Psychological analysis of Yao Hongyu's calligraphy creation
Big topic, fine decomposition, and slow down
Let's talk about the purpose of creation (why, what and what)
The ancients learned calligraphy just for practical writing, and their practical writing is creation, and their creative purpose is to write better; Nowadays, there are many kinds of creative purposes. Many people learn Chinese characters from the awareness of cultural inheritance brought by their family studies and education system when they were young, and this process died halfway. Some people like it, and when they have a look, they gradually get better, so they have the will to start trying to create, so they have the following kinds of people:
1. Being the same as the ancients, it is more important to inherit the feelings of literati, adhere to the cultivation of self-cultivation in the temporary study, and still do practical work in creation. Learning books keeps their own foundation, and rarely looks at what others are doing. What is going on in the current book world, just writing about themselves is enough.
this kind of creation is thick because it doesn't seek near-achievement, elegant and easy because it is not close to the secular, and it is divided into high and low habits because of the progressive self-cultivation. If you don't advance, you will be mediocre, and if you advance, you will be elegant; Because the research focus is not on the art of calligraphy itself and the unprecedented environment, from the height of calligraphy creation, it is difficult to get something if the heart is not in the harvest. Suddenly, if you relax and want to approach art, you will be stupid and pointless, but after all, you have begun to explore. You can learn from others with an open mind, and conservative people can only be complacent at a certain height.
2. I really like it. As an amateur, I want to show my talents to others (the small circle around me). At first, I rarely studied systematically, and I didn't want to be a major, so I won't work hard. I just casually see what works are around me, and I take some methods if I feel good. No matter whether I am professional or not, I will bring them all for myself, and I don't want to really play them.
This kind of creation loses its shallowness because it doesn't work hard enough. If you want to create, you will only pay more attention to your own bad habits and pursue more nothingness. You won't go into a profound major, and you can't understand high-end creative works at all. Talent is only used to show off in a limited environment. If you don't discuss it in a major, you won't hear the opposite voice. Maybe you have worshipped a few crappy "calligraphers" as teachers, but you can't get the right path. You think it's good. Occasionally, I want to take it to the professional field for appreciation and evaluation, but I find that no one cares. I only hate that others don't know their talents, but I don't know that I actually don't get into the stream at all, and my creation has not yet started.
3. With a little knowledge of calligraphy, I have made some achievements when I grew up and started my career. Some of them have become high-ranking officials again, so I don't have time to practice calligraphy and write directly. Anyway, when I created it, some people praised it and said that I was talented, so I thought that calligraphy was just like that. It was simple, and I could be a calligrapher myself. I didn't even want to pretend to be an artist.
Go away, those charlatans, even if they can play politics a few times, won't be so indifferent to other people's majors. They are all the same rotten meat. They want to flatter rather than learn to create. It's better for professional calligraphers to say that they can't write, so let their dirty faces continue to be ugly and their "creation" die. I won't bother to talk about it here. Don't disgust me.
4. I went directly to my major, and my study was for creation, because that was my expected career in the future. I knew that if I wanted to come up with something new, I had to catch up with the foundation, and I had to keep thinking about innovation, and I wanted to enter the exhibition to win prizes, and then I worshipped two famous teachers to become famous, so I had to make a living with it in the future, so I fought my life to move forward. The good ones were more important than erudition and self-cultivation, and the bad ones were directly the well-written books.
It's a good thing that this kind of creation is on the increase. We often see that many professional masters are good at kung fu and creative, but at first glance, they are just children in their early twenties. But at first glance, the works that scare people to death are true. At this time, we will know how much hard a child has worked on the professional road. Because of the environment, in an excellent environment, everyone can fight hard and create. This is the hope of calligraphy art in the future. In this era, they are being poked by the "old-timers", saying that they are academic and fashionable. Those are all different from the traditional disadvantages of gloom. There is no need to worry. These are all jealous and self-protective hearts of the "old-timers". Today, they can still point at you from a high position and seem to care for the younger generation. Go forward boldly, maintain the national spirit of self, inherit the essence of national culture, have a good look at the famous inscriptions and steles, integrate the international artistic academic grand view, and make history.
5. This kind of people is the largest group. They have a foundation, like it, are not satisfied with the status quo, but they have already engaged in other majors, but they still want to be calligraphers because they are puzzled. So they look for teachers to discuss everywhere, want to find the right way, want to follow the right person, and get guidance from experts, so they will reorganize their learning context, go back and make up lessons, thinking that they may be self-cultivation and one day, and they may also become part-time calligraphers.
This group of people with the largest number can be said to be the core of the current industry. Although there are mixed qualities, there are many people who are diligent. They can go straight to the cloud and cultivate low ones. The good thing is that they are conscientious and do not give up, but they are bent on moving forward, and they can constantly correct their own learning. This kind of mentality has a correct creative goal, which emphasizes both the traditional foundation and the willingness to innovate, and their habits are good and unbiased. I hope that the more such people are, the more they are. Yao Hongyu's Heart Sutra Works