The outer walls of Kangxi enamel porcelain are painted, with no white background and no poems. In content, it changed the monotonous painting method with flowers and no birds in Kangxi dynasty, painting pictures of flowers and birds, bamboo stones, landscapes, etc., with corresponding poems, blue prints and excellent calligraphy, becoming an artistic treasure combining porcelain with books, poems and paintings.
Second, start from the bottom.
The bottom of the wares in the Kangxi Dynasty was mostly Kangxi Imperial Song and Song style, with blue, red and Huang San materials, of which the blue material was mostly, and the yellow material was mainly purple sand ware.
In Yongzheng dynasty, the bottom pay was mostly double-row blue style, and a few were double-row Tsinghua style in Qing dynasty.
Most of the money at the end of the Qianlong dynasty was double-row blue money, and the font was mostly in Song style, and a few were four-character or six-character seal, but no red or yellow money was seen. ?
The third slave type.
The main glaze of Kangxi enamel should be plain white porcelain fired in Jingdezhen. In order to achieve the effect of painting enamel color on bronze tire, reverse porcelain with glazed inner wall and unglazed outer wall was used as tire, and the outer wall of tire was coated with enamel color, then the reverse porcelain was fired in kiln and painted. Porcelain tire is more delicate and white than copper tire, which makes the pigment more bright and moist, and its painting effect is better than that of copper tire.
Extended data
The history of enamel.
Enamel ware was first born in Greece. Six rings and double eagle scepter heads unearthed in Prussia, Greece 12 BC are recognized as the most primitive silk enamel. Cloisonne enamel was introduced into China directly or indirectly from Arabia in the 0/2nd century.
In fact, the introduction of cloisonne from Arabia to China should be divided into two stages: first, the cloisonne made there was introduced to China with the rise of East-West trade; Later, because Mongols ruled Eurasia and established the Great Yuan Empire, due to national migration and frequent cultural and technical exchanges, the production skills of cloisonne were introduced to China with western artists.
At the beginning of the Ming Dynasty, cloisonne enamel had been used by people of a certain class, and by the time of Jingtai, the enamel craft reached its peak.
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