What should I do with my lower case when I take part in the school calligraphy competition? Try to be as detailed as possible. I have no experience.

First, small print submission, exquisite pen and ink is the premise. Fine print depends on pen and ink, and the control of pen and ink should be exquisite and interesting, not like operators, like pavilions and the like. When writing every word, highlight one or two strokes, use pen force, kill paper force, lift pressure force, and remember "every word", which shows that the thickness is different and the lift pressure changes. Rigid than naive, frivolous than broken. In addition, the turning point of pen and ink should be very clear and unambiguous. The strokes should be clear and distinguishable, so that the judges can see where there is only one stroke and where there are two superimposed strokes; Which is the combination of turning and which is the intersection of turning. All wiring harnesses should be changed, that is, all lines, points, pressure directions, hidden exposure and twisting of each word are different. Change is the essence of calligraphy.

Second, the small print submission, the difficulty charm is the most critical. The pen depends on running script, the structure depends on Wei and Jin dynasties, and the font should match the regular script of Wei and Jin dynasties of Qin Zhuan and Han Li. Why? This reflects the difficulty coefficient-one is the difficulty of "flying" and the other is the difficulty of "being generous"! The ancients said in the Lotus Classic collected by Wang Jinqing: "What is expensive in the world is bound to be difficult. Real calligraphy (regular script) is difficult to fly, cursive script is difficult to correct, big characters are difficult to be dense and seamless, and small characters are difficult to be generous. What you hide today is precious and full of joy. It's been a week in the sand world, and you can go blind before reading the last chapter. You know that the horns of snails can be touched, and the ends of thorns can be carved with monkeys. " What did you say?/Sorry? When using a pen, turn to the front and fold the pen moderately, so that the lines are full, not shabby and weak, and not depressed and cramped. Fiona Fang at the end of the letter is full of awkwardness, and the small print is as open-minded as the big one. The whole word is full of your strewn at random, your expansion, your insertion, your avoidance and your ability to accept and withdraw. Personally, I think: organized calligraphy, no matter how good, is not as attractive as change; No matter how good solemn calligraphy is, it is not as good as swaying and rhyming; Calm calligraphy, no matter how good, is not as attractive as passionate ripples; Strict calligraphy, no matter how good, is not as attractive as lightness, elegance and freedom.

Third, the contribution to the fine print, visual effect is the most important. Contemporary calligraphy creation should not only emphasize the refinement of spirit, but also attach importance to visual effects, especially exhibitions. Among the tens of thousands of works, it is not easy to attract the attention of the judges and make them feel shocked and unfamiliar. If you want to attract attention, you must pay attention to visual effects. Through visual impact, better aesthetic effect can be obtained. You should go all out on paper, ink, printing and cutting, and do it well one by one. It is better to be more novel, more exquisite and more considerate than others. Then the probability of progress will be greater.