Text/Jinnong
The end is the beginning, and the beginning is the end.
The beginning of a year means the end of the old year; The end of one year means the beginning of a new year.
Looking at life from a religious point of view, even if life ends, it is the beginning of another life form, and it is still "the end is the beginning."
Therefore, as soon as my new book comes out in early spring, it means that new creation will start again.
I hope they are worth looking forward to.
The first picture, husband and wife and Ming, is a word to congratulate them on their wedding.
I wrote two pictures of this word.
The first picture is not bad.
The second one, this one, performed better.
Not all my works can be surpassed in future creations. I think this is.
I am also satisfied with the second picture of Zhang Xu's "Stay on the Mountain".
The ink method is rich and dry, and the contrast is very clear. Everything is handled naturally and neutrally, just right. This is my first satisfaction.
The swaying dynamic brushwork is the second place that makes me satisfied.
Such as "Don't make a rash move" to the vagina, "Mo" to the left, "Wei" to the middle, "Light" to the left, "Yin" to the right, "Shit" to the left, like willows in the wind, echoing each other, and the rhythm is wonderful music.
Another example is the word "quasi-return", which is also true. The brushwork is smart and ups and downs, which is expected.
This is also a work that I can't surpass recently.
In addition to the above characteristics of calligraphy, Li Bai's third painting, Qing Ping Carving Art, seems to satisfy me more with its sense of symmetry and grasp of the center of gravity.
The words "Huanong" and "Qun" are the focus of the whole picture, and the intentional blurring of "Fu" just expresses the meaning of "Fu", and the viewer seems to feel the warmth and comfort of the spring breeze.
The use of dragons, dragons and wolves can make Wang Yang's brushwork arbitrary, thick and moist, and extremely thirsty.
For example, Looking Up at Yushan, the brush branches naturally exposed in the lines show the brushwork of Cang Sang and the old man, and there is a natural environment.
The fourth painting "Bodhisattva River Soap Pen" by Xin Qiji, I like its composition.
The viewer can read every word horizontally, which is basically a patchwork and a standardized cursive composition.
The rest of the advantages, the viewer can clearly see, this is slightly different.
I used the strongest ink in the last painting of Tao Yong's poem titled Junshan/Dongting.
Up to now, all my calligraphy and dry pen are relatively mature, but I have never used moistening ink, light ink or swelling ink. I think we can boldly try Wang Duo's ink method to make calligraphy more expressive.
Of course, I should pay attention to avoid the unkempt appearance caused by "faint ink" and "swollen ink" in Wang Duo's calligraphy.
What I am most afraid of is that I have not learned the advantages of others, but I have learned all my shortcomings.
In real life, there are many such diligent learners.
The above is Jin Nong's "self-evaluation" of my poor work.
Therefore, the purpose of "self-evaluation" is to obtain a "other evaluation" that is level, weighty, insightful and can hit the nail on the head. The so-called "self-evaluation" attracts jade (other evaluations).
By the way, the first, second, third and sixth paintings are all entrusted calligraphy.
Except that the first picture is for relatives and friends, the rest are requested by Mr. Su in Shandong.
Because of Mr. Su's love for calligraphy, he has kept the silver coins he bought for Red Star Xuan Paper for two years. Smile.
Written on April 29th, 20021year.
Attached are six new calligraphy works in late spring-
Written on April 29th, 20021year.
Attached are six new calligraphy works in late spring-