqiu, Suzhou in 1956. It is made of six cut inkstone slabs and tenoned together. It is rectangular in plan, with a dazzling top. There are five Buddha statues in relief on each side of the body. The bottom is surrounded by Ruyi moiré lace, and the inner surface of the cover is painted with lacquer. Inside the stone letter is an original gilt-engraved nanmu scripture box. [Song Dynasty] Acupuncture Buddha bronze mirror: diameter 16.2 cm. The acupuncture Buddha statue has six characters: "Cao Shushengshe enters the pagoda". [Song Dynasty] Nanmu Sutra Box: The waist length is 37.8 cm, the width is 19.2 cm, and the height is 21 cm. It is made of nanmu. The bottom of the box is padded with silk fabric, the exterior is coated with applicators, and all edges and seams are inlaid with silver gilt lace. This sutra box is generally complete, and the surname of the artist who made it is recorded on the box, which is even more valuable. It was discovered in the Yunyan Temple Pagoda in Huqiu, Suzhou in 1956 and is now in the Suzhou Museum. [Song Dynasty] Inlaid Sutra Box: 34.8 cm long, 13.7 cm wide, 12.7 cm high. The sutra box is divided into three parts: cover, body and platform.
The cover is a rectangular cover with a rectangular top. The cover pattern is composed of three clustered flowers among scattered flowers, with semicircular crystals inlaid in the middle and embellished with colorful gems. The surrounding slopes and edges are inlaid with auspicious flowers, and there are diamond-shaped ring patterns with butterfly and bird-shaped spangles. The walls of the box are inlaid with dendritic pomegranates, peonies and other flowers, which means "the house is full of descendants". The pedestal is in the form of a Xumizuo, with 16 concave gates. There are piles of lacquer painted with gold and auspicious grass in the middle, which is magnificent. [Song Dynasty] The wooden letter in the building containing pearl relics: 42.5 cm wide and 123 cm high. It was discovered in 1978 in the Heavenly Palace on the third floor of the Ruiguang Temple Pagoda in Suzhou. The pearl relic is placed in this inner wooden letter. The inner wooden box is made of ginkgo wood and is a five-section square stacked type. On the inner wall are the words "Diary of April 18th, the sixth year of Dazhong Xiangfu", and on the outer mural are painted images of the Four Heavenly Kings, which are rare fine paintings of the Song Dynasty. The proportions of the four statues of the Four Kings are even, and their facial expressions are exaggerated. The legacy of Wu Daozi, the painting saint of the Tang Dynasty, can be seen everywhere in the painting. The brush and ink are vigorous and vigorous, and the willow leaves are used to draw the lines, which are vivid and smooth. Pearl relic building: 122.6 cm in height. On April 12, 1978, when three urchins boarded the precarious Ruiguang Ancient Pagoda to dig out bird eggs, they accidentally discovered a long-sealed treasure on the third floor of the pagoda, one of which was Baozhuang. The treasure building is placed in a black outer wooden box. On the front wall of the wooden box are two rows of white lacquered regular script: "The treasure building of the pearl relics in the third floor tower of Ruiguang Yuan". The main body of the treasure building is made of nanmu and is divided into three parts: Xumizuo, Buddha Palace and Temple. Calligraphy and painting [Ming Dynasty] Wang Chong's "Spring Mountain Picture": inner length is 100.8 cm, width is 30.5 cm; outer length is 240 cm, width is 57 cm. This "Spring Mountain Picture" is one of his extremely rare paintings. There is a poem in the upper left corner of the picture: "The charming scenery is just like spring, with white sand and yellow water sparkling. The windows are open and books and seats are thrown, and the apes and cranes are looking forward to "Tumu Man" [Ming Dynasty] Liu Yu's "Yanshui Weimang Tu": the inner length is 138.9 cm and the width is 44 cm; the outer length is 250 cm and the width is 73 cm. In the upper right corner of this picture is a five-character poem by Liu Jue, and at the top is a five-character poem in cursive cursive by Xu Youzhen and a postscript. According to Xu Youzhen's postscript, this painting was painted one day after the summer solstice in the second year of Chenghua. Liu Jue and Xu Youzhen took a boat to Shen Zhou's home in Xiangcheng. They painted, wrote inscriptions and postscripts at Shen Zhou's home, conveying to future generations the elegant life of the Wu clan literati. The scene, especially the artistic sentiment of "Jiangnan is unimaginable and moves me emotionally". [Ming Dynasty] Lan Ying's "Imitation of Dachi Mountain Axis": the inner length is 331.5 cm and the width is 100.5 cm; the outer length is 440 cm and the width is 137 cm. [Ming Dynasty] Mi Wanzhong's "Red Apricot and Two Swallows" scroll: the inner length is 156 cm and the width is 53.9 cm; the outer length is 255 cm and the width is 65 cm. This scroll is painted with red apricot branches and dotted outlines, which was the style of the time. The rocks on the next lake are thin, wrinkled and exquisite, with strange painting methods. They resemble Jing and Guan in shape, but look like Fan Kuan in spirit. There are several clusters of peony behind the stone, which are painted in the Yuan Dynasty and are quite charming. In the picture, the two swallows are looking at each other. The black swallow is set against the background of red apricots, and the white swallow is set against the fist stone, which is unique and innovative. [Qing Dynasty] Ren Xun's "Dragonfly on the Leaves": the inner length is 152.2 cm and the width is 54.4 cm; the outer length is 270 cm and the width is 85 cm. [Ming Dynasty] Chen Chun's "Peony Lake Stone Scroll": the inner length is 181 cm and the width is 95.2 cm; the outer length is 290 cm and the width is 118 cm. [Ming Dynasty] Tang Yin's "Shrub Xiao Diagram Axis": the inner length is 109.4 cm and the width is 58.9 cm; the outer length is 250 cm and the width is 89 cm. [Ming Dynasty] Xia Chang's "Ink Bamboo Scroll": the inner length is 48.3 cm and the width is 25.8 cm; the outer length is 215 cm and the width is 57 cm. In this picture, there are two clumps of ink bamboo on the left side. One clump is dense and has a heavy and pressing movement; the other is a new bamboo clump, sparse, elegant and very expressive. It is signed "Zhongzhao" and sealed with "Taichang Temple Qing Shu". [Ming Dynasty] Shen Zhenji's "Autumn Forest Waterfall Scroll": the inner length is 143 cm and the width is 61 cm; the outer length is 270 cm and the width is 90 cm. Shen Zhenji painted Du Qiong, and very few of his paintings have been handed down from generation to generation. Ceramics: Blue and white large plate with broken branches, flowers and fruits, Ming Dynasty: Xuande period. The height is 5 cm, the diameter is 29.9 cm, and the bottom diameter is 20.3 cm. The quality of the fetus is delicate and the shape of the vessel is regular. Extravagant mouth, shallow arc belly, circle feet, sandy bottom. The blue and white color is pure blue without black rust spots. It is fired from domestic cobalt earth mineral green material with high manganese content.
The inner wall of the plate is painted with blue and white branches of peaches, lychees, cherries and persimmons, with dried leaves and pomegranate flowers in the center. There is a blue and white plaque on the edge of the outer wall with the inscription "Made in the Xuande Year of the Ming Dynasty", and around the abdomen are four groups of broken branches of angustifolia. The flint red color is obvious at the exposed area of ??the bottom foot. A pomegranate statue with blue glaze (Qing Dynasty): Yongzheng period. The height is 18.2 cm, the diameter is 7.6 cm, the bottom diameter is 6.8 cm, and the maximum abdominal diameter is 15.6 cm. The fetus is firm and fine white. Pomegranate shape, five-petal flower mouth turned outward, neck tied, round shoulders, round belly, undercover fake circle feet. The whole body is made of cobalt colorant as colorant, and the glaze pattern is like scattered blue water droplets, so it is called "sprinkled blue", also known as "snowflake blue" and "laptop blue". Due to the different shades of scattered cobalt, the glaze color forms scattered spots of green, blue and white. The outer bottom is written with the six-character blue and white seal script "Made in the Yongzheng Year of the Qing Dynasty". Blue and white underglaze red peach celestial sphere vase (clear): slightly curved mouth, long neck, false ring feet, plump and round belly, like a planet in the celestial body, hence the name "celestial sphere vase". The proportions of the whole device are perfect, and the false ring feet are smooth. The body of the vessel is painted with blue and white peach trees and leaves, and the flowers and peaches are outlined. The underglaze red is the color of the stamens and petals, and nine large and small longevity peaches are painted. The red underglaze firing technique is superb, and the thickness of the glaze is slightly yellowish-green, showing the ripeness of the longevity peach. Blue glaze anti-mouth pomegranate statue (Qing Dynasty): The fetus is firm and fine white, pomegranate-shaped, with five-petal flower mouth turned outward, neck tied, rounded shoulders, round belly, undercover fake circle feet. The whole body is made of cobalt colorant, and the glaze pattern is like scattered blue water droplets, so it is called "Sprinkled Blue", also known as "Snowflake Blue" and "Lapis Lazuli Blue". Due to the different shades of spilled cobalt, the glaze color forms scattered spots of green, blue and white. The outer bottom is inscribed with "Made in the Yongzheng Year of the Qing Dynasty" in blue and white with six characters and three lines of seal script. Qing Kangxi style Doucai sea water dragon basin: Kangxi period of Qing Dynasty. Height 4cm, diameter 21.3cm, base diameter 12.5. Open mouth, shallow arc belly, large flat bottom, short round feet. The carcass is firm and fine white, and the whole body is covered with white glaze. The glaze color is white with green flashes. The whole vessel is decorated with sea water, clouds and dragon patterns. The outer wall of the vessel is painted with underglaze blue and white cloud patterns, and the glaze is painted with red dragons, and is highlighted with black paint. The inner wall of the vessel depicts a five-clawed dragon walking through the sea of ??clouds. The dragon has a majestic posture, its mouth is slightly open, and its horns are swept back. The bottom book is "Kangxi Year of the Qing Dynasty" with blue and white double circle six characters and two lines of regular script. [Qing Dynasty] Chen Mingyuan's purple clay square bucket cup: 5.4 cm high, 11.9 cm long, 10.4 cm wide. This cup is a wine vessel, shaped like a square bucket, with a regular shape. Open, oblique belly, flat bottom. The whole vessel is chestnut color, with a plain inner wall. The outer and lower edges are each decorated with a continuous pattern. The left wall has a convex molded ring pavement, and the right wall has a curved handle of a sheep animal connected with a living ring. The front is shaded. Inscribed in regular script are the cross verses "Douyou has wine stored for a long time, it is a gentleman's possession" and the thirteen characters in regular script "Gengzi Weixia Cunpu Hall belongs to the owner" and "Zuo Mingyuan" are engraved in regular script. Next to it is the round "Chen" in Yangwen seal script. There are two square stamps of "Ming Yuan" on both sides, and a chi dragon is embossed on the back. [Qing] Purple sand dried fruit wash: 3.7 cm high, 9.9 cm long, 8.3 cm wide. The dried fruit cup is actually an elephant-like organ. It is made of brown clay containing white fine sand to mold a half chestnut shell cup. It is placed on the scar of the light brown chestnut pedicle. A walnut is made of yellow clay and a watermelon seed made of white clay is attached next to it. At the bottom of the cup, on the upper left side of the walnuts and melon seeds, there is a black caltrop made of brown clay and a peanut made of white clay. On the upper right side, there is a dark purple clay lychee and a white clay ginkgo. Support foot and handle. Ming Dynasty, Dehua kiln white porcelain embossed high-footed Gui: height 9.7cm, diameter 14cm, bottom diameter 10.9cm. Gui-style furnace shape, open mouth, flat rim, short neck, flat and bulging belly, folded shanks, rounded feet, and flat bottom. The fetus is exposed at the end of the foot, and the fetus is as white as jade. White glaze is applied inside and outside. The enamel is thick and moist like gelatin, almost ivory white. The neck is decorated with convex patterns for one week, the neck and abdomen are decorated with double auspicious animal ears, and the outside of the circle foot is decorated with fringes for two weeks. Blue and white sea water and white dragon plate: Xuande period of Ming Dynasty. Blue and white porcelain is underglaze colored porcelain. Its blue pattern is painted on the porcelain body with cobalt material, then transparent glaze is applied, and it is fired at a high temperature of 1270 degrees. Blue and white porcelain began to be fired in the Tang Dynasty and became the mainstream of Chinese porcelain during the Ming and Qing Dynasties. This blue and white porcelain plate has a five-toed white dragon with dark flowers in the center, and two small dragons chasing and playing on the outer wall. This porcelain plate is one of the typical official kiln wares from the Xuande period of the Ming Dynasty. Qing Shunzhi blue and white Tiannv loose flower bowl: Shunzhi period of Qing Dynasty.
Height 7.2cm, diameter 12.9cm, base diameter 6cm. The shape of the vessel is regular, with a rounded mouth, deep belly, slightly retracted belly, and rounded feet. The feet of the instrument are high and deep, and the edges of the feet are smooth and neat. The carcass is delicate, the glaze color is white with blue flashes, the blue and white color is light and elegant, and the color is stable. The composition of the whole vessel is rigorous, and the inner and outer walls of the vessel are decorated with thin lines and light drawing techniques. In the center of the inner wall of the vessel, a double circle of blue and white is painted with a picture of a baby playing. The outer wall of the vessel is painted with two sets of scattered flower patterns of goddesses with a strong Tang Dynasty style, and the bottom is written with the inscription "Made in the Shunzhi Year of the Qing Dynasty" in blue and white double circles with six characters and two lines in regular script. Green Dragon Plate on Yellow Ground (Ming Dynasty): Height 3.9 cm, diameter 18.6 cm, foot diameter 12.9 cm. The quality of the fetus is fine and firm, and the thickness of the carcass is even. The mouth is slightly constricted, the abdomen is shallowly arcuate, the feet are short and round, and the bottom is slightly collapsed. The outer wall of the plate is painted with green dragons and cloud patterns on the yellow glaze ground. There are four characters and two lines of regular script inscription "Zhengde Year System" in the double circle of blue and white on the glaze base of the circle foot. Bright white engraved grape flower and fruit pattern rhombus mouth plate: Yongle and Xuande period of Ming Dynasty. Height 2.6cm, diameter 20.1cm, base diameter 11.7cm. The plate has a rhombus-style folded rim, a shallow belly, a shallow ring foot, a flat bottom with fine sand, and a thick white glaze. It is composed of lychees, peonies, loquats, camellias, pomegranates, hibiscus, peaches, chrysanthemums, etc. The center of the plate is a group of grapes, and the outer wall of the plate is composed of four groups of Ganoderma lucidum and four groups of plum blossoms. The whole shape of the vessel is like a blooming lotus, without any style. Ming Dynasty Wanli style blue and white sea water cloud dragon handle cup: Wanli period of Ming Dynasty. Height 8.8cm, diameter 10.1cm, base diameter 4.6cm. Official kiln, the foot shape is a flat-bottomed high foot, the glaze is smooth, milky white and shiny, the blue and white hair color is blue with purple, the outer wall of the cup is decorated with two cloud dragons, one of which is chasing forward with its head raised, and the other is looking back to play , chasing through the clouds in the sky, with the belly made of sea water, mountains and rocks, the handle of the cup composed of fifteen clouds, and in the center of the white cup there are double blue circles with a six-character blue and white pattern in regular script made in the Ming Dynasty Wanli year. Ming Dynasty Wanli style colorful fish and algae small bowl: small fold along the mouth, deep belly, shallow circle at the foot. The glaze is fine and moist, milky white, with blue and white tones blue and purple. The inner wall of the vessel is decorated with five blue and white clouds, and a double circle of blue and white in the center is painted with a cloud and dragon on the front. The outer wall is decorated with eight strips of mackerel and four strips of algae. The blue and white algae are added on the glaze with green, black and red. The upper space of the fish is painted with nine small flowers in yellow, green, black and red, which looks like a fish. Enjoy a pleasant dive among the algae. The blue and white double circle on the outer bottom has the six-character and two-line regular script inscription "Wanli Year System of the Ming Dynasty" written inside. Jurentang famille rose plum and magpie flower bowl: Republic of China period. This pair of porcelain bowls was donated by Yuan Jingzhen, the thirteenth daughter of Yuan Shikai. The objects are as white as snow and the color quality is pure. There are pastel plum and magpie paintings on the inside and outside of the bowl walls. The pattern painting is exquisite, especially the white plum, red plum, and green leaves are all rendered to show the levels of light and dark, which is very three-dimensional. It is no inferior to the pastel porcelain from official kilns of Yongzong and Qianlong dynasties. There is a four-character regular script inscription "Jurentang Made" inside the circle foot. Genuine Hongxian porcelain is very rare, so the two pieces collected by the Suzhou Museum are even more precious. Blue and white character brushwork: This piece is a blue and white character brushwork from the Kangxi period of the Qing Dynasty. The pen sea is a relatively large pen holder. This object is beautifully drawn, with bright cyan color and appropriate shades. This artifact has the main characteristic of blue and white during the Kangxi Dynasty - blue is divided into five colors. Peng Nian style purple clay pen holder (Qing Dynasty): 8.2cm high, 8cm long, 6.1cm wide. Root-shaped pen holder. Purple red sand and mud. The body of the vessel is engraved with the words "Light Smoke, Beautiful Moon, Sunset, Slight Snow, Summer Day at the End of Yi", "Shaoyun". The seal script on the bottom of the vessel is inscribed in Peng Nianyang style. Goblet with red sea and flying animal patterns (Ming Dynasty): Wanli period. The height is 8.9 cm, the diameter is 9.7 cm, and the bottom diameter is 4.8 cm. Flat bottom and high circle feet. The glaze surface is smooth, milky white and shiny, and the blue and white hair color is slightly purple. The outer wall of the cup is painted with red sea water, with blue and white dragons, unicorns, seahorses, flying elephants, lions, auspicious deer, sparrows and carp among others. The handle of the cup is painted with red sea water and rocks. The center of the white cup is a double circle of blue and white "Da Ming Wanli Year System" six characters and two lines of regular script. Bronze Bozi Gu with back pattern: Shang Dynasty period. Height 26cm, diameter 14.5cm. It has a trumpet mouth, a high circle foot, eight breast nails, decorated with fretwork, and an inscription inside the circle foot. Hui Wenyou: Shang Dynasty period. Height 22.4cm, diameter 11.5cm, 14.5cm. It is oblate in shape, with a missing cover, two ears, a circle foot, a circle of thunder patterns on the shoulders, and a rolled mouth. Bronze Lord with Taotie pattern: Shang Dynasty period.
It is 17.7cm high, has a tail, flow, and three legs. The legs are triangular in cross-section and have a round bottom. There are inscriptions inside the handle, two mushroom-shaped columns, and the body is decorated with Taotie patterns. Shi Zhu's four-legged cup with heavy ring pattern: Zhou Dynasty. It is 27.1cm long, 17.8cm wide and 19.5cm high. It has a lid, two ears attached, and four legs attached to the foot of a leaf-shaped circle. The belly is deep and the notch of the circle foot is square. There are four catching hands on the cover, which are clever in shape, with rounded corners and hollow patterns. The body of the vessel is decorated with two sets of heavy ring patterns, and the cover is decorated with one set of heavy ring patterns. Bronze three-legged bamboo platform: Warring States period. Height 29cm, abdominal diameter 24cm. This tablet has a unique shape, excellent craftsmanship, reasonable decoration layout, and gorgeous patterns. It is a representative work of Wu bronzes. It is a wine vessel. Bronze teapots appeared in the early Shang Dynasty and were popular from the late Shang Dynasty to the Western Zhou Dynasty. From the late Spring and Autumn Period to the Warring States Period, there were so-called Tibetan teapots with local characteristics. Three-goat and three-legged furnace: Xuande period of Ming Dynasty. The height is 9.7cm, the diameter is 19.8cm, and the abdominal diameter is 21.3cm. Kui pattern: late Western Zhou Dynasty. Height 20.5cm, diameter 23.5cm, 15.7cm. It is square, with two ears, a circle foot, and a cover. The cover is decorated with Kui pattern buttons, and the cover and body are decorated with Kui patterns. Uncle Yiding: Western Zhou Dynasty. Height 17.9cm, diameter 18.3cm. The rim of the mouth is turned outward, with two ears and three legs. The outside of the ears is decorated with heavy ring patterns, the bottom of the rim is decorated with a circle of cicada patterns, and the inner bottom has three lines of inscriptions. Yangding: Zhou Dynasty. Height 16.5cm, diameter 13.6cm. It has two ears and three pillars. The lower part of the mouth is decorated with a cicada pattern, and there are inscriptions on the inner bottom.
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