Inscription of Chen Shen, a litterateur in Song Dynasty: Yan Lugong, the first person in Tang Dynasty. Public calligraphy and painting are outstanding, and they formed their own family in Wei and Jin Dynasties. As the elder said, calligraphy is so far gone ...
The paper "A Manuscript for Ji Ming, a Sacrifice to My Nephew", please read this post in detail: the vertical strokes are magnificent, and when they flow thousands of miles, they are vigorous, and the miscellaneous ones are beautiful. Or if the seal is carved, or if it is engraved, its wonderful solution is almost made in heaven, so it is not when the public pays attention to thinking as a text, but when calligraphy and painting have no intention of working, it is extremely evil.
Su Wenzhong said: "Seeing Gong and Dingxiang's five books and cursive paper is especially strange than Gong's other books." Faithful to the public and loyal to the virtuous, you are not good at books. After a thousand years, the world is solid and loving, and if the situation is transcendent, it is especially valuable.
Zhang Yan's Postscript, a famous collector in Yuan Dynasty: This memorial to my nephew Ji Mingwen is now in Yujia. Living in the capital, I will taste the questions of the sages, thinking that it is better to tell them than to write them, and it is better to draft them. Gai Yi Gao is an official work. Although the end of the letter is a rope.
the letters are quite indulgent out of a whim. And the drafting was unintentional, and it was his heart and hand. It's wonderful to see this. From this post, there are three ways to practice grass.
Xian Yushu, a famous calligrapher in Yuan Dynasty, also wrote an inscription: The Manuscript of Ji Ming, a memorial to my nephew written by Yan Zhenqing, the master of Tang Dynasty, is the second best in the world. Yu Jia Fa Shu is the first.
Chen Yi, a famous calligrapher in Yuan Dynasty, wrote an inscription: The first 12 lines of the post of Ji Ming, the son of You Lu Gongji, are very graceful. At the end of the line, he followed the word "Er Bi", turned right to the word "Yan", left up, invaded the word "fear" again, wrapped around the word "I" on the right and left out to the end of the line. If there is a crack, it should be sewn with the paper ...
Wen Zhiming, a famous painter and calligrapher in Ming Dynasty, wrote a postscript: Yuan Zhang, Mi Fei, which is called "Seat Post" alone, and it is common to cover it, but "Sacrificing My Nephew" is unheard of. Today, Bao Zhanglu can be tested, so it is better to call it "Seat" than this. On the world, Yan Shu only took advantage of his calligraphy style, while Mi Shi called it cursive, which was a drama ...
Postscript of Wang Yuling, a famous poet and writer in Qing Dynasty: Lu Gong was loyal to the sun and the moon, and his calligraphy was crowned by Tang Xian. A piece of paper is a treasure handed down from generation to generation. What's more, the writing of offering sacrifices to nephews is especially inspired by loyalty and anger, and it is so restrained by nature that it is not only fine and black, but also can inspire the eternal.
This post has been circulated. According to Zhang Yan, a calligrapher in the Yuan Dynasty, it was announced and tasted at that time, and then the mark was cut off by the layman. In the Yuan Dynasty, there were still traces of Tianshui round seal beside the word "sui".
at the beginning of the Yuan Dynasty, there was a postscript to it. In the Ming Dynasty, he was in Wu Ting's house, and then he moved to the Qing Dynasty. Among them, there are Zhao Ziang's seal, Zhang Yan's private seal, Tuqu Waishi, Shiqu Baodi, Jiaqing and Xuantong Yulan Treasure.
there is an inscription on the front water barrier; Zhang Yan, Xian Yushu, Wang Yuling, Xu Gan Studies and other postscripts are attached to the picture. There are also Zhou Mi, Tu Yue, Monk Deyi and Wang Tubing. Recorded in Xuanhe Shupu, Qingheshu Painting Boat, etc.
this post was engraved in Bo Gu Hall and Loyalty Hall in Song Dynasty. In the Ming Dynasty, there were also inscriptions such as Stopping the Cloud Pavilion, Xihongtang and Yuyantang. Later, Ouyang Xiu, a famous politician, writer and historian in the Northern Song Dynasty and one of the eight masters in the Tang and Song Dynasties, once said:
Yan Gongshu is like a martyr who is loyal to officials and a moral gentleman. He is scrupulously respected and feared at first sight, but the longer he gets, the more lovely he becomes. There are many people who see the treasure in the world, but they are never tired of it.
Later, Zhu Changwen, a calligraphist in the Northern Song Dynasty, praised his book: the point is like a falling stone, the painting is like a Xia Yun, the hook is like a bow, the image is vertical and horizontal, the ambition is low, and there has never been a public figure since the beginning of Xi and dedication.
Yan-style calligraphy had a far-reaching impact on the development of calligraphy art in later generations. After the Tang Dynasty, many famous artists learned from the success of Yan Zhenqing's political reform. Especially running grass. Su Shi, a famous litterateur and painter in the Northern Song Dynasty, once said: As for poetry, Du Zimei, Han, Wu Daozi, and Yan Lugong, the changes of ancient and modern times can do everything in the world.