In the second year of Pinger in Hanzhong (AD 185), the national treasure Cao Quanbei was 272 cm high and 95 cm wide. It was unearthed in Xinli Village, Heyang County in the early Wanli period of the Ming Dynasty, and 1956 entered the Anbeilin Museum. Now it is in Anbeilin. The content is Wang Hao's account of Cao Quanping. Cao Quanbei is a representative work of official script in Han Dynasty. It is famous for its elegant style and neat structure and is highly praised by calligraphers in past dynasties.
2. Zhang Qianbei
Zhang Qianbei, also known as Ode to Zhang Qian, is an official calligraphy work carved by Shu Dan, an anonymous calligrapher, and Sun Xing, a stonecutter in the Eastern Han Dynasty. This tablet was carved in the third year of Zhong Ping in the Eastern Han Dynasty (186) and unearthed in the early Ming Dynasty. Now it is hidden in the tablet gallery of Daimiao Temple in Taishan Mountain, Shandong Province. ?
The title of Zhang Qianbei's seal script is 12, and it is "Zhang Junzan's seal in the hub city of Han Dynasty", which is flat in shape and intended to be between seal scripts; Beiyang 15 line, 42 words; There are 3 columns of stone tablets, 2 columns above 19 lines, and 3 lines below.
This monument was erected by Wei Meng, an old minister of the ancient city, to commemorate the achievements of Zhang Qian. The inscription emphasizes the merits of Zhang Qian and his ancestors, Zhong Zhang, Sean, Zhang Shizhi and Zhang Qian, and involves the relevant plots of the Yellow Scarf Army, which is of high historical value.
Zhang Qianbei is a work in the mature period of the official script in the Eastern Han Dynasty, and its calligraphy attainments are very high. This monument has been highly praised by stone carvings and calligraphers since its excavation. Among the numerous inscriptions in the Han Dynasty, this monument won with simplicity, massiness and elegance, revealing the true feelings between the lines. With simple folk customs and solid and steady style, it can be called a masterpiece.
It is the representative work of Han Li and Fang Bi, with generous brushwork, Fiona Fang angular, vigorous and tortuous brushwork and steady writing.
3. Yiying Monument
The full name is "No.1 camp in Luxiang, please set up the stone tablet of Confucius Temple". There is no amount. Official script, 18 lines, 40 words. Emperor Huan was founded in the first year of Yongxing (153), and the monument is in Confucius Temple in Qufu, Shandong. This rubbing is a Ming Dynasty rubbing in the Palace Museum, with thick ink and rich and clear fonts. It is an existing copy of the word "Bi". Each page is 28.2cm long and 14.6cm wide.
There is a section of Wang Daxie's view on money, as well as the "Golden Stone Collected in Zhao's Book Village" and the "Rare Book Collected by Zhu Family in Xiaoshan". This inscription was written by Stuart and Sikongzhao. If they had warned Lu before, Yi Ying wrote to ask him to set up a stone pawn in the Confucius Temple to be responsible for the sacrificial ceremony of the Ministry of Rites.
This monument has a neat structure, even flesh and blood, rigorous statutes, and both pens and Fiona Fang, with a refined atmosphere in the middle. It is a typical work in Han Li's mature period, belonging to all directions and all the way. Ancient calligraphers were full of praise for this monument.
In the Qing Dynasty, "Shuo Yun" said: "The words are square and thick, which is enough to be called the beauty of the ancestral temple." He Ji Shao called this monument: "This is a magnificent monument. After opening, you can enjoy a door, but it is solemn and comfortable. " Zhao Mingcheng's Jin Shi Lu in Song Dynasty, Guo Zongchang's Jin Shi Lu in Ming Dynasty and Weng Fanggang's Jin Shi Ji in Han Dynasty are all recorded.
4. ode to Shimen
"Ode to Shimen" (full name "Ode to Han Jiang", hereinafter referred to as "Ode to Shimen") is a cliff stone carving made by Wang Sheng, then the secretariat of Hanzhong, and Wang Rongshudan, the assistant of the book, on the west side of the inner wall of Shimen in the second year of the Eastern Han Dynasty. It is a calligraphy work of Lishu. Now in the Hanzhong Museum. ?
"Ode to Shimen" eulogizes the story of Yang, a captain and Qianwei (now Leshan, Sichuan) in the Eastern Han Dynasty, who praised the oblique road and went to the number. The whole cliff is 26 1 cm high, 205 cm wide and 54 cm high. Ode to Shimen, a round pen, is Han Li's masterpiece, with steady lines, bold words and natural elegance. ?
Ode to Shimen is a monument in the history of calligraphy in China. It is also called "West Narrow Fu" with Lueyang's Pavilion Fu and Gansu Chengxian's West Narrow Fu, which is the representative work of Fu in Han Dynasty.
5. Huashan Temple Monument
In the Western Han Dynasty, it was called Huashan Temple Monument, or Huashan Monument for short, or Hua Yue Monument in Yan Xi. Eight years of Yan Xi in the Eastern Han Dynasty (165). In the thirty-fourth year of Jiajing in Ming Dynasty (1555), it was destroyed by an earthquake. There are 22 lines of inscriptions, each with 38 words. Inscription seal script "Xiyue Huashan Temple Monument".
Due to the destruction of the original stone, there are only four kinds of rubbings handed down from generation to generation, namely Changyuan Edition, Huayin Edition (Guanzhong Edition), Siming Edition and Li Wentian Edition (or Linglong Mountain Pavilion Edition). The "Changyuan Edition" was collected by Wang in Changyuan, Hebei Province, and has now flowed into Japan. Guanzhong Edition was collected by Dongyunju, Shaanxi Province in the Ming Dynasty and written by Wang Hong, a native of Huayin, and is now in the Palace Museum in Beijing.
"Siming Edition" was collected in Fengmao, Siming (now Ningbo) and is now in the Palace Museum in Beijing. Li Wentian Ben was collected by Ma Yuelu and Ma Yueyan brothers in the early Qing Dynasty and returned to Li Wentian. This book is now in the Chinese University of Hong Kong. "Siming Edition" is175cm long and 84.8cm wide. Huashan Temple tablet in Xiyue is full of praise, the inscriptions on seal script are colorful, and the strokes of the inscriptions on official script are rich and wonderful, which is the best in the Han Dynasty.
Baidu Encyclopedia-Lishu