What are the idioms that describe calligraphy?

Dragon and snake at the bottom of the pen, fine brushwork, dragon and snake pen, swallow-tailed silkworm head, hiding the head to protect the tail, happy, calm and happy, beginner graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons and dancing phoenixes, abundant tendons and strength, phoenix drifting, flying dragons and flying phoenixes, ancient fat and barren, crane-knee bees. Li Tou Paper Back, Linchi Snow Book, Liugu Yanjin, Dragon and Phoenix Dance, Dragon and Snake Flying, Dragon and Snake Flying, Dragon and Snake Stretching, Yue Long Tiger Lying, Rowen Tiger Shock, Rowen Tiger Shock, Longxiang Leopard Changing, Longxiang Phoenix Dance, Longxiang Phoenix Leaping, Luan Huifeng Dance, Luan Piao Feng Bo and so on. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.

Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.

The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.

Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.

Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.

The sword has been drawn and the bow has been drawn. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.

For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".

Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.

Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.

Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."

Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.

Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.

Beauty hairpin: describes the beauty of calligraphy or poetry style.

Get to the point: the initial description of calligraphy was strong (according to legend, Wang Jinxi wrote on the board, and the ink penetrated into the board three points deep), and now the analysis, description and discussion are more profound and powerful.

Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.

Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.

Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing.