15 years ago, Pei Bin was always excited to see Oracle Bone Inscriptions and bronzes in the Shang Dynasty. He witnessed the inscriptions on the swords and brushes of the Yin people with his own eyes, and gained enlightenment from the formal beauty full of foreign characters. He used the method of forefathers' knife and pen to integrate with the cursive script of seal script, and repeatedly improved it, overcoming more than 100 failures. He gradually made up lessons for the Tang and Song philosophers, standing and breaking, pouring and squeezing, saving and abandoning, and making a cold window.
Calligraphy requires painting to be elegant and easy to fly, but it is difficult to achieve massiness. Writing only pays attention to the sense of weight and volume, and learning from the solidified music-architecture will inevitably harden and stagnate. It is understandable and uncompromising to achieve the golden mean. It is so heavy and vivid. I don't know how many pieces of waste paper have been thrown away, and I sighed several times! With persistent perseverance, I picked up my hair cone several times and searched up and down, without suffering, fatigue and regret. Only when you live to be in your fifties do you know that the stubborn enemy who fights every day is actually your own depravity!
A few years ago, a friend in Guilin told me that Pei Bin was creating human calligraphy, and I was very conservative. I shook my head and retorted, "1, and wrote everything that no one else had. Paper, silk and stone can be passed down from generation to generation, and instruments have nothing to do with artistry. " 2, the word and on the human body, people can't stand (sit) in the exhibition hall all the year round without bathing and dressing, no matter whether it is cold or hot; 3. The original is difficult to preserve, and the appeal of the photos is weakened; 4. If foreigners don't understand calligraphy, how can they combine it?
Although these words are the words of one family, there are many people who hold such views.
I don't know how to solve several major contradictions today. Pei Bin soon sent photos of Fu Zi, and the beauty and vitality of a brushwork touched many Chinese and foreign appreciators. The magnificence, grace, elegance, dance and musicality of the human body correspond to the characters and echo the same factors in the characters. It is not a blunt patchwork, but a school of its own, which must be carefully examined and approved by relevant departments and the general audience. Fill the gaps, foster strengths and avoid weaknesses, and gradually achieve the unity of truth, goodness and beauty. I have no right to make friends based on personal likes and dislikes. A normal mentality and principled tolerance are instructive to yourself and others.
Pei Bin's writing is solid and firm, avoiding roughness and being calm. His use of the scattered front (the hair of the brush is scattered like a ponytail) is elegant, but it can also be arbitrary, and it is better to be orderly in the complexity. The image of writing, the beauty of painting and writing, and the colorful black seem to be different, absorbing a small amount of official handwriting and making the shape more colorful. In the idle years, smart people are good at making up lessons and succeeding. Pei Bin pays more attention to famous historical sites, enriches wall foundations and builds tall buildings, which will get twice the result with half the effort. Painting is more beneficial to predecessors, and the language is more accurate, refined and steady.
Before a book goes to press, please ask for criticism in many ways. Ma Yuan said: "A late bloomer is a good worker, and a good worker is not plain." Park, unfinished blank. The author follows good advice and will move forward steadily.