Personal overview
Wen Zhiming was born in 1470 and died in 1559, Changzhou (now Suzhou, Jiangsu). Ming dynasty painter. At the beginning of his fame, he was famous for Hengshan and Hengshan lay people. Zhai Yunguan. The official of Hanlin is waiting for a letter, and Mr. Xian Zhen is a private servant. He is versatile, studying literature in Wu Kuan, books in Li Yingzhen and painting in Shenyang, and his reputation is growing. He, Zhu Yunming, Tang Yin and Xu Zhenqing are also called "four gifted scholars in Wuzhong". Li Yingzhen, a beginner in calligraphy, later studied Song and Yuan Dynasties, traced back to Jin and Tang Dynasties and became a master of ancient times. Kay, Xing, Cao and Li are all good, especially in small letters, and they are called "two kings". Tao's Book History Society in the Ming Dynasty said, "If you want to cursive in small letters, you will get a wise brushwork. It is especially good for big books to imitate Fu Weng, such as dancing in the phoenix and singing in the bamboo cave." Good at painting landscapes, flowers and figures. There are many students, forming a "Wu Pai", which together with Shen Zhou, Tang Yin and others are called the "Four Wumen Schools". His handed down works include A Picture of a Melody Singing in a Lonely Valley, which is now in the Cleveland Academy of Fine Arts. "Authentic Appreciation Map" volume, at the China History Museum; Axis of "Two Images", in the Palace Museum. His sons, Peng and Jia, and his nephew, Boren, were all able to study at home and became famous for a while. Fu on the Red Wall was written on paper in the thirty-fifth year of Jiajing (1556). It is 34 cm long and 530.7 cm wide. This volume of calligraphy, the author can freely control, momentum flow. The scroll of this trip was probably written by Wen Zhiming with a soft pen, and the lifting, pressing and leading in the writing process were very accurate. Some horizontal paintings borrowed from Huang Tingjian's brushwork and changed slightly. It can be seen that the brushwork of this running script is vigorous, imitating the Yellow Valley, elegant, warm and vigorous, showing superb artistic skills and interest, which makes people feel that Wen Zhiming has entered the brilliant artistic realm where people and books are old.
occupation
Wen Zhiming's early fame and fortune career was not smooth. During the Ming and Qing Dynasties, people who passed the examinations at all levels and passed the examinations in Shangguan, Zhou and County schools were generally called "students" or "Jinshi". Wen Zhiming took the exam at the age of a student, and passed it at the age of 53 in the first year of Jiajing (A.D. 1522), but failed to pass it, so he was a teenager. At the age of 54, he was recommended to the court in Beijing by Li Chongsi, the minister of the Ministry of Industry. After examination by the official department, he was awarded a low-paid post in imperial academy. At this time, his calligraphy and painting have gained a good reputation. He asked for a lot and was greatly influenced by John.
The jealousy and rejection of colleagues in the Academy of Forestry made Wen Zhiming very unhappy. Since he came to Beijing in the second year, he has written a letter asking to resign and go home. He made three resignation reports in three years before he was approved. At the age of 57, he resigned from Beijing, decided to sail south and returned to Suzhou to settle down. From then on, he devoted himself to poetry, calligraphy and painting, no longer seeking official positions, and sent himself away by playing with ink. Famous in his later years, he is known as "writing all over the world". People who bought his calligraphy and painting called him "envious of the sea and mountains" as soon as they stepped on the threshold. Wen Zhiming, who died at the age of 90, is the oldest among the "four gifted scholars in Wumen". Nearly ninety years old, still tireless, is an epitaph. Before he finished writing, he "put down his pen, sat down and died."
calligraphy
In terms of calligraphy, he was influenced by his father and friends to write Su Ti in his early years, and later by his father-in-law, Li Yingzhen, and learned more brushwork in the Song and Yuan Dynasties. Learning from the Jin and Tang Dynasties, Xiaokai became stronger. In the small script praised in Volume 7 of Hangzhou's Five Miscellaneous Books: "There is no real regular script, that is, Zhong and Wang Chuan's" Finger Table "and" On "are all pens. In the Tang Dynasty, monuments such as Jiucheng Palace and Duopagodas began to be cautious in painting and calligraphy, but the problem of being overweight and thin was inevitable. By the time of this dynasty, Mr. Zhong began to have a very interesting structure, with well-proportioned density and suitable location. Such as avalokitesvara, full of color. It is also a generation in the bookstore. " His big characters are written by Huang Tingjian, elegant and good at bone rhyme. Zhu Yunming and Wang Chong pay equal attention.
Wen Zhiming Zhai Ming stops at Yunting. The official of Hanlin is waiting for a letter, and Mr. Xian Zhen is a private servant. He is versatile, studying literature in Wu Kuan, books in Li Yingzhen and painting in Shenyang, and his reputation is growing. He, Zhu Yunming, Tang Yin and Xu Zhenqing are also called "four gifted scholars in Wuzhong". Li Yingzhen, a beginner in calligraphy, later studied Song and Yuan Dynasties, traced back to Jin and Tang Dynasties and became a master of ancient times. Kay, Xing, Cao and Li are all good, especially in small letters, and they are called "two kings". Tao's Book History Society in the Ming Dynasty said: "With small letters and cursive brushwork, you can get a clever brushwork, and great books are especially good if they imitate Fu Weng, such as A Brief Introduction to the Phoenix Dance and Chun Zhu Cave." Good at painting landscapes, flowers and figures. There are many students, forming the Wu Sect, which is also called "Ming Sijia" with Shen Zhou, Tang Yin and Chou Ying. His handed down works include A Picture of a Melody Singing in a Lonely Valley, which is now in the Cleveland Academy of Fine Arts. "Authentic Appreciation Map" volume, at the China History Museum; "Two Hometowns" axis, in the Palace Museum. Briefly introduce his son Peng Hezhiming, and his nephew's name is Boren, both of whom were able to learn and were famous at that time. Fu on the Red Wall was written in ink on paper in the thirty-fifth year of Jiaqing (1556). It is 34 cm long and 530.7 cm wide. This volume of calligraphy, the author can freely control, momentum flow. The scroll of this trip was probably written by Wen Zhiming with a soft pen, and the lifting, pressing and leading in the writing process were very accurate. Some horizontal paintings borrowed from Huang Tingjian's brushwork and changed slightly. It can be seen that this calligraphy style is vigorous, imitating the Yellow Valley, elegant, warm and vigorous, showing sophisticated artistic skill and interest, making people feel that Wen Zhiming at this time has entered the brilliant artistic realm where people and books are old.
Artistic characteristics of works
Wen Zhiming's accomplishments in painting and calligraphy are extremely comprehensive, including landscapes, figures, flowers and orchids. The theme of landscape painting mostly describes the scenery in the south of the Yangtze River, while the characters and manners in the landscape completely imitate Zhao Mengfu. Li Jicheng, a figure painter, inherited the ancient tradition, and his brushwork is exquisite and fluent. In his later years, Wen Zhiming had two styles: thick accumulation and thin hair, and the more he worked, the more he worked. Wen Zhiming studied painting theory all his life and worked hard, which made him famous. Keep pace with teacher Shen Zhou, and become the leader of Wumen 50 years after Shen Zhou.
Li Yingzhen, a beginner in calligraphy, has learned from the masterpieces of the previous generation, and has his own accomplishments in seal cutting, official script, regular script, calligraphy and cursive script. Especially good at running script and small letters, warm and beautiful, rigorous statutes and vivid ideas. Although there is no vigorous momentum, it has the charm of Jin and Tang calligraphy and has its own certain style. Small letters are euphemistic and slow-paced, which complements his painting style and is known as "the first in Ming Dynasty".
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