Zhao Mengfu was a famous painter and calligrapher in Yuan Dynasty. He not only created a new style in painting, but also was the first person in Yuan Dynasty in calligraphy. The calligraphy style created by Zhao was later called "Zhao Ti". Zhao Mengfu read widely. At first, he lived in the Song Dynasty and learned from Zhao Gou and Huang Tingjian. Later, he traced his wisdom back to Zhong You, Wang Xizhi and Wang Xianzhi. In his later years, he studied under Li Yong. He tried to imitate the ancient law and wrote very skillfully, especially for the two kings. Yuan Yuji pointed out in the "Ancient Records of Daoyuan Studies": "The dharma was awarded the title of Luo Shenfu; The running script entered its room with the preface to the holy teachings; As for the cursive script, it is full of seventeen posts and changes its shape. " Zhao Mengfu's achievements in calligraphy, especially in opening and running calligraphy, created a new charm, which had a great influence on Yuan people and later generations.
Luo Shen Fu is a masterpiece of Cao Zhi, a writer of Cao Wei in the Three Kingdoms period. Cao Zhi imitated the description of Wushan Goddess in Song Yu's Goddess Fu in the Warring States Period and told the story of his meeting with Luoshen on the bank of Luoshui River. He used the Song Fu for reference in story plot and character description. This poem fictionalizes the author's own meeting with Luo Shen and their yearning and love for each other. The image of Luo Shen is absolutely beautiful, and the love between man and god is vague, but it can't be combined because of the different ways of man and god, and finally expresses infinite sadness and disappointment. All the poems are colorful, delicate in description, rich in imagination, full of emotions, and full of sustenance.
Luo Shen, also known as the goddess in ancient myths and legends in China, is the daughter of Fu. She was infatuated with the beautiful scenery on both sides of the Luohe River and came to Luoyang.