This is the first song. Ruan Ji's poems (including four words and thirteen poems) are the collection of his life's poetry creation. "Biography of Ruan Ji in the Book of Jin" said: "He wrote more than 80 poems of Yong Huai, which attracted worldwide attention." This refers to his five-character poem "Yong Huai", which shows that his five-character poem "Yong Huai" has not been lost. These 82 poems were written by poets at will, and finally sorted out by feeling, not by whim. Even so, the poem still plays an orderly role, so the poet said to the DPRK, "This is the beginning of eighty-one, but on the whole, it can't be recited." ("Zhao Wei Zhan Yan" Volume III) This makes sense.
Ruan Ji lived in Wei and Jin Dynasties and had great ambitions. Biography of Ruan Ji in the Book of Jin said: "Books have the ambition to help the world. During the Wei and Jin Dynasties, there were many reasons in the world, and few celebrities were numerous. The reason for the book is that it has nothing to do with the world, so drinking is very common. " Because of the dark politics at that time, my ambition was hard to pay, so I was addicted to wine. In fact, wine can't drown out his sadness, and his sadness and anguish finally formed the poem "Yong Huai".
"I can't sleep at night, sit up and play the piano." These two sentences are from RoyceWong's "Seven Sorrow and Three Musts" (Part II): "You can't sleep alone at night, you can play the piano with your clothes on." RoyceWong couldn't sleep at night, so she got up to play the piano and express her worries. Ruan Ji can't sleep at night, playing the piano to express his feelings, and his mind is much deeper than that of RoyceWong. RoyceWong's worries are only caused by homesickness, while Ruan Ji's worries are generated in a sinister political environment. Yan Yanzhi of the Southern Song Dynasty said: "Ruan Ji was always worried about disasters when he was in the Jin Dynasty, so he pretended to chant this." Shan Li said: "Being an heir to the family is often afraid of slander, so I sing." In other words, Ruan Ji lived in such a dark age during the Wei and Jin Dynasties, and he was worried about disaster, so he issued this kind of "worrying about life". A Qing Dynasty He Chao said, "Books worry more than the living, so they are not known to the family." (Secretary Yimen reads Volume 46) He thinks Ruan Ji's "worry" is more profound than "worry about life", but the annotator doesn't understand this. Of course, the average reader can't figure out what kind of "trouble" this is. However, "Biography of Ruan Ji in the Book of Jin" said: "(Ruan Ji) is willing to drive alone, not because of the bad track, but because of crying. After tasting the battle between Guangwu, Guan Chu and Han, he sighed,' When there is no hero, Lizi becomes famous!' Climb five old mountains, look at the capital and sigh. "This may be like. Historical poets are good at playing the piano, and it is with the help of the sound of the piano that they release their anguish. The words "sleepless", "sitting up" and "playing the piano" here are intended to describe the poet's anguish and anxiety.
The poet did not directly point out the "worry" expressed in the poem, but wrote: "The thin curtain looks at the bright moon, and the breeze blows on my chest." Write that the clear moonlight shines on the thin curtains, and write that the cool wind blows on the poet's skirt, creating a sad atmosphere. This seems to be about natural scenery, but there are people in the scene. Because it is the poet who lingers in the moonlight, and the breeze blows the poet's skirt. Therefore, it can be said that writing about scenery is only for writing about people. This writing is more artistic than writing people directly, which makes people feel endless and meaningful.
"In the wild, lonely Hong sings birds in the boreal forest." That is to continue to write about the scenery. This is about Gu Hong wailing in the wild, while the hovering birds wail in the forest of steles. If the poet saw the last two sentences, that's what the poet heard. People who see the cool breeze and bright moon, hear the sound of horns and the sound of birds all write about the quiet and desolate environment through moving, so as to reflect the poet's lonely and depressed mood. Affection and scenery, scene blending. However, in Notes on Six Books in Selected Works, Lv Yanji said: "At night, it means confusion." Lv Xiang said, "Gu Hong, I am alone outside. Auspicious bird, raptor, closer than the powerful minister, is called King Wen of Jin. " The scenery in the poem seems to refer to something, which is inevitably far-fetched.
"Wandering will see? I am sad. " In the moonlight, the breeze is Xu Lai, the poet is wandering, and the flying birds are also wandering in the air. The moonlight is hazy and the night is boundless. What did they see: endless night. So, "I'm sad." This shows the poet's lonely, disappointed, melancholy and painful mood, and also sets the tone for the five-character "Eighty-two Poems about Huai". Ruan Ji's five-character poem "Eighty-two Poems about Love" is a masterpiece of all ages, which has contributed to the development of ancient five-character poems in China. But Liu Xie said, "Ruan Zhi is far and deep." (Wen Xin Diao Long Shi Ming) Zhong Rong said: "If the purpose is far away, it is difficult to find pleasure." Shan Li said (on "Poetry"): "There are many hidden words, which are unpredictable under a hundred generations." (Selected Works, Volume 23) all indicate that Ruan Ji's poems are obscure. The reason why Ruan's poems are obscure is mainly due to his use of metaphor. This is caused by the specific times, the sinister political environment and the poet's unique experience.
Eighty-two poems of "Yong Huai" are the general topics of Ruan Ji's poems all his life. Living in the political darkness of Wei, Jin, Southern and Northern Dynasties, Ruan Ji's poems are mostly obscure and tortuous. Yan Yanzhi in Liu Song Dynasty said: "Ruan Ji was always worried about disasters in Jin Dynasty, so he pretended to sing this song." Shan Li also said: "(Ruan Ji) is determined to ridicule, but his writings are mostly evasive and light, and it is difficult to guess after a hundred generations." ("Selected Works of Poetry")
This is the first song. Ruan Ji's poems (including four words and thirteen poems) are the collection of his life's poetry creation. "Biography of Ruan Ji in the Book of Jin" said: "He wrote more than 80 poems of Yong Huai, which attracted worldwide attention." This refers to his five-character poem "Yong Huai", which shows that his five-character poem "Yong Huai" has not been lost. These 82 poems were written by poets at will, and finally sorted out by feeling, not by whim. Even so, the poem still plays an orderly role, so the poet said to the DPRK, "This is the beginning of eighty-one, but on the whole, it can't be recited." ("Zhao Wei Zhan Yan" Volume III) This makes sense.
Ruan Ji lived in Wei and Jin Dynasties and had great ambitions. Biography of Ruan Ji in the Book of Jin said: "Books have the ambition to help the world. During the Wei and Jin Dynasties, there were many reasons in the world, and few celebrities were numerous. The reason for the book is that it has nothing to do with the world, so drinking is common. " Because of the dark politics at that time, my ambition was hard to pay, so I was addicted to wine. In fact, wine can't drown out his sadness, and his sadness and anguish finally formed the poem "Yong Huai".
"I can't sleep at night, sit up and play the piano." These two sentences are from RoyceWong's "Seven Sorrow and Three Musts" (Part II): "You can't sleep alone at night, you can play the piano with your clothes on." RoyceWong couldn't sleep at night, so she got up to play the piano and express her worries. Ruan Ji can't sleep at night, playing the piano to express his feelings, and his mind is much deeper than that of RoyceWong. RoyceWong's worries are only caused by homesickness, while Ruan Ji's worries are generated in a sinister political environment. Yan Yanzhi of the Southern Song Dynasty said: "Ruan Ji was always worried about disasters when he was in the Jin Dynasty, so he pretended to chant this." Shan Li said: "Being an heir to the family is often afraid of slander, so I sing." In other words, Ruan Ji lived in such a dark age during the Wei and Jin Dynasties, and he was worried about disaster, so he issued this kind of "worrying about life". A Qing Dynasty He Chao said, "Books worry more than the living, so they are not known to the family." (Secretary Yimen reads Volume 46) He thinks Ruan Ji's "worry" is more profound than "worry about life", but the annotator doesn't understand this. Of course, the average reader can't figure out what kind of "trouble" this is. However, "Biography of Ruan Ji in the Book of Jin" said: "(Ruan Ji) is willing to drive alone, not because of the bad track, but because of crying. After tasting the battle between Guangwu, Guan Chu and Han, he sighed,' When there is no hero, Lizi becomes famous!' Climb five old mountains, look at the capital and sigh. "This may be like. Historical poets are good at playing the piano, and it is with the help of the sound of the piano that they release their anguish. The words "sleepless", "sitting up" and "playing the piano" here are intended to describe the poet's anguish and anxiety.
The poet did not directly point out the "worry" expressed in the poem, but wrote: "The thin curtain looks at the bright moon, and the breeze blows on my chest." Write that the clear moonlight shines on the thin curtains, and write that the cool wind blows on the poet's skirt, creating a sad atmosphere. This seems to be about natural scenery, but there are people in the scene. Because it is the poet who lingers in the moonlight, and the breeze blows the poet's skirt. Therefore, it can be said that writing about scenery is only for writing about people. This writing is more artistic than writing people directly, which makes people feel endless and meaningful.
"In the wild, lonely Hong sings birds in the boreal forest." That is to continue to write about the scenery. This is about Gu Hong wailing in the wild, while the hovering birds wail in the forest of steles. If the poet saw the last two sentences, that's what the poet heard. People who see the cool breeze and bright moon, hear the sound of horns and the sound of birds all write about the quiet and desolate environment through moving, so as to reflect the poet's lonely and depressed mood. Affection and scenery, scene blending. However, in Notes on Six Books in Selected Works, Lv Yanji said: "At night, it means confusion." Lv Xiang said, "Gu Hong, I am alone outside. Auspicious bird, raptor, closer than the powerful minister, is called King Wen of Jin. " The scenery in the poem seems to refer to something, which is inevitably far-fetched.
"Wandering will see? I am sad. " In the moonlight, the breeze is Xu Lai, the poet is wandering, and the flying birds are also wandering in the air. The moonlight is hazy and the night is boundless. What did they see: endless night. So, "I'm sad." This shows the poet's lonely, disappointed, melancholy and painful mood, and also sets the tone for the five-character "Eighty-two Poems about Huai". Ruan Ji's five-character poem "Eighty-two Poems about Love" is a masterpiece of all ages, which has contributed to the development of ancient five-character poems in China. But Liu Xie said, "Ruan Zhi is far and deep." (Wen Xin Diao Long Shi Ming) Zhong Rong said: "If the purpose is far away, it is difficult to find pleasure." Shan Li said (on "Poetry"): "There are many hidden words, which are unpredictable under a hundred generations." (Selected Works, Volume 23) all indicate that Ruan Ji's poems are obscure. The reason why Ruan's poems are obscure is mainly due to his use of metaphor. This is caused by the specific times, the sinister political environment and the poet's unique experience.
Eighty-two poems of "Yong Huai" are the general topics of Ruan Ji's poems all his life. Living in the political darkness of Wei, Jin, Southern and Northern Dynasties, Ruan Ji's poems are mostly obscure and tortuous. Yan Yanzhi in Liu Song Dynasty said: "Ruan Ji was always worried about disasters in Jin Dynasty, so he pretended to sing this song." Shan Li also said: "(Ruan Ji) is determined to ridicule, but his writings are mostly evasive and light, and it is difficult to guess after a hundred generations." ("Selected Works of Poetry")