What is the emphasis on the seal of calligraphy works?

What is the emphasis on the seal of calligraphy works?

What is the emphasis on the seal of calligraphy works? The seal of calligraphy can be arranged flexibly according to the content of writing, the style of writing, the size of writing ruler and the size of font. The seal is very particular. Do you know what is particular about the seal of calligraphy works?

What's so important about the seal of calligraphy works? 1 1, the size is appropriate.

The size of the seal should match the size of the work and be equal to the inscription. It can be smaller, but not larger than the inscription. If the words are small and the paper is tight, you can use small joint beads to show consideration. When using two seals of different sizes in a work, in order to stabilize and avoid the shortcomings of top-heaviness, the seal at the top should be small and the seal at the bottom should be large. If several people cooperate, their seals should be the same size.

2. The quantity should be small

Number of seals, ancient singular. There is a seal "use one without two, use three without four, and cover an odd number, which means supporting yang and suppressing yin." The number of prints should not be too much, too much will be messy and even usurp the host's role. If a work has several printing methods, it is necessary to choose different printing methods to avoid similarities.

3, the location is right

When printing, pay attention to the position. There is always truth, falsehood and density in a work. The secret place is not compact enough and can be filled with a seal; If the sparse place feels empty, it can be enriched by seals, just like moving a small "weight" to make the picture balanced and ironed.

The name at the end of the paragraph and the position of the font size stamp should be arranged accurately If there is a space under the title, put it under the department; If there is no blank, it should be left instead of right. The sealing at the end of the paragraph should be kept at an appropriate interval to avoid crowding and looseness. A work uses preface and corner seal at the same time, so avoid putting it aside. The corner pressing chapter should be placed in the lower left corner, diagonal to the leading chapter.

4. Weight balance

As far as printing color is concerned, ink is lighter and white is heavier. For works with elegant ink color, Zhu should be used to maintain the harmony between the two; The works with strong ink color should be printed in white, so that the red ink color and the black ink color form a strong contrast, which makes each other interesting. If a work is printed several times, the printing colors should be clearly defined, that is, less ink and more white, less ink and more white, which is both diverse and coordinated.

5. consistent style

The style of seal should be coordinated with the style and style of calligraphy works. For example, neat and beautiful lower case works should not be stamped with straightforward and urgent seals, and bold and vigorous calligraphy works should not be stamped with exquisite iron seals, otherwise it will be out of place and directly affect the artistic effect of calligraphy works.

When using the leisure seal, we should not only pay attention to the integration of its content and the text of the work, but also keep the harmony between the content and style of the seal. For example, the seal of "the country's rivers and mountains" should not be carved piece by piece, and the seal of "a generation of heroes" should not be carved slender and powerless. And so on.

The purpose of using seals in calligraphy works

1, with rich pictures and balanced composition.

2, supplement and enrich the title content.

3. The artistic charm of the seal itself.

4. It is conducive to appreciation and collection.

What is the emphasis on the seal of calligraphy works? 2. What about the seal of calligraphy?

1. Appropriate size: the size of the seal should match the size of the work and be equal to the inscription. The smaller the bigger. When a work uses two seals of different sizes, in order to avoid top-heaviness, it is necessary to be small and broad to be stable. If it is the calligraphy work of several people, the seal size of several people should be the same.

2, the number should be small: the number of prints, ancient singular, the number of prints should not be too much, too much will be chaotic. If a work is printed many times, different printing forms should be chosen to avoid similarity.

Second, what are the commonly used calligraphy seals?

Several seals commonly used in calligraphy works are: name seal, casual seal, border seal, corner seal, waist seal, collection seal and so on.

1. seal: the seal used for inscription signature is an essential seal for calligraphy works, and it is stamped at the end of the inscription. The name stamp is generally divided into Zhu Wenyang and Bai. When a calligraphy work is stamped with two seals, it is best to have one Zhu and one white, and the two seals are appropriate in size. When multiple chapters are used at the end of a paragraph, the order is that the name chapter comes first, and the words and numbers chapter comes last.

2. Idle chapter: also known as "layout chapter", it has the functions of deformation, promotion and adjustment, and is divided into the first chapter, boundary chapter, corner chapter and waist chapter.

1. Introduction chapter: Also known as "casual chapter", it covers the upper right part of calligraphy works, generally it should not be square, and it is better to be translucent, rectangular, round, semi-circular, gourd-shaped, natural and shaw-shaped.

2. Edge seal: refers to a seal of a calligraphy work, which plays the role of blocking the edge and gathering gas.

3. Corner pressing: Covering the corners of calligraphy works, it plays the role of "blocking the edges and sealing the corners", "filling the void" and adjusting the stable picture.

4. Waist seal: If there is only an introductory seal on the upper right, it will look like a space in the middle. At this time, the waist seal can be stamped, and the content is mostly the native place of the calligrapher, or it can be printed into a small shape by the calligrapher's zodiac, which is often used in long works such as banners. The middle chapter is smaller than the first chapter and the famous chapter at the end of the paragraph, and the three chapters cannot be covered by a straight line.

3. Appreciation seal: the collector's appreciation seal. In order not to defile cultural relics, this kind of seal is often Zhu Wen, which is carved very finely and exquisitely.

What's so important about the seal of calligraphy works? 3 1. Usually, the name stamp is essential for a work. In other words, there are chapters such as the author's surname, first name, or number, and elegant name, which are the final seals of the signature, indicating the source of this work.

Usually there is only one seal of "so-and-so", or only a first name, no surname, or a pen name, usually only one. There are also people whose surnames are stamped and whose names are stamped, but very few.

2, some levels of works will use leisure chapter, that is, not to identify the identity of the author, but to decorate the layout of the chapter. For example, the opening chapter is usually covered in the upper left corner of the work as an overall layout decoration to break the rigid pattern of the work that is too serious.

Just start learning, as long as the name is stamped, learn to a certain extent and then learn how to stamp the leisure chapter.

3. Collection seal is a seal for appreciation collectors. According to records, the seal collection also began in the Tang Dynasty and prevailed after the Song Dynasty. Tang Taizong wrote the word "Zhenguan" with Lian Zhuyin, and Tang Xuanzong wrote the word "Kaiyuan" with Lian Zhuyin, both of which were royal Tibetan calligraphy and painting. Later collections have many names, such as collection, keeping secrets, examination and approval, appreciation and reading.

The seal for collection should be based on the size of the calligraphy and painting to avoid damaging the calligraphy and painting. For the sake of their immortality, some collectors often destroy the map when they stamp it, so be careful.

Seal authenticity identification:

1, the imprint to be identified is basically enough as long as it is consistent with the size of the known original seal and the position of the characters and strokes of the printed text.

2. The seals of famous paintings and calligraphy works must also have a certain artistic level. If the seal is poor, there is the possibility of forgery. The artistic level of seal is mainly different from calligraphy, composition and knife, especially the use of words can not be wrong. It is impossible for a famous painter to write and use typos often.

3. The identification of seal depends on the color of inkpad. Although the color of an ancient painting seal may be bright, it will become rich and calm with the passage of time and vicissitudes. Inks are made of cinnabar, and the color of cinnabar is stable, but the long-term impressions will also change, although the changes are small. The performance of gold is stable, but the new gold will still be different from the gold handed down for many years. Therefore, the color of seals on ancient paintings and calligraphy can't be the same as that on modern works.