What are the languages of calligraphy art and how are they related to the expressive force of works?

Artistic language is a special language, which is mainly composed of visual words such as modeling, light and shade, color, space, material and mechanism. The artistic language of a work of art is different from the literary language. In literature, every word has its own independent meaning, such as "beauty" and "beauty". Only through the organic combination of artists can artistic language become artistic language. For example, a circle, an irregular curve and a straight line are meaningless, but if a certain law of creation is adopted, it is completely unusual. (See courseware) Like Matisse's Portrait of a Woman, with changeable lines as artistic vocabulary, combined with the painter, it has formed a unique artistic language. We can see that lines have amazing abstract ability, and some artistic words such as color, light and shadow have been omitted. Lines and points dominate everything, and elastic lines and images are closely combined to form a beautiful and moving female image. At the same time, the flexible lines create a sense of rhythm and vitality, and convey a feeling of joy on the paper. If you draw a line from it, it becomes meaningless. 1) shape: including points, lines, faces and bodies. In the artistic language of art, points have different areas or volumes, while points on the plane, due to their different sizes and positions, can give people different feelings visually and different emotional infections. In the pattern design of arts and crafts, dots can be used to form various beautiful figures. In China's landscape paintings, the traditional moss-spotting method is to show moss and weeds on rocks, slopes, branches and roots with dots of various shapes. These points not only express the concrete image, but also have a unique beauty. In three-dimensional space, line is the outer contour line that shapes the body and the structural line that represents the internal structure of the body. Therefore, lines play an important role in modeling. Lines can be expressed as a psychological and emotional effect. (See courseware: students choose and briefly explain the reasons) The horizontal straight line gives people a feeling of calmness, calmness, stretching and tranquility; Vertical lines give people a feeling of being tall, straight, resolute and solemn; The curve of freedom gives people the feeling of freedom, liveliness, fluidity and pleasure. In addition, lines can also show a certain spatial relationship. For example, when two horizontal straight lines with different thicknesses are on the same plane, thick lines make people feel close to people, while thin lines make people feel far away. China's traditional painting takes lines as the most basic modeling method, and has accumulated extremely rich experience in using line art language. For example, sketching with ink lines, without coloring, can create the artistic image of the dispatcher with simple lines, such as the famous "Battle Map of the Immortals in Yuan Dynasty" or "Eighty-seven Immortals Volume" in Song Dynasty. The "Eighteen Descriptions" created by China's ancient figure painting is a line drawing method to show the clothes folds of ancient figures in China. In the artistic language of art, surface shows more specific forms than points and lines, so talking about surface actually involves form. Various geometric shapes give people different visual feelings, for example, squares give people a sense of being square and three-dimensional; The horizontal rectangle gives people a calm and heavy feeling; The vertical rectangle gives people the feeling of towering and stalwart; An isosceles triangle gives a sense of upward and stability. Art with modeling as its main feature is far more important than other arts, because there is no art without modeling, and the important artistic language of architectural art with modeling entity as its main body is form. The facade of a building, such as the Parthenon in Greece and the North Monk Hall in Wutai Mountain in Shanxi, embodies the beauty of two different styles of architecture. At the same time, a series of formal beauty rules such as symmetry, balance, proportion, rhythm, rhythm and truth are used in the treatment of facade. The body is volume, therefore, the body is inseparable from shape and volume. People never feel the same way about big and small bodies. Large volume, giving a grand and heavy feeling. Small size gives people a sense of dexterity and ease. For example, many stone carvings of tombs in the Southern Dynasties distributed in Nanjing and its surrounding areas in Jiangsu Province today mostly show legendary auspicious beasts. They all have the characteristics of huge size and great momentum. When people look at it from a distance, its bright and powerful shape gives people a deep impression and makes people feel awe. Another example is the pavilion-style stupa in ancient China and the Gothic church in medieval Europe, both of which have towering shapes, but their shapes are not exactly the same. The eaves of China stupa form many horizontal lines, which are full in outline and full of tension; The facade of Gothic church is covered with vertical lines, showing a strong upward trend, which embodies the spirit of Christians yearning for "heaven". (2) Light and shade: Light and shade is a physical phenomenon in nature, and the existence of light will inevitably lead to the irregularity of the light received by objects, thus resulting in changes in light and shade. Since Leonardo da Vinci summed up the "light and shade transfer method", it has become one of the main artistic languages to express the three-dimensional sense in western painting. He emphasized that the transition between light and dark on the screen is continuous, like smoke, and there is no clear dividing line. (3) Color is the most infectious artistic language. For example, any color that is biased towards red, orange and yellow is called "warm color" because it can arouse people's association with the sun and fire and give people a warm feeling; The preference for cyan, blue and green tones reminds people of the sky, the ocean and so on, which makes people feel cold. These shades are called "cool colors". Colors with high lightness and purity give people a gorgeous feeling; Colors with low lightness and purity make people feel simple. Artists use these characteristics of color to combine with other artistic languages to create an infectious artistic image. (4) Space: refers to an objective form of material existence, expressed by length, width and height. All kinds of art always exist in a certain space, so art is also called "space art". In art, because of its different types, the spatial nature is also different. Generally speaking, spatial consciousness is produced by vision, touch and motion perception. These spaces perceived by human senses are also different in nature. Generally speaking, the spatiality of painting, calligraphy seal cutting and photography depends on vision; Sculpture, arts and crafts, and architectural arts depend on the sense of touch and movement as well as vision. Specifically, painting creates the illusion of real space on the plane by means of perspective, color, light and shade. The illusion of space formed in relief in painting, photography and sculpture makes the space on the screen divided into three levels: close shot, middle shot and long shot. A space with a sense of real entity is a real entity. Especially in architectural art, "space is the protagonist of architecture". The biggest difference between architecture and other arts is that it has a space for people to use. The shape, size, direction, opening or closing, brightness or darkness of the space have a strong emotional infection on people. For example, a wide, tall and bright hall makes people feel happy and comfortable; Small and simple space gives people warmth, while large and changeable space makes people feel confused; The open square is exciting, and the Little Square surrounded by high walls is a deterrent ... all these show that the architectural space has artistic appeal. (5) Material and texture: Any art depends on certain material, such as pen, paper, ink, etc., but these materials have little to do with shaping the artistic image in the novel. But art is different. The artistic images created by various arts are closely related to the materials they use. The characteristics of Chinese painting, oil painting, printmaking and other painting types depend largely on the materials used. The girl sculpture made of delicate white marble is obviously more moving than the image made of clay. Modern popular glass curtain wall buildings are obviously more pleasing to the eye than buildings made of general materials; It is hard to imagine that China's traditional calligraphy and seal cutting left the materials it used; The art of photography is closely related to the performance and quality of film, developing drugs and other materials it uses. Therefore, the application of materials in artistic creation is not only a means to create artistic images, but also the performance and quality of materials are closely related to aesthetic value. The so-called texture refers to the texture of the surface of the artwork, specifically, the degree to which the texture of the surface of the artwork is undulating, flat, smooth, rough and delicate through touch and vision. In painting art, it is generally called brushwork, that is, brushwork in painting. For example, in oil painting, painters often use thin pigments and light and smooth brushwork to render ethereal clouds and clear water, while heavy pigments and overlapping brushwork are used to draw hard rocks and heavy land. In arts and crafts, smooth satin and rough wool knitted fabrics present two different texture beauty. Therefore, the rational use of the texture effect of materials can also enhance the aesthetic value of the works of art itself. Because of this, material and texture are also one of the artistic languages of art.