First, kiss.
Being able to write does not mean mastering the art of calligraphy. Only by mastering the techniques and knowledge of calligraphy skillfully can the artistic creation of calligraphy be improved from the general practical writing to the appreciation level. The first problem encountered in learning calligraphy is "what to learn and how to learn"? In practice, I realize that learning calligraphy begins with copying calligraphy. It should be posted by the ancients, worshipped by the ancients as teachers, and posted by the present. But it should mainly be ancient posts and famous posts. This is what people often say, "Take the ancient vertically and take the present horizontally." On this point, the sages and contemporary masters have made it very clear, and we just need to do it according to our own actual situation. For example, in "On Calligraphy" in the Ming Dynasty, Ni Sumen said: "We must take the ancient masters as the patriarch, have a certain family background, have a firm foothold, and immerse ourselves in it day and night to ensure that the pen is pretty and let people know that it is such a small group." In his letter to calligraphy lovers, Master Qi Gong said, "He who takes the method gets the middle, and he who takes the method gets it." I don't know who it is, because he is right and has to listen to him. This is not my modesty, because it will be better if we learn from some ancient masters. What people look like now is the easiest, but once they grow up, they can never get rid of it, and it's too late to regret it later. I often teach some young people who are just beginning to learn. I was anxious for him to finish what I said, but only part of it was' strong', so stop at once. He added: "Writing posts mainly focuses on structure. The structure is correct. Even if all the gestures are deleted, people will say that they are like a family, like a post. "Mr. Qi Gong made it clear that we are facing the ancient and the present. There is also a question of "entering the post" and "on the job". " Ogura's Poems of Fang Shan said: "If you don't learn from the ancients, you can't;" Where is the competition like the ancients? " It should be said that Lin Tie is only the premise and method of learning calligraphy, and it is the "bridge" and "boat" across the river. Once you cross the river, you should go your own way and not always stay on the "bridge" and "boat". A post is like a post, that is, "in the post." How can you "publish"? Personally, I realize that on the basis of "joint post", I choose several famous posts for temporary study, learn from their strengths, abandon their shortcomings and use them for me. Through continuous practice and exploration, it gradually forms its own characteristics and style. This is "posting".
Second, take diligence as the path.
In the Qing Dynasty, there was a poem "There is a way to learn in the mountains, and the sea is boundless", which vividly and profoundly revealed the truth of diligent study and hard practice. Mr. Feng Guoyu, a calligrapher, said: I practiced calligraphy and went through the five steps of purgatory. In Tianmen, Yue Long, the tiger lies in the phoenix que, the sword is in the forest, and you can walk freely, all of which put presence first. Post a famous teacher, don't admire the false reputation, concentrate on thousands of troops. This is a ... I am eager to pursue it with my hands. I don't want to find another way and create a new style. Here are two. Accept, learn and tolerate, heaven and earth are teachers, and everyone is a teacher. This is three. Knowledge, character and cultivation go hand in hand. This is four. Understanding is the fifth. What is understanding? "Understanding is the first, I said understanding is to forget the machine. A flurry in Zhang Changshi, the fallen petal flying snow monk wearing cloth, got the bone and marrow inherited the previous training, and the ancient style is not vulgar. Epiphany is born of diligence, and the chest is full of pens. " It can be seen that without diligent study and hard practice, thorough research and serious experience, it is impossible to achieve anything in calligraphy art. However, it is not enough to "work hard". There is also a question of learning and practicing methods and skills. Ouyang Zhongshi, a famous calligrapher, said: Chinese characters are not good at practicing, but good at learning. Learning is taking, and taking is learning. Think of yourself as a "writer". The ancients Rainbow, Xi Zhi and Yan Zhenqing wrote it best. You can't write well unless you honestly learn from the sages and insist on taking treasure from the traditional treasure house. He also said: horses are not fat without night grass, and people are not rich without external wealth. As far as learning calligraphy is concerned, "foreign money" means learning from outsiders, learning the advantages of outsiders, and absorbing or even "grabbing" all the good things from outsiders. You can't enrich and cultivate yourself without learning from outsiders. Among the "sending foreign money", the traditional treasure house has the richest foreign money. This treasure house is open to everyone, depending on whether you take it, take one or more pieces, and take it once or often. People can't be rich without taking other people's treasures! From this perspective, only by combining people's talent with their eagerness to learn and be good at learning.
Only by combining the spirit of studying hard, being talented and not dabbling, devoting wholeheartedly, practicing hard and forgetting to eat and sleep with the perseverance of "withdrawing from writing" and the understanding of being knowledgeable, can we be witty, handy, rigid and flexible in calligraphy art and create good works with our own characteristics and styles.
Third, based on emotion.
The love and hobby of calligraphy art is the premise and foundation of learning calligraphy well. A good book, a good book.
French works are often never tired of reading and practicing, and they can't put it down. Watch the reward once, and mention it once after practice.
Tall man. This is feelings, and this is the charm of art. Without this hobby and feelings, you can't learn calligraphy well. Calligraphy is the art of expressing emotions. We should not only pour people's emotions into learning and appreciating the art of calligraphy, but also show people's strong emotions in calligraphy creation. ?
Fourth, take beauty as the wind.
In the practice of learning calligraphy, we often come across some calligraphy works, which are beautifully written and vivid, making people feel beautiful and comfortable, and even some words are unrecognizable, which makes everyone feel good. Some works are too quaint to read. There are sometimes differences or even completely different views on the appreciation and evaluation of a calligraphy work. This is the difference in personal hobbies, level and aesthetic angle of the appreciator.
? Calligraphy art is endless, and learning calligraphy art is a long-term pursuit and unremitting struggle. Only by devoting all one's body and mind to the art of calligraphy and constantly surpassing others and oneself, can one calmly enter the palace of human calligraphy art, make appropriate cuts, and work hard, and hope to adopt it ~ ~
Calligraphy art is endless, and learning calligraphy art is a long-term pursuit and unremitting struggle. Only by devoting all one's body and mind to the art of calligraphy and constantly surpassing others and oneself, can one calmly enter this hall of human calligraphy art.