Appreciation of Jiang Xun's Calligraphy Works
Selected pictures of Jiang Xun's calligraphy 1
Selected pictures of Jiang Xun's calligraphy II
Selected pictures of Jiang Xun's calligraphy 3
Selected Pictures of Jiang Xun's Calligraphy 4
Basic introduction of Jiang Xun
Jiang Xun (1947) is a famous painter, poet and writer in Taiwan Province province. Born in Xi 'an, his ancestral home is Changle, Fujian. Flower waterscape painting is very popular in Taiwan Province Province, and students love aesthetic teaching and awakening. Graduated from History Department and Art College of Chinese Culture University. 1972 studied in France, 1976 returned to Taiwan Province. In addition to painting, Jiang Xun also worked hard in the literary world. He has published many poems and served as the editor-in-chief of The Lion, an early art publication in Taiwan Province Province. He is the current president of United Literature.
Jiang Xun won the first prize in the Taiwan Province Novel Competition, the New Poetry Recommendation Award of China Times and the Luqin Wu Prize for Literature. Another feature of him is that he once made a radio program "Cultural Square", which was broadcast by Taiwan Province Police Radio Station, which was well received and won the Golden Bell Award of 1988.
Ink and wash methods of calligraphy
Where there is ink, there is a pen, and where there is a pen, there is ink. Pen and ink are interdependent and complementary, and the method of using ink is also an auxiliary means of brushwork. The ancients used ink as thick as paint, while Su Dongpo used ink as black and bright, like a child's pupil. In the Ming Dynasty, with the rise of literati painting, it was very common for painters to be calligraphers. Therefore, in the field of calligraphy, the ink method of painting is gradually integrated to increase the interest of calligraphy works. The ancients said that ink is divided into five colors, that is, it is generally divided into thick ink, light ink, dry pen, rising ink and thirsty pen.
1, thick ink
Thick ink is a common method of using ink, which was commonly used by the ancients. Ink is like paint, written in black and white on white paper, which is extremely eye-catching, clear and full, and radiant.
2, light ink
Light ink is an intermediate color between black and white, with gray tone as the main color, giving people an elegant aesthetic feeling. Light ink is closely related to the skill of using water.
3. Run out of ink
Moistening ink refers to the phenomenon that too much ink on rice paper overflows beyond strokes. The beauty of rising ink lies in maintaining the basic form of lines while having hazy ink interest, so that lines and surfaces are integrated. If you write in Su Mo, the water is separated from the stippling, and the brushwork is clear, with bones and flesh, which will give you another taste.
4, thirsty pen and dry pen
Thirst pen refers to the effect of writing on paper after most of the water contained in the light ink in the pen is lost; Dry pen refers to the effect of writing on paper after most of the ink contained in thick ink is lost. The former is moist in the sky because of water, and the latter is old in the sky because of thick ink.
Ink painting has many skills. Da Zhongguang said? Familiar with grinding ink, live without water; Dip in a pen to moisten, but frown and use it will be turbid. ? Kang Youwei also concluded:? Dry grinding ink is wet, and wet grinding ink is dry. In addition to the technique of changing ink, the rhythm change from thick to dry formed by the number of times of dipping ink and the number of words dipped in ink at a time is also one of the very important ink painting techniques. ?
If a book has dry, wet and cloudy changes at the same time, it can enhance the sense of rhythm of the work, which is a manifestation of skillful techniques. You can't change for the sake of change. You can't pursue a certain ink effect, otherwise it will look pretentious and tacky.