Pen-carrying method of hard-pen calligraphy

There are certain methods and rules on how to write with a pen. The most important thing to write with a pen is to grasp the weight and speed, to write succinctly and clearly, and not to drag your feet. The following is the writing method of hard pen calligraphy I brought to you. Welcome to reading.

The stroke method in hard-pen calligraphy is 1, which is simple to start and close, with clear weight. Write strokes with a pen. Simply switch the pen on and off. Just put the pen on the paper and close it from beginning to end. But in order to be accurate, it requires a clear distinction. The so-called "light" means that the intensity is small and the strokes are light; The so-called "heavy" means that the force is slightly larger and the strokes are heavier. With the subtle changes in the thickness of strokes, it can produce a smart charm.

2, there are fast and slow, slippery and astringent. When you write a stroke with a pen, you can't write at a uniform speed, but you should be quick and slow, urgent and slow, so that the lines of the strokes you write can be smooth, stiff, unsmooth and dignified, resulting in different textures.

3, Fiona Fang, combining rigidity with softness. To write vivid and individual strokes, it is necessary to write with curves and straightness, directions and backs, lightness and heaviness, roundness and roundness, and try to avoid combining rigidity with softness. The strokes written in this way can be both rigid and flexible.

4, coherent echo, radiant. In order to write the words vividly, the strokes and lines written must not be isolated from each other, but with the help of the changes of strokes' starting and ending, the strokes can be tilted up and down, looked around left and right, and coherent before and after, so that all strokes can become an organic whole. Qi and blood are interlinked, and words have vitality. This is an important factor in brushwork skills. In specific writing, different fonts have different requirements for writing. As far as regular script characters are concerned, the requirements of the beginning and end of strokes have implicit meanings.

In short, to write a good pen, we must first write a good stroke, and we must master the correct stroke movement method; We should be good at controlling the strength and speed of strokes, and pay attention to the straightness and coherence of strokes, so as to make the strokes rich in light and heavy, smooth and Fiona Fang, long and short stretches, straight breaks, leaning over and so on, thus creating a sense of jumping, rhythm and rhythm, creating colorful and modal strokes and achieving better aesthetic effects.