Shan's calligraphy works cover the poems of the white sun.

"Living in the Mountain for Hundred Days" is one of "Collection of Herons" by Wang Zhihuan, a poet in the Tang Dynasty. This ancient poem plays an important role in China's education. So, have you ever enjoyed the calligraphy pictures of Poem Covering the Day from the Mountain? The following are the pictures of calligraphy works of "The White Sun on the Mountain" that I compiled.

Appreciation of calligraphy works of daytime poems by mountain cover

Calligraphy Pictures of Mountain Shading the White Sun 1

Picture 2 of calligraphy works of mountain-covered daytime poems

Photo 3 of calligraphy works of mountain-covered daytime poems

Calligraphy works of daytime poems written by mountain cover Figure 4

Photo 5 of calligraphy works of mountain-covered daytime poems

Calligraphy works of daytime poems written by mountain cover Figure 6

Calligraphy works of daytime poems written by mountain cover Figure 7

Photo 8 of calligraphy works of mountain-covered daytime poems

Appreciation of Heron Hostel The extraordinary ambition of the author of the poem "Climbing to the Top and Looking Far" reflects the positive and enterprising spirit of the people in the prosperous Tang Dynasty.

Among them, the first two sentences are what you see. ? The mountains cover the day? Write about the future, the mountains, and the scenery you can see upstairs. The ocean runs out of golden rivers? Write close-ups, water and spectacular scenes. Here, the poet captured the rivers and mountains of Wan Li in a very simple and plain language with just ten words; Later, when people read these ten words a thousand years later, they felt like they were underground. If they see the scenery, they will feel that their minds are open. Looking into the distance, a touch of sunset sank to the endless rolling mountains in front of the building and disappeared into Ran Ran at the end of the field of vision. This is the sky view, the distant view and the western view.

The second sentence is about the Yellow River flowing through the front and bottom of the building, roaring south, then turning east in the distance and flowing to the sea. This is from the ground to the horizon, from near to far, from west to east. When these two poems are combined, the scenery of up and down, far and near, and things are all contained under the pen, which makes the picture look particularly broad and distant. As far as the second poem is concerned, the poet can't see the Yellow River entering the sea from the stork building. The sentence is written in the middle of the poem, which is a way to combine the foreground with the sky. This writing increases the breadth and depth of the picture. Call the sun? Day? This is a realistic style. The setting sun holds the mountain, and the clouds cover the fog. At this time, the brightness of the sun, which has weakened, is even dimmer, and the poet directly observes it? Day? The miracle. As for it? Yellow River? . Of course it is also realistic. It flies like a golden ribbon in the mountains.

What the poet presented to him was a magnificent picture. This picture is still in a fast-changing dynamic. It's only a short process to walk by the mountain for a day; The Yellow River flows to the sea, but it is an eternal movement. If this kind of scenery is beautiful, then it is a dynamic beauty, full of infinite vitality and lively beauty. This is not the so-called? Freeze? , is not a precious specimen. The generosity of the poet left a deep impression on the readers. Write the last two sentences. ? But you expanded your horizons by 300 miles? Poets have an endless desire to explore. The only way to see farther and where their eyes can reach is to stand higher. Up a flight of stairs? . ? Thousands of miles away? , are imaginary numbers, are the vertical and horizontal space in the poet's imagination. ? Want to be poor and good? How many hopes and longings are contained in the text. These two well-known poems are not only unexpected, but also very natural, close to the first two. Also, use a at the end? Architecture? Words, also played a role, then this is a poem. It can be inferred from the second half of the poem that the first half was written on the second floor. The poet wanted to see the distant scenery as far as possible, and even climbed to the top floor of the building. The poem seems to write the process of climbing stairs straightforwardly, but it has far-reaching implications and is intriguing. Here is the poet's enterprising spirit, forward-looking mind, and also the philosophy of standing high and looking far. As far as the writing characteristics of the whole poem are concerned, this poem was said by the Japanese monk Konghai in On the Chamber of Secrets in the Mirror? The scenery is reasonable? . Some people say that poetry should not be reasonable.

This should only mean that poetry should not be blunt, boring and abstract, not that philosophy cannot be revealed and promoted in poetry. Just like this poem, it perfectly dissolves truth, scenery and events, making readers feel comfortable instead of reasoning. This is a mode to express the philosophy of life through thinking in images according to the characteristics of poetry. The writing of this poem has another feature: it is a quatrain full of antithesis. The first two sentences? Day? And then what? Yellow River? Two nouns are relative. White? With what? Yellow? These two colors are opposite. According to? With what? Become? These two verbs are opposites. The last two sentences are the same, which constitutes a formal perfection.