The teacher's handwriting is a symbol of years, and each stroke is forceful.
the teacher's handwriting, like petals, smells far away and becomes more and more fragrant.
flowing like clouds, writing like clouds and smoke.
floating like a cloud, agile like a dragon. Iron book silver hook, the highest in ancient and modern times.
writing is like a strong man drawing a sword, and it is fascinating.
His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength.
it's not a novelty to offer it in a paternal way. Judging from its word potential, it is as thin as a dead tree in the middle of winter; Looking at his pen trace, if you are constrained by Yan's hunger.
Du Shijie is strong and his calligraphy and painting are thin. If there are no leaves in the frost forest, waterfalls will fly in.
Gu Mo is lightly ground with a few fragrances, and the new bath in the inkstone pool is full of light, or it is strong or tactful, or it is like a graceful beauty, or a vigorous and brave man, or it is like a spring breeze blowing flowers on your face, or it is like a north wind entering the customs.
He is arrogant, unconstrained at all, and even the whole line goes down in one stroke, like a fairy's escape, coming and going without a trace.
its color, its shape, its shade and dryness, its discontinuity and twists and turns, its thickness and concealment are all infinite, and it is full of weather.
The last line is crooked, so crooked that it almost topples over. However, this kind of slanting is not blunt, but more free, which shows his arbitrary side and has his own style.
The shape of his knot is either leaning or upright, or heavy or light, which has the beauty of "she began like a thunderbolt, venting its anger". He writes quickly, with a strong pen and a heavy force.
hold up a pen and daub it a few times, and a flying dragon will jump out of the paper.
Calligraphy embodies the firmness, boldness and enterprising spirit of Confucianism, and also implies the emptiness, remoteness, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be empty and far-reaching.